Zhu's latest work is here in the form of a 14 track EP known as GENERATIONWHY. He's been around the scene for a couple years now with notable works such as Faded and Working For It hitting the mainstream audience with a distinctly dark sound that nobody else was really bringing to the table.
It's clear that ZHU is greatly influenced by jazz music as he has spoken in the past about his jazz background - he has clearly taken the approach of combining many of those sounds with. On GENERATIONWHY, while maintaining some of that dark feeling, mostly would be better described as mellow. He reaches into familiar territory on this LP by kicking off with Cold Blooded and In The Morning while going into some slightly more energetic tone by following up with Secret Weapon and Electrify Me, the latter closely resembling some earlier works from Disclosure
(almost too much so). Zhu throws in some light hearted tunes especially at the end with tracks such as Hometown Girl and Generationwhy, a welcome change of pace from that darker, grimier feeling of a substantial amount of his work, and one could argue
that more or less the entire album is tropical house, just with his own twist to it. Additionally it's obvious that he has an extensive amount of experience and talent as a performer as there are several keyboard and guitar solos throughout. I love these little parts because it reminds listeners that electronic music is MUSIC to the core, which is sometimes hard to see in a market full of untrained musicians being full time professional producers.
But while much of this production quality is pristine, the live instrumental elements are very welcome additions, and there are some interesting ideas thrown in, somehow the body of work as a whole manages to be overall uninteresting. ZHU is clearly good at doing one thing and making overall small changes from song to song, which makes for an LP that almost entirely sounds the same. I can't really cherry pick any songs from GENERATIONWHY that I thought "wow this one especially is really special" because nothing stood out like that. This is often a problem producers run into with creating a body of work like this - if you want to go for a certain feeling from start to end, one has to find ways to vary it up enough to make it engaging, but GENERATIONWHY doesn't grab me that way. It felt forgettable.
However my biggest issue with ZHU's music, first and foremost, is his vocals. While there are some uncredited vocalists throughout the album, there weren't any that stood out particularly, and ZHU's own vocals take the spotlight for the vast majority of the 58 minute body of work. The problem is that his singing just isn't all that good - he attempts at adding this ghostly feeling to his songs, and while I see the intentions could work on paper, in practice there's very little character here and I'd like to take a nap any time his vocals resume. It's like taking The Weeknd and giving him a helium balloon to inhale right before stepping up to the microphone. There's little to no variety in his approach vocally, and I would have honestly preferred this album to be almost entirely instrumental with just a couple of his own vocal parts thrown in and more featured singers. I think the production here is so strong that it could stand on its own two feet, and ZHU's vocals just distract from that instead of adding to it.
My $0.02, good music to put on in the background at late night while wrapping up your day.