Medusa is my favorite Inhuman. I'd like a solo title about Medusa.
what would it be about?
Medusa is my favorite Inhuman. I'd like a solo title about Medusa.
what would it be about?
Creators at the big 2 have little input into collected edition iirc collected editions editor is who you would want to pesterI wanna collect Ultimate Spiderman and I like their 12 issue Ultimate collections...but they had an almost 2 year gap between Vol 4 and 5, and then Vol 6 is due out in June...does anyone know if Marvel actually plan on doing it with any sort of regularity and finishing it or should I pester Bendis on twitter?
I think Marvel would go for that.Medusa pegging Black Bolt/Johnny Storm repeatedly
Getting ready to start a new D&D campaign and I'm basing the whole thing off of Time Runs Out. Should be fun, I have all kinds of places and characters I'm going to have the heroes wipe out wholesale. Yeah, they'll kill off Eberron, Dark Sun, Ravenloft etc. but Ponyville and the Justice League are at the top of my list.
I think I have the whole meta-plot figured out in a D&D way too. There is still a Doom-esque characters and Beyonders stand-ins, but their plans and machinations are going to be a little different.
Medusa is my favorite Inhuman. I'd like a solo title about Medusa.
Nah, she needs a crew.
Best inhuman is still Kamala and then Crystal and Quake.
I like Naja also
I like Naja also
How was Batman: Europa? Worth a hardcover purchase?
I like Naja also
She was a model was she?
Different person
This is Naja
How did no one mention she was in Agents of Shield. I would have watched it for her.
How did no one mention she was in Agents of Shield. I would have watched it for her.
Thief of Thieves #1 was ok. I'll continue it at some point. I can wait for a sale though.
This is not a good book
That's another Kirkman book, isn't it?
Tokyo Ghost and Cultural Appropriation
Tokyo Ghost and Cultural Appropriation
I want to talk about Tokyo Ghost a little bit. This may be an unpopular opinion, and I imagine it's a generally unrelatable opinion for many of you, but I will try to explain myself—I thought the writing of this comic was extremely bad.
I want to state that my opinion is first and foremost influenced by my relationship with Japan, and this is where I can imagine many people saying "Oh, Remender is just having fun," "It's cool. He's using Japanese imagery, so he obviously respects it," or "It's stupid to find it offensive. It's not like it's racist." His representation of Japan is highly misguided, and it feels often like nothing more than ignorant fetishism of a misunderstood culture. I am not offended by the work on the grounds that it is racist or insulting to Japanese people, but I am annoyed with the shallow view of Japan when it's such a integral part of the comic as a whole.
It could be that as someone who lives in Japan and loves the history, art, culture, language, music, and literature created here, I am being far more critical of aspects that don't bother many people in general. I accept that, but I don't think that makes my critiques any less appropriate.
There is what, one Japanese person in the comic? It's mostly a bunch of white guys with Japanese swords. The role of women in the comic is about as important as the role of Japan; women are used as nothing more than something to look at (the number of topless shots is completely unnecessary and classless, and showing a few limp dicks is not the same thing at all). Japan only exists as some serene set pieces with culture to be used as a women by white males to fight each other. What is the point of involving Japan at all? The dialogue often felt childish, and I was honestly shocked that Remender would write characters consistently poorly. I understand that art is generally subjective, but there is a certain bar of quality based on the grand history of many mediums with which we juxtapose works. Therefore, I would argue that those who found the writing to be fantastic pick up a respected piece of literature. Perhaps that's harsh, but I heard people laud the writing of this book. I think that's insane.
In conclusion, I found the whole volume to be highly misrepresentative of Japan and wholly out of touch with Japan's history, culture, and its people in general. In addition, the writing feels like some of the weakest I have read from Remender, and the lead female mostly exists to take her top off—a trope in comics that I had wished Remender could evolve past. The art, though, is wonderful.
I thought Debbie was the heart of the book, her lumbering semi-unconscious boyfriend who gave up control for power was the sidekick she was sticking with out of shared history and hoping for a better future even though she knows he's mostly lost. My gripe was how it all unraveled when they went to Japan, which could have been any no-tech zone, in howthe people that beat up the guy just happened to also be in Japan too and them attacking him lead to even more disaster.
