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Fall Anime 2014 lOTl Unlimited Tomino Works

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TUSR

Banned
I'm just going to leave this here because not everyone is on IRC or Twitter: http://tamerlane420.wordpress.com/2014/09/29/japanimation/

Anipages Daily, Nishikata Film Review, the sakuga community, AnimeGAF, wordpress blogs like The Vanishing Trooper Incident and Ani no Miyako. These sites contained honest-to-god anime critics and they spoke a language that I could understand.

Im not too sure who this person is, do they frequent the thread?

(in AnimeGAF’s voting for best anime of 2013, the number 1 choice was the enjoyable but unexciting Yamato 2199 while the more daring works like Aku no Hana and Kyousougiga languished below Attack on Titan). I speculate that this viewpoint emerged because so many of these critics spend a good deal of their time watching mediocre shows.

Voting is open to anyone though.

Thus concludes the ‘Tamerlane’ username. I think I might start a film blog sometime, but under a different name. Thanks to all that read/cared about my opinions of Asian rape cartoons!

Okay.

I almost took his blog post seriously until I realized he probably proofed it with a thesaurus.
 

Crocodile

Member
I've honestly stopped really paying attention to promotional material, art, trailers etc for most upcoming shows. I've moved myself to the position where, if it's good, surely someone else will see it and write about it. This just makes things easier for me.

Of course, this leaves me exposed to the 'risk' that something could slip past unnoticed, but I'm willing to accept that.

Boooooo. Where's the fun in that? Don't you enjoy having your hopes dashed against the walls when a show you were hyped for devolves into shit? Also makes it sweeter when the rare show actually lives up to the hype :)

Corvo , no one denying the fact that kira yamato is broken as f*ck.
Just like no one is denying recently that tatsuya in mahouka is equally broken.

BUT

The overusage of "gary stu" and "mary stu" terms exist to the point that some don't even use it in proper context. that's IMO hard to deny.

Within the context of this thread, not the anime/game/book/etc. fandom at large, the only times I've seen Gary Stu thrown around has been in reference to SAO, Mahouka, certain Gundam series, etc. Has it really been a misused term IN THIS THREAD?
 

mankoto

Member
Log Horizon 23
Minori is really growing. All she needs now is a higher level and a few more years of experience and she could be a force to be reckoned with.

So this isn't going to end with a trip to Minami. It's going to end on a cliffhanger because some bizzare looking guy is stopping by to say hello.
 

Andrew J.

Member
M3 24 END

What a weird show.

It was aiming for the same sort of "What gutwrenching revelations will occur this week" as From the New World, of all things, but didn't execute it nearly as well. Too slow and repetitive, particularly in the first half. Once characters actually started developing the show actually got kind of engaging, it just took too long. Monster designs bordered on incoherent, and mechanical designs were dull; the fighting scenes were moderately entertaining at the best of times. It didn't even turn into an Okadabot melodrama trainwreck, really. Emotional reactions were heightened, of course, but nothing incomprehensible.

Probably should have been a single cour.
 
Macross II: The Movie

I had 4 people tell me that I was making a mistake watching Macross II. Naturally it's the best place to start on my to watch-list.

I'll admit, apart from Macross: Do You Remember Love, I haven't seen anything Macross related so maybe by Macross standards this is considered to be pretty bad. On it's own, I think it's an alright movie. The movie's biggest problem is the overarching story being essentially a retread of the original Macross and does not really add anything different or new to the formula. On the other hand, the animation is a lot better here than in DYRL which has the result of making the battles more interesting when it isn't being absurd. (Minmay Attack? Really?)

Character-wise, there's not a whole lot to say. Apart from Ishtar, Hibiki and maybe Silvie no one here really stands out.

I really like the music in Macross II, both in terms of the background music and the songs. If i'm being bold, I'd say the music is almost better here than in DYRL.

What I don't like at all though is the dub. Poor direction, bad acting and (minor nitpick) barely matching lip flap lead me to switch to Japanese after 20 minutes. Suffice to say I miss the DYRL dub.

Also the pairing I wanted to happen loses to a far less interesting couple.

