That reminds me, who would you guys consider the best scriptwriters currently working? I'm only aware of the shit ones (Yoshino, Okada-bot, and Aikawa) and Urobuchi. They have to do an exception job one way or another in order for me to remember them.
I know you all hate Aikawa at the moment, but I actually consider him to be a very capable scriptwriter. I think the way he expanded Twelve Kingdoms out of Yoko's head was very clever, I really enjoyed his version of Fullmetal Alchemist, and he's almost always got interesting ideas (see: Neo Ranga, the
idea behind Ayakashi Ayashi, Oh! Edo Rocket). While Un-Go is bonkers, and Eureka Seven AO appears to have gone off the deep end, I don't think he's always shit.
As for other writers:
- For solid work in the shoujo sphere there's always Reiko Yoshida, firehawk's favourite; her work is almost always good.
- I generally prefer Chiaki Konaka's individual episodes (Princess Tutu and RahXephon in particular) to shows where he's chief writer, but even if I feel Lain is overindulgent I love his work on Big O.
- Dai Sato
can be good, as others have mentioned
- Yoji Enokido is sometimes good, but often I think he doesn't actually understand what made Utena work
All of the above have already been mentioned, though. I am slow!