Pax Americana
by Morrison, Quitely and Fairbairn
This image shows one of my favorite parts of Morrison comics. Often, he will have beings of higher understanding be mouthpieces for his thoughts on comics vs reality.
I havent read any other part of Multiversity but I can't imagine there is a better issue. Pax Americana is a masterful exercise in spacetime representation thats exclusive to comics. On many levels, this is a reworking of Moore and Gibbon's Watchmen.
Watchmen was drawn in a rigorous 9 panel grid only breaking when it served the story. Pax changes that up just a bit. Morrison and Quitely opt for an 8 panel base here. Morrison stated in an interview they decided on 8 panels to make it more like music. Im poorly versed on music theory, but from what I understand most music is based on 1-2-3-4 system. That 8 panel system works phenomenally well here.
It's a bit hard to understate how hard it is to pull off this book. My mind is boggled at how much work is packed into the 40 presented pages. Each page is meticulously designed. The story, dialogue, motion, color, etc all work in incredible unison. Each part complimenting each other to complete the overall objective. The following image is probably the quintessential example of Pax
This spread covers one physical space. Three timelines work in this space at the same time the reader is experiencing it. The story is kept clear by contrasting color palettes. Its just really really fucking impressive. Each story strand can be read by itself, followed by the next/previous and youre still receiving satisfying parts of a puzzle.
I highly recommend checking out
Nathan Fairbairn process explanation on his tumblr. It goes to show how the color is such an integral part of the storytelling process. My favorite bit
Fairbairn said:
Step 1: read Grants script and look at Franks line art
After weeping in a corner for a few minutes, I picked myself up and got stuck in.
Theres a stunning amount of thought and care that goes into doing it right, which is why I usually just fake the hell out of it. On this book, though, I put in the effort.
And by put in the effort I mean eventually asked Frank to do it for me when I couldnt get it to look right.
At any rate, this particular shadow was important. Frank told me he wanted the peace flag to cast the shadow of a mask on Harleys face, which, symbolically, is so goddamn brilliant it makes me want to fly to Glasgow and hug the guy.
Now, I knew I could never really color Franks art and have it end up looking as good as if hed done it himself, but I certainly wouldnt be able to live with myself if I didnt at least try my fucking best. So I put on my big boy pants, drank all the coffees, blacked out for a bit towards the end there, and eventually came up with this:
Step 4: paint the fucking thing
One more note on the story, you may have hear how often times stories are written circles. With an opening monologue mirroring the closing one. Or an object that appeared in the opening shot appearing in the final shot. Morrison takes that approach and literally twists the circle into an 8/infinity symbol. This type of story *can* be read backwards and forwards. I dont care that its almost a running joke you can do that but its true! The story works in so many ways. Pax Americana is a diamond you can admire only by looking at it in many ways.