So yeah, it's an okay film overall. Not unwatchable by any means but I would have regretted buying it if it weren't on sale.
 

Dresden

Member
I'm just going to leave this here because not everyone is on IRC or Twitter: http://tamerlane420.wordpress.com/2014/09/29/japanimation/

Not entirely wrong, but I'm not sure what he expected out of a generalist anime thread on a gaming forum, or a voting process that was neither juried or controlled other than by format and date. I guess the problem might be that there's no way to delve deeper into the medium than, well, here, and some blogs; twitter is useless for sustained commentary, and as English fans of animation there's such communication issues with the Glorious Nihon Motherland that all information tends to be secondhand or worse, while barring any real efforts to engage with the creators, or critics dealing with the medium firsthand. There's no real critical culture associated with anime, and there's an active disdain for even a thought of such that permeates these communities (a common symptom among any interest that nerds cluster around).

And uh, he's kinda abrasive even in that mostly mild parting post, so that's going to rub people the wrong way too. Good luck to him wherever he goes, though it should probably be Northeast.
 

Branduil

Member
IT'S HAPPENING

ibbWNjbi6hZDNj.jpg
 

Angry Grimace

Two cannibals are eating a clown. One turns to the other and says "does something taste funny to you?"
She admires him. Not sure why you need to sleep in VR but better not to overthink technology that doesn't exist yet. If she wanted the D, the writer would have made it obvious. It's not a harem, guys.

Sinon is definitely in the Kirito harem, dude. I mean, unless something about the non-stop camera panning over her ass and chest convinced you they're planning to respect her character development and not make her into yet another doe-eyed haremite.
 

Midonin

Member
I understand trying to look deeper into things. I know I don't know the staff behind shows as well as I should - I know more about the people behind tokusatsu if anything - but that doesn't stop me from trying to find the meaning in any kind of show. So I do this with the more "otakubait" shows rather than anything else, but I believe those can be art, too. Being smart about art is a good thing, and I agree with his point about not looking at things as a cumulative rating scale - I've never been a fan of numbering things myself.

But he sounds as exclusive as the community he's shunning in that post. When I think of a cultured art critic, I think of someone like Kyle from Brows Held High. Well-researched, but seeking to educate in a way that's open and encouraging. He said himself as much:

are there any movies you've reviewed that you would actively recommend people stay away from?

None. Absolutely none. I would never deny someone an experience they might have.

I don't know what can be done to improve criticism in anime, or how much one person can change. Especially because it's an international, yet still highly central to one country, kind of art form.

Being critical about critics is a good thing, but being welcoming goes a lot further.
 

Branduil

Member
Yoshiura said:
One day, I suddenly got the idea of using robots. I'll admit it now, but at the time, I was playing a Famicom(NES) game called MOTHER. I had always wanted to play it but never got around to it. Near the end of the game, a robot named EVE appears.

Sammy confirmed for Smash Bros DLC.
 

Angry Grimace

Two cannibals are eating a clown. One turns to the other and says "does something taste funny to you?"
Corvo , no one denying the fact that kira yamato is broken as f*ck.
Just like no one is denying recently that tatsuya in mahouka is equally broken.

BUT

The overusage of "gary stu" and "mary stu" terms exist to the point that some don't even use it in proper context. that's IMO hard to deny.

In proper context they don't apply to anyone other than fanfic characters.
 

Jex

Member
Not entirely wrong, but I'm not sure what he expected out of a generalist anime thread on a gaming forum, or a voting process that was neither juried or controlled other than by format and date. I guess the problem might be that there's no way to delve deeper into the medium than, well, here, and some blogs; twitter is useless for sustained commentary, and as English fans of animation there's such communication issues with the Glorious Nihon Motherland that all information tends to be secondhand or worse, while barring any real efforts to engage with the creators, or critics dealing with the medium firsthand. There's no real critical culture associated with anime, and there's an active disdain for even a thought of such that permeates these communities (a common symptom among any interest that nerds cluster around).

