Galantis - Runaway (U+I)
Love these guys, their EP from earlier in the year is one of the best thing's I've listened to in 2015.
This is the truth. Galantis is probably my fave discovery this year.
Galantis - Runaway (U+I)
Love these guys, their EP from earlier in the year is one of the best thing's I've listened to in 2015.
I'm dying.
Galantis - Runaway (U+I)
Love these guys, their EP from earlier in the year is one of the best thing's I've listened to in 2014
We’ll just leave this here for now…
The first #EssentialMix of 2015.
@ericprydz
The 11 hour set is up!
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Rabit hole time towards the end
11 hours?! That's some AVB type stuff, gotta check it out. Does it ever drag?
11 hours?! That's some AVB type stuff, gotta check it out. Does it ever drag?
Check who's playing at each venue first. I've only been to NCG personally so I can't really say.Seeking some recommendations on Montreal: assuming there's no one in town the weekend I'll be there... should we hit New City Gas, Stereo, Circus, or another place?
The M Machine - Just Like
Oh yes
oh hell yes
cannae wait to here new stuff from them. Such a consistently fantastic outfit.
The M Machine - Just Like
Oh yes
oh hell yes
cannae wait to here new stuff from them. Such a consistently fantastic outfit.
Saw The M Machine on New Year's Eve. They were pretty rad.
100. Felguk (-22)
99. Arty (-42)
98. John OCallaghan (-16)
97. The Chainsmokers (New Entry)
96. The Bingo Players (-44)
95. Wildstylez (-39)
94. Merk & Kremont (New Entry)
93. Heatbeat (-8)
92. Code Black (New Entry)
91. Ferry Corsten (-49)
90. Richie Hawtin (-14)
89. Boy George (Re-Entry)
88. Audien (New Entry)
87. Borgeous (New Entry)
86. Quintino (New Entry)
85. Mike Candys (-18)
84. Wolfpack (New Entry)
83. Madeon (-24)
82. Don Diablo (New Entry)
81. 3LAU (New Entry)
80. TJR (New Entry)
79. Orjan Nilsen (-30)
78. DJ Bl3nd (+13)
77. Zomboy (New Entry)
76. Tiddey (+8)
75. UMEK (+22)
74. Gareth Emery (-23)
73. Tenishia (-8)
72. Quentin Mosimann (-3)
71. Zatox (-21)
70. Diego Miranda (+24)
69. Cosmic Gate (+11)
68. Carnage (New Entry)
67. Noisecontrollers (-1)
66. Da Tweekaz (+20)
65. DJ Snake (New Entry)
64. Radical Redemption (New Entry)
63. MAKJ (New Entry)
62. VINAI (New Entry)
61. Gabry Ponte (New Entry)
60. Eric Prydz (-6)
59. Carl Cox (-13)
58. ATB (-25)
57. Porter Robinson (-16)
56. Firebeatz (New Entry)
55. Yves V (New Entry)
54. Dillon Francis (+19)
53. Knife Party (-28)
52. Dada Life (-17)
51. Sander Van Doorn (-12)
50. Laidback Luke (-19)
49. Infected Mushroom (+4)
48. DJ Coone (-3)
47. Brennan Heart (+14)
46. Kaskade (-10)
45. Frontliner (-8)
44. Markus Schulz (-23)
43. Daft Punk (-21)
42. DJ Kura (New Entry)
41. Borgore (New Entry)
40. Headhunterz (-17)
39. Sebastian Ingrosso (-21)
38. Paul Van Dyk (-6)
37. Angerfist (-3)
36. Vicetone (+24)
35. Fedde Le Grand (-6)
34. Oliver Heldens (New Entry)
33. Krewella (+11)
32. Diplo (+32)
31. Ummet Ozcan (+68)
30. Dannic (+44)
29. Axwell (-10)
28. Aly & Fila (-8)
27. Dyro (+3)
26. Steve Angello (+12)