Hmmm i always planned on buying tokyo ghost but now i might plan on actually reading it. Hrm
Maybe Remender is an oblivious white guy like the many white guys writing comics before him
I worked with a girl whom I'll never work with again because she was only training at our store for a week and I won't work with her for the rest of it.Wedding are fun.
But I didnt dared to ask the hot girls here to dancf. With me
Yeah the visuals were what really struck me. I really liked the characters, but the drama wasn't strong enough in the movie. I mean, it was strong enough to keep me invested, but not as strong as I wanted. Good to know that the books develop that more. I mean, in the movie they straight up skip over the Katuyanagi Twins as far as their backstory with Ramona goes.The books have a much longer time frame for the events of the story than the film and with that comes a lot more depth and development, it doesn't hurt that the art is great too. I enjoyed the film although I do think the books are a better story overall. I will say if you loved the film at the very least reading the books will help you appreciate it more as you'll be able to see panels and scenes which were perfectly translated to film. Edgar did a fantastic job with the casting and visuals of the film.
Eh she's really not sol-Medusa is my favorite Inhuman. I'd like a solo title about Medusa.
-SUPPORTED!Medusa pegging Black Bolt/Johnny Storm repeatedly
Nah, she needs a crew.
Best inhuman is still Kamala and then Crystal and Quake.
Quake was around before Kamala was even an idea.
I like Naja also
Naja is super cool. Also tsundere.
Loved Naja in the SW tie-in.
She wasn't.Different person
This is Naja
How did no one mention she was in Agents of Shield. I would have watched it for her.
I think she was just a latina college student.I meant her past was likely that she was a model.
Tokyo Ghost and Cultural Appropriation
I want to talk about Tokyo Ghost a little bit. This may be an unpopular opinion, and I imagine it's a generally unrelatable opinion for many of you, but I will try to explain myselfI thought the writing of this comic was extremely bad.
I want to state that my opinion is first and foremost influenced by my relationship with Japan, and this is where I can imagine many people saying "Oh, Remender is just having fun," "It's cool. He's using Japanese imagery, so he obviously respects it," or "It's stupid to find it offensive. It's not like it's racist." His representation of Japan is highly misguided, and it feels often like nothing more than ignorant fetishism of a misunderstood culture. I am not offended by the work on the grounds that it is racist or insulting to Japanese people, but I am annoyed with the shallow view of Japan when it's such a integral part of the comic as a whole.
It could be that as someone who lives in Japan and loves the history, art, culture, language, music, and literature created here, I am being far more critical of aspects that don't bother many people in general. I accept that, but I don't think that makes my critiques any less appropriate.
There is what, one Japanese person in the comic? It's mostly a bunch of white guys with Japanese swords. The role of women in the comic is about as important as the role of Japan; women are used as nothing more than something to look at (the number of topless shots is completely unnecessary and classless, and showing a few limp dicks is not the same thing at all). Japan only exists as some serene set pieces with culture to be used as a women by white males to fight each other. What is the point of involving Japan at all? The dialogue often felt childish, and I was honestly shocked that Remender would write characters consistently poorly. I understand that art is generally subjective, but there is a certain bar of quality based on the grand history of many mediums with which we juxtapose works. Therefore, I would argue that those who found the writing to be fantastic pick up a respected piece of literature. Perhaps that's harsh, but I heard people laud the writing of this book. I think that's insane.
In conclusion, I found the whole volume to be highly misrepresentative of Japan and wholly out of touch with Japan's history, culture, and its people in general. In addition, the writing feels like some of the weakest I have read from Remender, and the lead female mostly exists to take her top offa trope in comics that I had wished Remender could evolve past. The art, though, is wonderful.
Let's shit on Empress even though we haven't read the book.
Have you noticed the strange thing with Mark Millar Comics, that the movie adaptions always turn out far superior?
What does this mean?Man they made Songbird/Screaming Mimi country as fuck in the Avengers cartoon.