And uh, he's kinda abrasive even in that mostly mild parting post, so that's going to rub people the wrong way too. Good luck to him wherever he goes, though it should probably be Northeast.
That's basically how I feel about. I agree with some of his critiques but ultimately I don't feel that an anime thread on a gaming board was ever going to be a bastion of well written criticism. That's far too much to ask from people who simply contribute to the discussion on a casual basis. There aren't even any professional anime critics, let alone amateur ones.

While I certainly enjoy reading illuminating content on the occasion that I come across it I don't expect that as the norm of even the aim of this thread.

All that we ask of people here is that they discuss anime and follow the rules. There's no expectation for posters to produce content of a certain quality or style.

The one thing that I'd like the thread to do is have a welcoming attitude which helps disseminate information about anime to new viewers. I think we handle that pretty well through recommendations etc.
 

Branduil

Member
Yoshiura said:
I really do love Nagi, so I'm glad that things could end that way. I mean, considering how much I love her, I treated her a little rudely in episodes one to six (laughter).

Nagae said:
Yeah. I'm a Sammy guy, but Yoshiura is a Nagi guy. I told him over and over to give more screen time to Sammy in the theatrical version, but Nagi ended up getting the spotlight in the ending. Also, I got unexpectedly into the Kalafina song we used.

So many important revelations.
 

dimb

Bjergsen is the greatest midlane in the world
I like Tamerlane, but he needs a few more years to mature or something.
I still can't believe Yamato won AOTY last year outdoing KLK. Sogood.
That's cool and all, and that's probably the most you can really ask for in what is essentially an open popularity poll. At the same time I think it's a little disappointing that votes are so heavily consolidated, and there isn't much exposure to titles that are creatively eccentric.
 

Mature

Member
I'm just going to leave this here because not everyone is on IRC or Twitter: http://tamerlane420.wordpress.com/2014/09/29/japanimation/
I find his post to be encouraging, actually. He's not wrong about the assembly line nature of most of (at least, my) posts that are intended to be critical analysis. I don't think it would hurt anyone here to have a less stringent approach to any one title when it comes to that. That being said, I'll mimic the thoughts of Dresden and Jexhius regarding the actual discourse here. I think this place is pretty remarkable given that it's just a casual community thread in a gaming sub-forum.

At any rate, tamerlane wrote some really excellent articles on the medium and it's too bad to see him go. Check out his stuff (or, honestly, just his twitter feed) for really informative and insightful write-ups.
 

jman2050

Member
I'm just going to leave this here because not everyone is on IRC or Twitter: http://tamerlane420.wordpress.com/2014/09/29/japanimation/

I can identify with the idea that assessing shows based on a sort of "checklist" is crippling. It's rarely worth anything and speaks nothing about the work as a whole. It's at best an insight into a particular work's constituent parts which isn't remotely the same thing. I know from experience in trying to critique works this way.

I think his most salient point in the whole thing was this particular sentence.

The mindset of the anime critic theoretically supports shows which excel in all areas but more often than not promotes those which are merely competent in all areas

Nevertheless, it overall it reads like typical high brow and condescending expressions about what "true art" is that are used as a platform to claim intellectual superiority, but then that may just be me. He seems like a generally smart and well-learned individual, there's no need for that type of posturing to validate himself.
 

CorvoSol

Member
I'm just going to leave this here because not everyone is on IRC or Twitter: http://tamerlane420.wordpress.com/2014/09/29/japanimation/

So I actually enjoyed two points from this: that people don't often rewatch shows and that people tend to prefer a mechanically well-made piece and overlook the meaning of the piece instead.

The first makes perfect sense because my time is limited and I don't want to spend it devoted to retelling all of you why Clannad is a piece of shit when I can spend it watching G Gundam.

The second I agree with. It's understandable, why we do it, it has practical reasons like the above. The second, though, I think happens a lot. People take a look at say, ZZ Gundam and see the weak beginning, tonal dissonance with the rest of the UC and they judge it a piece of trash, overlooking that being tonally different from the rest of the UC was always Tomino's intent for this show. Does that invalidate the criticism that the show's beginning is weak? Certainly not, but it may overlook other aspects of the whole.