25. Above & Beyond (-8)
24. Andrew Rayel (+4)
23. R3HAB (+35)
22. Zedd (+2)
21. Nervo (-5)
20. DVBBS (New Entry)
19. Deorro (New Entry)
18. W&W (-4)
17. Showtek (+10)
16. Deadmau5 (-4)
15. Alesso (-2)
14. Dash Berlin (-4)
13. Blasterjaxx (+58)
12. Afrojack (-3)
11. Calvin Harris (+4)
10. Steve Aoki (-2)
9. Skrillex (+2)
8. Nicky Romero (-1)
7. David Guetta (-2)
6. Avicii (-3)
5. Tiesto (-1)
4. Martin Garrix (+36)
3. Armin Van Buuren (-1)
2. Dimitri Vegas & Like Mike (+4)
1. Hardwell (-)
DJ Mag Top 100 DJ 2000
1 Sasha
2 Paul Oakenfold
3 John Digweed
4 Paul Van Dyk
5 Carl Cox
6 Judge Jules
7 Danny Tenaglia
8 Fergie
9 Lisa Lashes
10 Danny Howells
11 Seb Fontaine
12 Dave Seaman
13 Danny Rampling
14 Roger Sanchez
15 Erick Morillo
16 Tall Paul
17 Timo Maas
18 Nick Warren
19 Deep Dish
20 Anthony Papa
21 Pete Tong
22 Ferry Corsten
23 Masters At Work
24 Tiesto
25 Steve Lawler
26 Richie Hawtin
27 Mauro Picotto
28 Fatboy Slim
29 Dave Clarke
30 Lisa Pin Up
31 Laurent Garnier
32 Derrick Carter
33 John Kelly
34 Darren Emerson
35 JFK
36 Chris Liberator
37 Graham Gold
38 Justin Robertson
39 Anne Savage
40 Andy Farley
41 Jeff Mills
42 Steve Thomas
43 Lottie
44 Sven Vath
45 Lee Burridge
46 David Morales
47 John '00' Fleming
48 Jon Pleased Wimmin
49 Adam Freeland
50 Guy Ornadel
51 Gilles Peterson
52 Yousef
53 Dave Pearce
54 Jimpy
55 Basement Jaxx
56 Jon Carter
57 DJ Sneak
58 Gordan Kaye
59 EZ
60 Parks And Wilson
61 Francois K
62 Sister Bliss
63 BK
64 Tidy Boys
65 Scott Bond
66 Sonique
67 Brandon Block
68 Derrick May
69 Frankie Knuckles
70 BT
71 Rachel Aubern
72 D.A.V.E The Drummer
73 Mark Farina
74 Craig Richards
75 The Chemical Brothers
76 Jimmy Van M
77 Norman Jay
78 Christopher Lawrence
79 Armand Van Helden
80 Mark Moore
81 DJ Hype
82 Sander Kleinenberg
83 Dave Lee
84 Bad Boy Bill
85 Tony Humphries
86 MYNC Project
87 The Dreem Team
88 Andy C
89 Ian M
90 Scratch Perverts
91 Alan Thompson
92 Grooverider
93 Sandra Collins
94 DJ Dan
95 Andy Morris
96 Mr Scruff
97 Josh Wink
98 Stonebridge
99 Lisa Loud
100 Krafty Kuts
2014 TOP dj 100 List-LOL
2000 Top 100 dj's for comparison-
Jelly as fuck.At MSG. Mat Zo is fucking GOD.
First 45 minutes were dominated by new tracks. There were some nice trancey tunes in there.That list...
Gotta have to check the Group Theraphy in MSG mixes. I did read A&B debuted a lot of stuff there.
2014 TOP dj 100 List-LOL
Without a doubt this was the worst year. I really, really don't understand how Hardwell got number 1 not once, but twice. I mean this year especially, he didn't do anything special.
That list has been a joke for a long time. Not even worth discussing.
At MSG. Mat Zo is fucking GOD.
John 00 Fleming said:DJ mixing
I tried to do the maths the other day of how many tracks I've mixed together in my career. That estimated number kept growing once I looked at the 30,000 vinyls in my studio, the boxes of CD's and three Terabyte hard drives knowing that I've mixed all those tracks multiple times over a 25 year period. I think I'm pretty confident in saying that I can hold two records perfectly in time!
