Oh the bright side the Harry Potter universe was set in the 90s (apparently) so at least we know the anime we would be watching at the time would be better than this lewd filth they serve up today.
The problem isn't a character being a sick bastard, it's when the antagonist is a sick bastard because that's his role in the story rather than because he's a well-developed character with coherent reasons for his behavior.
The one-man episode thing is something I find so intriguing. One of the reasons I want to get to Zambot 3 eventually isn't just to satiate my old school mecha thirst but one of the episodes was key animated by just two guys, one of which was Kanada.
Oh the bright side the Harry Potter universe was set in the 90s (apparently) so at least we know the anime we would be watching at the time would be better than this lewd filth they serve up today.
I love everything about this show. I came in riding the hype train hard for KLK into this season, and as much as I adore it, this show came right out of nowhere and blew me away. Aggressively unconventional, absolutely gorgeous, refreshing sense of pace and direction.
I think I particularly love how minimal this show is, in terms of playing its' hand, for lack of a better term. A lot of anime get into this bad habit of either over-expositing or failing to explain literally anything at all, but Kyousogiga strikes a great balance in terms of letting you in on what you need to know (through visual cues or otherwise). It gives you the dots and connecting them from that point on isn't especially hard.
...particularly that moment when Koto sits in the chair,
sees the painting of the black rabbit and the shot pans out to reveal the entrance to Mirror Kyoto.
Coupled with a few more scenes afterwards, almost everything clicked in my head, and it was just... great. There's still a lot that I don't know, but it answers the questions it raises spectacularly. Peeling back mysteries like so many layers.
I love everything about this show. I came in riding the hype train hard for KLK into this season, and as much as I adore it, this show came right out of nowhere and blew me away. Aggressively unconventional, absolutely gorgeous, refreshing sense of pace and direction.
I think I particularly love how minimal this show is, in terms of playing its' hand, for lack of a better term. A lot of anime get into this bad habit of either over-expositing or failing to explain literally anything at all, but Kyousogiga strikes a great balance in terms of letting you in on what you need to know (through visual cues or otherwise). It gives you the dots and connecting them from that point on isn't especially hard.
...particularly that moment when Koto sits in the chair,
sees the painting of the black rabbit and the shot pans out to reveal the entrance to Mirror Kyoto.
Coupled with a few more scenes afterwards, almost everything clicked in my head, and it was just... great. There's still a lot that I don't know, but it answers the questions it raises spectacularly. Peeling back mysteries like so many layers.
I think what this shows is that this season is so disappointing that Harry Potter has provoked better discussion than anything we've said about anime in ages.
I love everything about this show. I came in riding the hype train hard for KLK into this season, and as much as I adore it, this show came right out of nowhere and blew me away. Aggressively unconventional, absolutely gorgeous, refreshing sense of pace and direction.
I think I particularly love how minimal this show is, in terms of playing its' hand, for lack of a better term. A lot of anime get into this bad habit of either over-expositing or failing to explain literally anything at all, but Kyousogiga strikes a great balance in terms of letting you in on what you need to know (through visual cues or otherwise). It gives you the dots and connecting them from that point on isn't especially hard.
...particularly that moment when Koto sits in the chair,
sees the painting of the black rabbit and the shot pans out to reveal the entrance to Mirror Kyoto.
Coupled with a few more scenes afterwards, almost everything clicked in my head, and it was just... great. There's still a lot that I don't know, but it answers the questions it raises spectacularly. Peeling back mysteries like so many layers.
The problem isn't a character being a sick bastard, it's when the antagonist is a sick bastard because that's his role in the story rather than because he's a well-developed character with coherent reasons for his behavior.
You can have an antagonist that isn't rationalized, but they need to be a force-of-nature presence in the story. They have to be palpably threatening, like Anton Chigurh or Ledger's Joker.
The power of Gurren Lagann I suppose. Although there's probably been more pages, overall, devoted to Sword Art Online over in Toonami land. I'm too frightened to look.
Her world building for the most part is still impeccable. Even with some of the more serious elements though, she did a good job. She did screw up in the 7th book though.
I actually liked the 7th book a lot because it took the cast out to explore the world instead of stuck in the school. Book 6 was the worst, though, as nothing happens until the end.
Harry Potter was good before it got serious and we found out Rowling can't write serious and dark worth a crap. That and the consistency of her universe and its magic starts to completely fall apart after 7 lengthy novels.
dat Volfogg tho
I already guess being critical for this kind of show not gonna helping, even after get past MOTW eps.. those reused interaction footage still there
Episodes like this is why I watch slice of life. They just nailed it completely. We were watching over Renge's shoulders as she met her new friend, which culminated into a beautiful emotional moment. Emotionally, I was completely invested.
You can have an antagonist that isn't rationalized, but they need to be a force-of-nature presence in the story. They have to be palpably threatening, like Anton Chigurh or Ledger's Joker.
Yes, that's true. Or for an anime example, Johan Liebert, although in that case he is eventually given a rationalization. But that's because rationalizing the force-of-nature villain is the entire point of Monster.
I actually think Kyousogiga losing the pacing that full of charm that not trying to explain much in last 2 episode, its much more like conventional anime now. Hope its get back to the eps 01 style again..
I actually think Kyousogiga losing the pacing that full of charm that not trying to explain much in last 2 episode, its much more like conventional anime now. Hope its get back to the eps 01 style again..
If you had said episode 0 I could understand (and disagree), but episodes 2 and 3 aren't any more expository than episode 1 was. If anything, episode 2 was the most obscure of the three. Episode 1 was very straightforward - and that isn't a bad thing!
For me in Texas, EMS takes 4 days from Japan, while FedEx Priority takes 2 and has more reliable tracking (USPS seems to forget to scan packages half the time so I'm never quite sure when it's getting here). So I like FedEx better when I can get it.
But EMS came through today with anime!
The Akisora illustration book that came with that issue of Champion RED Ichigo has some illustrations by guest illustrators, one of whom is Komatsu Eeji, the illustrator for the Golden Time novels that have a TV anime running this season, so I figure I'll link of photo of that in case anyone's interested, but although all naughty bits are covered it's still quite NSFW so be warned: http://i.imgur.com/5P8O49u.jpg
Yes, that's true. Or for an anime example, Johan Liebert, although in that case he is eventually given a rationalization. But that's because rationalizing the force-of-nature villain is the entire point of Monster.
Regardless, if Voldemort had a specific rationale then it would explain specific goals and plots that build to their fulfillment. If he's simply out to tear shit up, then you're left wondering why he twiddles his thumbs so much.
Regardless, if Voldemort had a specific rationale then it would explain specific goals and plots that build to their fulfillment. If he's simply out to tear shit up, then you're left wondering why he twiddles his thumbs so much.
He's also such a jerk and so tactically stupid that you wonder why the death eaters don't stage a coup against him. I mean, he gets killed by a freaking baby the first time, and when he comes back he spends all of his time obsessed with that now-teenage boy instead of focusing on world domination and killing the muggles or whatever.