So basically it's demonstrated to me some things which are less important for when I'm casually watching shows--which I think a lot of AnimeGAF should just remain, enjoyment of what we enjoy--but it shows me too things I can improve on for when I do want to get serious.
 

Tenumi

Banned
They say when you have nothing nice to say, it's best not to say anything at all. So I won't. I will say it is a shame when someone no longer has the drive to do something that they enjoyed and excelled at.

Instead, I'm going to play some games, and watch the latest HapCha Precure for my own enjoyment.
 

cajunator

Banned
I for one, am excited at watching a Kyoani show that makes me think twice about posting images here.

whats the last one that was that "bad"?

It won my heart.

MARU!

Youre damned right AWESOMEBEAR!

Steins;Gate

Should I be watching the dub or subs? There is a noticeable difference in the dialogue.

Subs, although I watched dub afterward and quite liked it too.

6 minutes into Episode 1 of Steins;Gate and I already know something is up.

Pay very close attention!
 
Summer 2014

The fact has now dawned on me that I watched way too many goddamn shows this season. I blame most of this on myself, for refusing to drop carry overs from the previous season. This was a decent season, with enough mild disappointments and enjoyable surprises to balance each other out, but I don’t think there really was one big stand out show like Ping Pong. You could argue Space Dandy was that, but I dunno.
Obligatory “next Season looks way better” comment, where I will of course be relying on the impressions of my comrades to pick up straggler shows, so that I can again be watching way too much stuff. I’m in your hands.

#1: Space Dandy S2


Really, it was impossible for this series to live up to the insane standards people had set for it and the precedents it had set for itself, and to be fair, the first season was not doing it many, or at least enough favors. Many people after the first few episodes cast aside it for good (despite S1’s improvement to the end) and when S2 came about spoke in tones such as “Bah! Another season of Space Blandy! Who cares? It’ll be more of the same, boring half fulfilled potential tripe!”

Well, those people were WRONG. I can’t really fault people for not expecting much out of this season, but Space Dandy is so back heavy on quality that you’d be doing yourself a disservice on not watching at least a few select episodes from the second season, regardless of your thoughts on the first one. It’s really hard for me to choose which of the two is episode of the season between Episode 21, “A World with no Sadness, Baby” and the finale “Never Ending Dandy, Baby” for a multitude of reasons. 21 was near movie quality for a TV episode, had the best alien designs, a real good underworld tale (who doesn’t like those), good music, amazing direction, and for those who complain about no continuity, it actually had some.
The Finale was a culmination of the entire series with callbacks to a lot of the previous episodes (although would’ve liked to see a few more) and just an all out fun and amazing final episode with animation that I would say was somehow even better than 21’s, and wraps up the entire show nicely while ending on a “May Be Continued?” which will torture me forever just like Panty and Stocking with Garterbelt. Easily one of the best TV finales for a series. They are probably two of the single best episodes I’ve ever seen, and if the show was just those two episodes alone Space Dandy would still probably be the top of the list. I would still probably give the edge to 21 though, if I had to choose.

Other great episodes were 14 (multiverse Dandy), 16 (Yuasa Dandy), 17 (Viva All), 20 (Dropkix), 23 (Dancy x Scarlet).

#2: Hunter x Hunter 2011


You guys. After 148 episodes, Hunter x Hunter’s second anime adaptation is over. Yes, that means you should be watching it now. I have to give props to Madhouse for having such a consistent quality the whole way through (save parts of the Chimaera Ant Arc, but you could almost entirely blame that on the arc itself if you had the mind to.) This is probably one of my favorite adaptations of all time, and one of the only ones I would recommend over the original. Madhouse did a stellar job in every department, animation, music, direction and adapting the scenes themselves. But the best part is they kept Departure as the OP for the entire thing giving the people with bad taste who didn’t like it Stockholm Syndrome.
But this is about the Election Arc. And about Ging. And about PARISTON, who is basically the best character. I’ll be honest, I pretty much completely forgot the order of what happened in this arc, so I really enjoyed this one and was surprised at how many moments I had forgotten. The one part in the series I can say that I wasn’t so sure about was adapted very well, and now I’m a bit less sour on it. It seems like a handful of people didn’t really like this arc a lot, which surprised me because before it was animated it seemed pretty well regarded but maybe this is just anecdotal. I always thought the Election Arc was pretty good, but felt like two different arcs going on at the same time and that could make it feel kind of messy. Even the name, “Election” Arc is kind of weird when I don’t even think most of the time is spent on the Election, more on the other half with Killua and Alluka.


