the meat of the interview:
entire interview here:
http://www.eurogamer.net/article.php?article_id=55956
Eurogamer: What you've spoken about so far regarding Unreal Engine 3 is very PC focused, but how portable is the Unreal Engine 3 to next generation consoles?
Tim Sweeney: It's PC focused because PCs are known and announced. There's only an amount we can say about next generation consoles but we've really put a tremendous amount of thought into how to be able to scale to different levels of memory, how to load textures and all sorts of gameplay resources - dynamically - so we can make the most of a system that has a relatively low amount of memory compared to a high end PC, and all the other various trade offs. It's really been a big consideration for us from the very beginning. Epic's next major Unreal Engine 3-based game is going to ship on a next generation console...
Mark Rein: Wait! Is it Microsoft? [Scratches chin]
Tim Sweeney: No points for guessing which platform we're going to ship on! [Laughs]
Mark Rein: That's so true! [more cackling]. Yeah, so you hear J Allard talking very vocally about XNA, which is really Microsoft's cross platform strategy that says 'Hey, you know we have some great tools on Xbox like XACT [an audio authoring system], that haven't previously been available - even though they're DirectX oriented - to PC developers, but we're going to polish them up and ship them on Windows', because they feel like they want both of their platforms have great games. To us, we're in the same camp. We're firm believers in that policy - obviously Tim was on the video for XNA. We're very much of the belief that we want this to be cross platform. This particular engine, Unreal Engine 3, the third generation, the minimum consoles are going to be the next generation consoles. You wouldn't make an Xbox 1 game with this technology - you'd use Unreal Engine 2x for that.
Eurogamer: Can you foresee there being many more games in this current generation using that technology.
Mark Rein: Yeah, there are still people signing up to do new games using Unreal Engine 2. I think if you're making a game and you need a really wide audience for, like really mass market oriented game and you want to have Xbox and PS2 and even the GameCube for example, you really do need to stick with Unreal Engine 2, and there's lots of those. There's the Harry Potter PC game that I mentioned earlier, that's Unreal Engine 2; the next Splinter Cell game is still Unreal Engine 2-based.
Eurogamer: Does Epic as a company make more money from licensing the technology out?
Mark Rein: Noooooo! We hear that as a kind of criticism 'Oh, they're just going to be an engine company', but that's not true. You makes so much more money from a hit game than you can make in a year or two from engine licensing. Games are what drive that.
Eurogamer: It must be a good sideline for you though?
Mark Rein: It is good, but more importantly we pour back a lot of the money that we make from licensing into making better tools. I mean you saw earlier in our demo, our tools are fantastic, they are best of breed tools. Our physics tool is as good a tool as you could buy from a physics vendor. Our Matinee [Unreal Engine camera system] is as good as maybe what Adobe uses - though not for real time movie creation of course. So we put a lot of that in and that investment pays off by having licences using that technology and us being more productive - we make our own games faster. Everything you see that we're developing for the engine is primarily so we can make our game.
Eurogamer: How do you compare yourself against your obvious rivals like ID or Valve?
Mark Rein: It's great to be mentioned against those guys.
Tim Sweeney: Oh yeah, that's a compliment! If you look at what's been developed by the companies that are shipping games this year, 2004, they are current generation engines that are designed to support DirectX 7, all the way up through to DirectX 9. They make a lot of trade offs to support the lowest common denominator feature set, and that's absolutely the right thing to do for a game shipping this year. You'd be crazy to ship a DirectX 9-only game in 2004. We're really designing Unreal Engine 3 for the generation beyond that, for 2006 PCs and next generation consoles, so we're really looking at a window that's two years out from that time frame and the technology ends up being a generation beyond that. With a renderer that's completely focused on DirectX 9 as the minimum feature set and a whole set of tools from physics to gameplay scripting to shader creation... it just wouldn't be possibly translatable to the previous generation of hardware. There's just a lot you can do in terms of creating better content and creating more cohesive games with it. The toolset is designed just with all these new assumptions in mind with a backwards-compatible engine that goes back and runs on hardware shipped four years ago.
Mark Rein: And I'm sure that those companies as they finish up their games and start looking at the future will probably take the same approach - I think that just makes sense. They wouldn't just develop another DX 8/9 game.
Tim Sweeney: What's the Doom 4 technology and what's the Half Life 3 technology going to be... Rein: They should license our technology!
Eurogamer: This time around you're showing off what looks to be a very expansive area, which immediately struck me as being more like Unreal 1, which obviously had these huge sprawling outdoor levels. 2 wasn't really so much like that, and was much more indoor based. Is there a sense that you can create these massive sprawling environments?
Alan Willard: Oh yeah. For our next projects - not just the one we're working on now but the ones that may follow later - we certainly want to have the largest worlds we can and still keep the experience fun for the player, so yeah, we definitely plans to have as large...
Mark Rein: We're even going to have some technology in the engine so that some of the things in your view directly can be loaded in the background, and I guess that's mostly textures, right?
Tim Sweeney: Oh yeah, textures, animation data, some geometry data. Being able to stream the content for a very large environment is critical to us, including large outdoor environments, large indoor environments and anything that's a combination of the two. It's going to be important to our next game and lots of other team's games. We look at what teams have done using the second generation Unreal engine for developing massively multiplayer games. We've learned a lot from what other teams have done with Unreal engine and that's influenced our feature set for UE3.
Mark Rein: The other thing is if you look carefully at the detail that we're showing on the screen, it's 2,000 times more detailed than the last generation, so that's a lot of data. So, we have to be more intelligent. If we get four times more memory in the next console, or eight times more memory, we're not going to get 2,000 times more memory! So we definitely have to be very careful and efficient about loading things in from the disk.
Eurogamer: How have you coped with this massive upscale?
Mark Rein: Black magic!
Alan Willard: Lots of coping with assets that you don't currently need, careful management, good compression.
Mark Rein: The new engine is very much designed for multi-threading, so I assume one of the threads going to be compressing and uncompressing stuff almost all of the time.
Tim Sweeney: We're looking at the next generation PCs and consoles as an incredible and astonishing increase in computing power, but you're not necessarily going to see a similar increase in memory, so we've put a lot of emphasis into running computing power and GPU power to improve the visuals without requiring extra memory. That's influenced our lighting algorhythms, for example, instead of pre-computing shadowing, some parts of the environments and characters we actually do that dynamically using shadow buffering techniques and other techniques. Things that sounded completely ridiculous and impractical a few years ago, things that we used for offline rendering and non real-time packages just a few years ago are now completely practical in real time. Those techniques are great because they don't require huge increases in memory but they increase the visual quality of the game dramatically.
Mark Rein: You hear Sony talking about their Cell processor, and we've heard leaked rumours that the next Xbox will have multiple processors, and Intel and AMD have both announced dual core and beyond, and so it won't just be consoles, it'll be PCs. In the time frame that we ship, I imagine most of the chips Intel and AMD ship will have at least two cores built into each processor, and in the case of Intel's hyper threading, well, that runs multiple threads. That's definitely an important thing. Again, you asked earlier about the current engines that other people have, and it's an exact divide: you either have multi-threading or you don't. It certainly wasn't practical in the last generation where people still ran the game on Windows 98 where multi-threading is not practical at all. We're really rolling with the times in terms of where hardware's going to be, and delivering the absolute maximum experience we can. The other thing is that the engine is extremely scaleable. I mean there's no limit the number - memory and CPU and loading speed are really our biggest limitations - the engine can scale to massive numbers of polygons and textures and detail, and if you've got the system to run it, this engine could last for many years.
entire interview here:
http://www.eurogamer.net/article.php?article_id=55956
