What a tease, damn.
This entire campaign has been pretty much the longest handjob ever. They must know their album is brilliant or the backlash is going to be insane.
I love the whole campaign. Their long absence and mysterious personalities combined with the huge billboards, collaborative video's and (I suppose controlled) leaks of the snippets are such a great way to hype everyone up for the album.This entire campaign has been pretty much the longest handjob ever. They must know their album is brilliant or the backlash is going to be insane.
I love the whole campaign. Their long absence and mysterious personalities combined with the huge billboards, collaborative video's and (I suppose controlled) leaks of the snippets are such a great way to hype everyone up for the album.
I want to be a French robot.
I love the whole campaign. Their long absence and mysterious personalities combined with the huge billboards, collaborative video's and (I suppose controlled) leaks of the snippets are such a great way to hype everyone up for the album.
Anyone else get reminded of Justice's Audio, Video, Disco from that snippet?
People actually listened to that? >_>
Anyone else get reminded of Justice's Audio, Video, Disco from that snippet?
I liked Audio, Video, Disco too. It's stylistically pretty different from Cross (both of which are pretty different from anything Daft Punk has done), but I enjoyed it anyways.
What is this stream that you guys are talking about?
I think this was the problem. Cross had a very specific and different sound from most dance music (at least at the time) and to wait so long for a followup and get something so different was a recipe for backlash and disappointment. Same thing that happened with MGMT's 2nd album. If you look at them separately from expectations they are good albums but they are not what most of their fans, who only had one album of material to base said fandom on, wanted.I liked Audio, Video, Disco too. It's stylistically pretty different from Cross (both of which are pretty different from anything Daft Punk has done), but I enjoyed it anyways.
You just described Discovery. Sometimes it works.I think this was the problem. Cross had a very specific and different sound from most dance music (at least at the time) and to wait so long for a followup and get something so different was a recipe for backlash and disappointment.