Now I just got to wait for more chapters to come out now that the manga is on hiatus again FUCK
I’m not sure if I feel worse for the used-to-it manga readers like myself, or the un-initiated anime viewers who have yet to experience it.

#3: Gekkan Shoujo Nozaki-kun



I feel like this was the comedy I had always wanted, but never knew I wanted. The most consistent show of the season, pretty much all of the skits hit the marks (except for maybe the editor ones, I didn’t really dislike them as some others did, but I can agree that they are weaker than the ones about the other characters.) I don’t think I’ve enjoyed a comedy this much since Nichibros, or had the immediate want to pick up a manga as soon as the anime has finished so hard. The characters are all great, some of the best for a comedy, and how the interactions and relationships play out never really gets old, surprisingly. Not to say that the characters are really one dimensional, it's just that they don't really have much to them besides their quirks and relationship to another character (unless you are Mikorin) but the series keeps coming up with new ways and interactions. Definitely want a season two for this the most, and it looks like it could feasibly happen so I'm pretty happy about that.

I don’t really have much to say on this one. It’s a good show. You should watch it, even if you don't typically like comedies. I’ve already read the whole manga up to current. Seo the best, etc.

#4: JoJo’s Bizarre Adventure: Stardust Crusaders



It’s more of JoJo Part 3. My allegiances are known. I’m more looking forward to the next two cours of this, but fights I had forgotten about or didn’t really care for were animated and I found myself liking them more this time around. Still a good adaptation.
I must say I will be sad not having two of my three favorite Jump series airing in Fall, but I’m not gonna start watching Toei’s One Piece garbage to compensate. If waiting a season means the DIO fight will be amazing, I’ll wait. You have not squandered my faith yet, DP. Really my only disappointment is that they didn't keep the scene were Kakyoin lays the egg, come on.
Also of note this show has FAR BETTER Engrish then it’s competitor Terror in Resonance

#5: Barakamon


Comfiest show of the season easily, and a respectable choice for AOTS. Slipping into the unfortunately small genre that is “Small Town Slice of Life” while also having the surrogate father/daughter relationships other series like Yotsuba, Usagi Drop and The Last of Us have had, this is a show that I could just sit down and watch and then suddenly it would be over (the episodes are a bit shorter than the usual, but probably not enough to make a difference.) I thought that the first and last two episodes were the best of the series, not to say the middle episodes were bad at all. The characters are all great (the child ones especially, by the mark of not being annoying all the time and being voiced by actual children) and everyone else too, the main character Sensei (he has a name but everyone just calls him that) goes through a nice character arc. Also I think this was the only series this season to make me a bit emotional, so I guess it can get some points for that.

#6: Sabagebu!


I hate to say this, but the middle part of this show was not nearly as good as when it started and ended. Not to say it ever really was bad, just that it lost its luster and I think it was the same for a lot of others as well. I really liked this show to begin with so I’m kind of sad that probably half the episode were just average.
The main draw of the show for me was of course, Momoka’s tendencies to be an awful human being. It’s just so unexpected watching the first two episodes and all of the sudden the generic looking cast and MC suddenly just starts being a huge dick, and from then on I was drawn in. The other characters are fun too, and the constant action movie reference and parodies (Predator one was great) added a lot.
But the best character was Fried Chicken Lemon, no contest.

#7: Terror in Resonance


Also known as YER KIDDEN, YES MA’AM, GIVE ME DAT CROSEUP ON CAMERA FRIFTEEN, MY APOLOGIES the Animation
Hey, Watanabe and Yoko Kanno working on a project together about terrorists? Sounds like it should be the best shit ever, right?