As technology moves on so does my creative vision and why I love product developing with Pioneer as I need more tools to enable me to move my creativity forward. To me a perfectly crafted and programmed DJ set is a work of art, though Deadmou5 would probably disagree. Who's to blame him for speaking out about DJ's, because true DJ sets are worryingly becoming a forgotten art form.
I always felt restricted playing on vinyl, yes I could use three or four decks at the same time but it was all quite clumsy and raw, like watching a magician spin plates running back and forth keeping them in motion, the novelty soon wears off after the first few minutes. The biggest step forward in technology for me was the Sync button. Instead of focusing all my time on keeping multiple tracks in time, it bought precious time to focus on other areas to be even more creative taking DJing to an all new level that wasn't possible in the past.
To me holding two tracks in time is the least important part of the process, that is of course unless it turns into a train wreck! Most DJ's hold tracks in time on auto pilot, it becomes second nature. To me what's more important is programming and how & when you place a track in a set to make those stand out moments. In this day and age of the digital era, torrent sites, Spotify and YouTube etc, you can click and find any track you want within minutes. DJ's personal armory use to be having one off white labels, advanced promos and rare classics, but everyone seems to have them these days. You have to be more clever to stand out.
Good DJ's can now create magic moments instantaneously in the DJ booth using today's tools. For example the other week I was playing some dark hard pounding Techno and locked in this groove, my DJ instinct told me to throw in a classic to lift the dance floor with an element of surprise. Within minutes I'd looked in my playlist, spotted Tiesto's Suburban Train and was instantly cue'd up ready to go. I heard in my headphones this track didn't have the depth, drive and punch of the current groove that I had everyone locked in. Years ago I would have had to chose another track because it would have unbalanced the energy on the dance floor, instead the sync button was engaged and my creative skills kicked in. In my headphones I matched the key of Suburban train to the current track playing, I then headed to the third CDJ and created a loop of the current track playing and on the fourth CDJ set up loop of Suburban train's groove (Ill explain why shortly). Once I mixed in Suburban train I also mixed in the loop set up on the third CDJ (current track playing) and kept it playing throughout all of Suburban train, instantly creating a Techno version to keep the same vibe running.
This particular crowd didn't like long breakdowns as it seemed to suck the energy out of the room. It's important to know your tracks well, I knew Suburban train has a very long break down, so when the break arrived I mixed in the Suburban train groove loop on the fourth CDJ as to keep things rolling with the main version. I ran the break down through some crazy delays and fx to create a huge crescendo that eventually dropped into a mini breakdown hitting the sweet spot of the magic moment that everyone recognizes. (Did you follow all of that?!)
Many people asked afterwards what was the remix that I played, but it was in fact a one off version that I created for that one night that I'll never create again. It's those magic moments that become special for that specific event that people will take home with them. You'll never find those versions of tracks online, and can only experience them live in front of the DJ. I can now do live edits that would have only been possible in software in the past.
That is one edit trick of many I create to help my set a flow using today's technology.
I'm aware many people frown at the sync button. My best analogy, is a pilot flying a plane, once he engages autopilot he can perform very technical tasks in the cock pit, but when he's in manual mode he can really feel every movement of the plane and perform some thrilling maneuvers but always with that element of danger that something could go wrong and that's part of the thrill. The sync button allows me to be more technical and create those special moments, but as per the pilot, I love that sense of thrill and turn off the sync and have that adrenalin created by feeling the two tracks as they mix together, the power of the frequencies as they slightly phase along with the element of danger that something could go wrong while mixing.
So next time you see the little white light on the CDJs, or Traktor dont instantly think the DJ is heading for a coffee break, he could be engaging in some serious editing.
Amazing post from J00F as always.
I would've loved to have seen him live, but when he toured Australia recently he skipped my city =[
That is a very long breakdown?John 00 Fleming said:I knew Suburban train has a very long break down