What does this mean?
Thunderbolts in Avengers Assembled.
And Animated Andy Serkiss is kind of creepy.
What does this mean?
No, I mean what country as a adjectiv does meanThunderbolts in Avengers Assembled.
And Animated Andy Serkiss is kind of creepy.
No, I mean what country as a adjectiv does mean
No, I mean what country as a adjectiv does mean
You just had to be there to get it.
Really? Hm. Do you find the humor to be mediocre?
I felt the same
Kipp
IN 2016
Medusa pegging Black Bolt/Johnny Storm repeatedly
Deadpool and the Mercs for Money #3 of 5
Harley's Little Black Book #3
Invincible #127
Jem and the Holograms #14
The Mighty Thor #6
Power Man and Iron Fist #3
Star Trek: Manifest Destiny #1 of 4
Star Trek: Starfleet Academy #5 of 5
Spider-Man/Deadpool #4
Superman: American Alien #6 of 7
Superman: Lois & Clark #7
Switch #3
The Transformers #52
I like the art, since I always assumed the intent was to be unsettling.I just finished reading volume 1 of Locke & Key. I really liked it, though I'm not sure how I feel about the art. The faces are very cartoonish which normally wouldn't bother me... But I find something about the style very ugly. It's like Doonesbury crossed with anime.
Still, the story is interesting enough that I'll be picking up volume 2.
Lockjaw is a dog. At one point they say he's a human but I think it was to fuck with Ben Grimm.Two best Inhumans right here.
I have a soft sport for Eldric from Soule's Inhuman. He was that werid inhuman who got turned into a gate when he went through Terragenesis, and the other inhumans told him to be thankful for being a piece of furniture while they used to teleport around the world.
So were being Clear Lockjaw is actually a superpowered dog right, cause him being a former human is kinda fucked and depressing.
You still watch that? Is it even any good?Man they made Songbird/Screaming Mimi country as fuck in the Avengers cartoon.
I believe mercs for money is now ongoing m8
This series is limited. They're starting again at #1 after this run of 5 is over.
Creators at the big 2 have little input into collected edition iirc collected editions editor is who you would want to pester
Tokyo Ghost and Cultural Appropriation
I want to talk about Tokyo Ghost a little bit. This may be an unpopular opinion, and I imagine it's a generally unrelatable opinion for many of you, but I will try to explain myselfI thought the writing of this comic was extremely bad.
I want to state that my opinion is first and foremost influenced by my relationship with Japan, and this is where I can imagine many people saying "Oh, Remender is just having fun," "It's cool. He's using Japanese imagery, so he obviously respects it," or "It's stupid to find it offensive. It's not like it's racist." His representation of Japan is highly misguided, and it feels often like nothing more than ignorant fetishism of a misunderstood culture. I am not offended by the work on the grounds that it is racist or insulting to Japanese people, but I am annoyed with the shallow view of Japan when it's such a integral part of the comic as a whole.
It could be that as someone who lives in Japan and loves the history, art, culture, language, music, and literature created here, I am being far more critical of aspects that don't bother many people in general. I accept that, but I don't think that makes my critiques any less appropriate.
There is what, one Japanese person in the comic? It's mostly a bunch of white guys with Japanese swords. The role of women in the comic is about as important as the role of Japan; women are used as nothing more than something to look at (the number of topless shots is completely unnecessary and classless, and showing a few limp dicks is not the same thing at all). Japan only exists as some serene set pieces with culture to be used as a women by white males to fight each other. What is the point of involving Japan at all? The dialogue often felt childish, and I was honestly shocked that Remender would write characters consistently poorly. I understand that art is generally subjective, but there is a certain bar of quality based on the grand history of many mediums with which we juxtapose works. Therefore, I would argue that those who found the writing to be fantastic pick up a respected piece of literature. Perhaps that's harsh, but I heard people laud the writing of this book. I think that's insane.
In conclusion, I found the whole volume to be highly misrepresentative of Japan and wholly out of touch with Japan's history, culture, and its people in general. In addition, the writing feels like some of the weakest I have read from Remender, and the lead female mostly exists to take her top offa trope in comics that I had wished Remender could evolve past. The art, though, is wonderful.
What prompted you to place the worlds only tech-less bastion in Tokyo?
RR: I think its the obvious contradiction of where Tokyo is now. The root desire for me in making comics is always visual, its always pulpy, its wanting to make something thats a serialized, exciting, strange, weird ride, because somebody has to spend years drawing these things. So Sean and I had wanted to introduce samurai, and it seems so outlandish [laughs], but its weeks of talking before it all forms into this clear picture.
We needed a tech-free zone as a counterweight to the Isles of Los Angeles, and so what we landed on was [that] Tokyo has been completely tech-free for a number of years. Theres an EMP field around all of Tokyo so theres no tech. Nature has reclaimed Tokyo. And as soon as we talked about that, we started yelling at each other about these visuals. Theres trees and vines and people are swinging around! And then we got the idea for this neo-bushido samurai movement.
Its the same thing with Davey Trauma in the book; hes a millennial nostalgist, and I love the idea that everythings about nostalgia. Kids now are starting to get nostalgic for Nirvana, which hits that 20-25 year cycle. Theres always that resurgence of interest. So we [got] the samurai element through a bunch of people who were refugees that had moved to Tokyo and had taken it upon themselves to create a new version of the bushido code.
Let's shit on Empress even though we haven't read the book.
Have you noticed the strange thing with Mark Millar Comics, that the movie adaptions always turn out far superior?
Yeah. It seemed to rely too much on "LOL RANDOM" rather than actual solid humor. It wasn't all misses though. I mean, I finished it, so it was entertaining enough I suppose. I just didn't really love it that much.
List of Zatanna features this week!
Only thing I'm picking up this week is Tokyo Ghost #6. So, yep.
Let's shit on Empress even though we haven't read the book.
Okay, but you have to admit some of the Elsa Bloodstone bits were hysterical.
I didn't know i was in a community that doesn't love Nextwave.
I have this for a couple of monthy on my shelf, maybe I should read it soon.I didn't know i was in a community that doesn't love Nextwave. That's fine. No problem here. I mean, we all love the Rockets but Nextwave just doesn't do it. Makes sense. I'm not even disappointed in each and every one of you.
I think this variant cover will help us figure out what to expect from Civil War II.
One person admits it, then they start coming out of the woodwork.
I don't know how to say this, but I'm from Cleveland and do not love the Rockets.I didn't know i was in a community that doesn't love Nextwave. That's fine. No problem here. I mean, we all love the Rockets but Nextwave just doesn't do it. Makes sense. I'm not even disappointed in each and every one of you.
Wayward does a much better job of using Japan.
Why is Marvel Unlimited missing like huge chunks to some of the X titles from the 90s? I want to read X-cutionors Song but I'm missing like half the event because of this.
Lex Luthor: The unauthorized Biography is an amazing story. Makes Lex really feel like a insane threat.
The Infinity Entity #4
Donald Trump may be the real life Lex Luthor.I don't need to pay for this kinda stuff, i'll just watch a Ted Cruz rally.
Donald Trump may be the real life Lex Luthor.
I mean I can totally see it after the Luthor Mini and this One Shot.
Maybe its more the businessman thing and that Trump isnt completly evil when it comes to worker rights (then again, the only time Lex seemed to be caring about people was when he financed the stripendia of the son of his roomcleaner)Cruz strikes me as the schemer type, i don't think Trump has thought about much of anything and just wings it.