Except the stretch goal for 50K says:
A new HQ will mean well be producing entertainment full-time.
Anyone know if a Ratchet & Clank review is happening as would like to know what they think of it?
Huber is reviewing it, no idea when it will be up.
Yeah, just speaking for myself here... but i've read enough EZA business plan fanfiction in this thread to last a lifetime.Yes, that's what it says, which is not what you replied to. They are very unlikely to employ everyone full time at 50k. What they can do is employ some of them and get a real business going with some stability to it.
But enough of this money talk! Unless Easy Allies makes it our business, it's none of our business. If we don't like how they use our Patreon money, we can stop funding them. That's the power we have. No more, no less. Trying to figure out what they "should" and "shouldn't" do based on some imaginary budget is pointless, insulting, and a waste of a good thread.
Anyone know if a Ratchet & Clank review is happening as would like to know what they think of it?
This, honestly. Let's just enjoy the content that they give us.Yeah, just speaking for myself here... but i've read enough EZA business plan fanfiction in this thread to last a lifetime.
Yes, that's what it says, which is not what you replied to. They are very unlikely to employ everyone full time at 50k. What they can do is employ some of them and get a real business going with some stability to it.
But enough of this money talk! Unless Easy Allies makes it our business, it's none of our business. If we don't like how they use our Patreon money, we can stop funding them. That's the power we have. No more, no less. Trying to figure out what they "should" and "shouldn't" do based on some imaginary budget is pointless, insulting, and a waste of a good thread.
I don't even know where to begin with. We have no idea of what responsabilities, side jobs, any of them have. And not counting the hours of streams is disingenious at best.Whoa now, this is a company funded by the people. We are essentially shareholders. We absolutely should be talking about this.
For me, I have pledged some money and here are my thoughts. Minus streams, the current output comes to about 5-7 hours a week (Ian's show, Ben's podcast, EZA podcast, a couple of reviews, Hype, Tabletop, Im being generous) which isn't a whole lot. Many of those shows do not require scripting and minimal editing. So yes, I am left wondering where the team is spending their time, even if they aren't full time, I feel as if at this level we should be seeing a lot involvement from the whole crew.
Whoa now, this is a company funded by the people. We are essentially shareholders.
Whoa now, this is a company funded by the people. We are essentially shareholders. We absolutely should be talking about this.
Whoa now, this is a company funded by the people. We are essentially shareholders. We absolutely should be talking about this.
For me, I have pledged some money and here are my thoughts. Minus streams, the current output comes to about 5-7 hours a week (Ian's show, Ben's podcast, EZA podcast, a couple of reviews, Hype, Tabletop, Im being generous) which isn't a whole lot. Many of those shows do not require scripting and minimal editing. So yes, I am left wondering where the team is spending their time, even if they aren't full time, I feel as if at this level we should be seeing a lot involvement from the whole crew. That was essentially the goal of the Patreon yet I feel as if it is incredibly separated. Right now it should be noted that everyone seems to be getting separate equipment so that they can stream/record from their homes instead of going to Jones'.
However, this is only the first month still, not even. I am looking forward to seeing a concrete schedule and a plan going forward. I think what I am looking for most is a studio or studio setting regardless of the 50k goal because i think it is very important to "establish" them for non-patron audiences, especially drive-by's. Even Kinda Funny, even though its in one of their garage's, has a fake set. That's all I'm looking for.
I think EZA is a stellar group of people and the content so far has been amazing, but to me, Im a patron and fan. To others, non-patrons and the greater whole, I don't think the current content, minus the reviews, the content isn't as appealing. And those are the people (youtube drive-bys) that will sustain EZA in the long run, because the patreon is more than likely going to be front-loaded heavily.
Im just want to look out for EZA. I respect your opinion that we shouldn't talk about their financial status, but I want to see EZA last for a long time, I don't want to remain silent if I see issues or problems because Gametrailers died on much the same model.
edit: Note, I never said they should do this/that, i just want transparency and to know what they are planning.
This is supposed to be a feel good place. Let's all calm down and enjoy the content we have now. We're still early into the EZA existence.
is cup of jones coming to the main EZA channel or on his own channel?
is cup of jones coming to the main EZA channel or on his own channel?
Whoa now, this is a company funded by the people. We are essentially shareholders. We absolutely should be talking about this.
[...]
is cup of jones coming to the main EZA channel or on his own channel?
Why so dramatic?Thats it, I'm unsubbing from this thread.
Also, aren't you the guy that interned once at GameTrailers?
You're not essentially anything except a patron of the arts, and certainly not a shareholder. You're not even remotely near being anything that could resemble being a shareholder, even if you squint and turn your head a little and take drugs in the process.
You're awarding yourself a status you do not have. If you went into supporting Easy Allies with the wrong expectations, then that sucks for you. It doesn't change their responsibilities towards you though, and it doesn't give you any rights beyond not supporting them at some point in the future.
For me, I have pledged some money and here are my thoughts. Minus streams, the current output comes to about 5-7 hours a week (Ian's show, Ben's podcast, EZA podcast, a couple of reviews, Hype, Tabletop, Im being generous) which isn't a whole lot. Many of those shows do not require scripting and minimal editing. So yes, I am left wondering where the team is spending their time, even if they aren't full time, I feel as if at this level we should be seeing a lot involvement from the whole crew. That was essentially the goal of the Patreon yet I feel as if it is incredibly separated. Right now it should be noted that everyone seems to be getting separate equipment so that they can stream/record from their homes instead of going to Jones'.
I'm so anxious for Ben's podcast.
I'm so anxious for Ben's podcast.
Yeah, Im sorry I said what I said. I just want to see EZA succeed, that's all. Im a patron and I can only hope for the best. Didn't mean to turn this into some weird discussion of behind the scenes details.
Edit: yeah I interned at GT so I guess I'm just sad I never got to go back there and get a job, probably never will. That's why I'm hoping for EZA to succeed.
When does it drop exactly? Or have they not said
is it today?
it's all good. now back to good vibes and hype!
If it's not today (Kyle said maybe), we'll likely find out in Cup of Jones.
Thanks, like I said I just want to see everyone on the team get what they deserve.
I'm watching through tabletop right now. When were the mice introduced? Im watching the spervance encounter and everyone is talking like this is the second time they have been introduced.
Oh man, I'm pretty sure they were in before that. When, I can't say.
When does it drop exactly? Or have they not said
is it today?
Tuesday Twitch Stream poll is up on patreon. . . Go R&C (I do not want to see salty Bosman two weeks in a row)
Tuesday Twitch Stream poll is up on patreon. . . Go R&C (I do not want to see salty Bosman two weeks in a row)
I voted R&C despite it not being my kind of game, but the other 2 are way less an option for me, so...