Dave Meltzer
Banned
Instant Crush, Doin' It Right, Touch and Lose Yourself to Dance are all incredible. Same with Giorgio.
The only vocals I like are Todd Edwards on Fragments of Time.
Instant Crush, Doin' It Right, Touch and Lose Yourself to Dance are all incredible. Same with Giorgio.
The only vocals I like are Todd Edwards on Fragments of Time.
He's not really fat, he's pretty average if not a tiny bit pudgy. Bangalter is just tall and rail-thin so it's more contrast to that than anything.
Not too crazy about the album.
There are a few tracks I love: Touch, Giorgio, Lose Yourself to Dance, Motherboard, and Doin' it Right. Contact isn't bad either. A few of these took a listen or two before they sunk into my subconsciousness.
The rest, not so much. Fragments of Time reminds me of a Stealy Dan song, !
Good! It was a long wait for me but we'll worth it. My vinyl isn't as dead quiet as I hoped. A little crackly, but hope a clean will sort it out. Other than the crackly issue it's very good
Okay, Motherboard is sonic brilliance. Listening to this track while driving to work down I-95, 5AM in the morning, nobody else on the road; I can feel the urgency expressed through the speakers. Just makes me want to move faster. The tonal shifts work better here than on any other track on the album imo. Every other song sounds pretentious; like it's trying too hard to be different and edgy, but Motherboard is Daft Punk at their best.
Just to correct you, the album doesn't use a talkbox. It uses mostly a vocoder (when it's daft punk singing) or autotune.
Just to correct you, the album doesn't use a talkbox. It uses mostly a vocoder (when it's daft punk singing) or autotune.
Yea man, I always give fresh vinyl a quick destatic run down and cleaning. Most new stuff has built up a small static charge and in packaging a lot of paper flakes from the boards fall into the paper sleeves. A quick brushing fixes that tho.Yep, a clean really helped - much quieter now. Brand new vinyl needing a clean, who would have thought it.
Edit: Motherboard - oh yes
I don't think there's a CD release of Together.i figured this would be the best thread to ask. does anyone know where i can buy a copy of "together" by together (dj falcon & thomas bangalter)?
it was a roule label release, and i've managed to acquire a cd copy of "so much love" by together, so i assume this got a cd release as well. i can't seem to find it for purchase anywhere, whether it is vinyl, cd, or lossless digital download. the endgoal is to have a lossless file in my itunes, so the lossless/cd versions would be preferred.
I'm pretty sure you're right. The part that uses the talk box sounds much different in comparison to any of the vocoder tracks.That's a talkbox on Fragments of Time or I'll eat my hat. I listened to Frampton Comes Alive a lot so I can recognize a talkbox.
I don't think there's a CD release of Together.
There's some vinyls on sale in the Discogs market: http://www.discogs.com/sell/list?release_id=8094&ev=rb
This might have been posted already, but it's nothing short of amazing. 8-Bit Medley of all of the songs of the album.
http://www.youtube.com/watch?v=Yjw595chVgQ
Yea man, I always give fresh vinyl a quick destatic run down and cleaning. Most new stuff has built up a small static charge and in packaging a lot of paper flakes from the boards fall into the paper sleeves. A quick brushing fixes that tho.
Amazing album.
Cannot believe the hate for "Within". Spectacular song. Sorry if you guys only want nothing but dance tracks.
Favorite track on the album is either Beyond or Within.
Carbon fibre brushing didn't shift it. Ended up glueing it as I do with all my used records. It visibly made a massive difference in the run off groove and the after rip is so much cleaner than the before.
That's a talkbox on Fragments of Time or I'll eat my hat. I listened to Frampton Comes Alive a lot so I can recognize a talkbox.
Afaik there's zero autotune.
Yeh, except there's basically no auto tune on the album. Your friend needs to learn what vocoder and auto tune are.Literally better than the album.
A friend described the album as T-pain walking into a 70s porn and i guess its the best description i've heard.
im too nervous to do the wood glue thing. I hear that the end product usually ends up great, but yea, feel like I'm risking too much with that. Maybe if the record was legit fucked I'd give a crack, but new stuff, naw.
Someone needs to kidnapp Prince and force him to record the lines to Get Lucky and Lose Yourself to Dance
That's the thing I don't like about a track like Get Lucky... too much focus on the vocal. All they needed to do was mix it down a little more and it would've been far better, IMO.good idea, but i believe the point was to keep the vocalist anonymous and de-focused. i completely disagree that disco had fantastic vocalists. disco was very much about flashy production techniques, and most hits were sung by session musicians. in fact most german disco artists were good looking people who lip-synched.
I practiced on about a dozen junkers before I got it down right. I use a Stanton TT to spin the record, clamped down with a hockey puck. Use a credit card to spread the glue and then a little pull tab of dried glue from a previous gluing stuck on. Don't catch the label and leave a good gap in the run out groove.
Leave 24 hours then peel. It generates a lot of static but the carbon fibre brush gets rid of most of it.
I have a DIY record vacuum cleaner but the glue does a better job. It can pull out mould, dirt and stubborn particles.
Once I got really confident then I know I can glue anything without damage, including some quite valuable releases I bought back in the 90's.
In total I've glued about 600 records in the last couple of years without any issue.
That's Deadmau5's studio.
He moves toward the room's centerpiece: a massive modular synthesizer roughly four feet tall and six feet wide. "This is a custom system, new and handmade for us by a guy in Canada," he says. Bolted into four dishwasher-size wooden cases are dozens of oscillators, noise generators and envelope followers; above these are Borg filters, Boogie filters, step sequencers and a vintage oscilloscope. Blinking lights, silver switches and 933 different knobs sprout from the facade within an overgrowth of red, gray and yellow cables. "With a synthesizer like this, there are so many elements affecting the sound, from room temperature to capacitors – thousands of chaotic little parameters," Bangalter says proudly. "It's the opposite of the sterile environment of a computer." He heard that the Canadian producer Deadmau5 caught wind of the setup, contacted the manufacturer and "ordered the exact same one."
Well, if the Rolling Stone article was true, Deadmau5 has the exact same synthesizer.
Doesn't that refer to the one I posted. It seems to fit the description.