Well, unfortunately not. While the directing and the music were great/amazing (enough that they were pretty much holding up the entire show, some might say) the core plot and characters really failed those two strong points. Being only one cour (and later around half way, learned it was 11 episodes) at the beginning I was wondering where this exactly was going to go. At that point I would say that it was still enjoyable, with the back and forth between Nine/Twelve and Shibazaki (but mostly Nine and Shibazaki) were interesting enough to hold attention. Lisa was just kind of…there and she never really evolved beyond that. Which is a shame, but she could be way worse.

She could be Five. Now when Five is first introduced, it’s to shake up the current formula of mindgames between Sphinx and Shibazaki. Sphinx wants to disarm their bomb but Five won’t let them. That’s fine, series like this will usually have someone like that come into play at some point. The problem is Five’s inclusion, character and motivations really just make no fucking sense, and when her part is concluded near the end, I was just left wondering “Wait, why was she even thrown into this to begin with?”.
Five is more of a threat then Sphinx ever was (Sphinx never intended to kill anyone, which is also kind of dumb but I can roll with that) because she is psychotic. Why she is in control of these FBI agents is never really explained (ok she’s a savant or a prodigy or whatever, does that really matter when she would rather play virtual chess with the targets that are within grasp rather than just capturing them?) and the FBI agents just kind of listen to her and her psychotic orders because she’s a higher rank I guess? Five and the FBI caused more damage than Sphinx did until the last episode.

There are more things to talk about but I think a lot has already been said for me in the thread (I'm not saying Five alone or Five's entrance made the show bad, but I don't think I've ever seen one character ruin something so hard). How they spend half an episode explaining stuff we already know, how Lisa never really got any character development, how Shibazaki is the only competent person on the police force, how Sphinx’s big plan and reveal is kind of dumb.
But the show isn’t really bad, just not as good as it should be. And I think that disappointed me more than just your regular bad show, because this show could’ve been amazing, but tripped over itself one too many times.

#8: Akame ga Kill!


It has come to my attention that the beginning of this series (about the first four episodes) is kind of rough and shitty. But it has also come to my attention that this series is far more divisive than I ever thought it was. It seems people watching this either love it and have already picked up the manga, or hate it and haven't took a look at it since.
Well I was reading the manga prior to the adaptation (I don't think the series is amazing or anything, just competent enough and fun to read with a group) so I can say that this isn’t really a great adaptation, it’s more of a “better than I expected it to be” adaptation which, in all seriousness, is good enough for me. Sure they skip a few things but I can let that slide, although I am kind of bummed they skipped the part with the giant boiling pot. The OST is decent (that CHA CHA CHA CHA theme that plays every episode is pretty hilarious a lot of the time, Episode 9 in particular) and I don’t really have much to complain about.
I was certain eventually this show would become waifu wars but apparently not, or at least not yet, as it seems everyone who has picked this show up and continued with it has taken up the mantle of the Esdese Fan Club (who I now realize acts like some kind of psychotic hellspawn between Haman Karn and Graham Aker) so for better or worse, this place is full of a bunch of hardcore masochists.
Maybe we could get along with MangaGAF better than one may think.

#9: Aldnoah Zero



Uh…
This show kind of sucks?
I mean, I don’t really know what to say. Every Saturday for the past season has basically laid out the groundwork with the constant chatter on the series and tables being flipped. This was supposed to be a Gundam Killer (apparently?) and yet I don’t even know how. It seems more like they had a checklist of Gundam Things and they were required to put them in the show. Bigass ship main ship, check. Bigass things being dropped on Earth, check. Young boy piloting a mech who is amazingly good at it for no discernable reason, check. Massive crew on this ship who seems to be only fodder for dying, check. I mean I never watched Turn A Gundam but even I can see the similarities between that and this. But I think the biggest point on where this fails is the villains. They are garbage. As one dimensional as can be. I’ve said this before, but if they wanted to be a Gundam Killer they should’ve had a focused antagonist like Char Aznable (but maybe Slaine could be that in S2, he only needs a mask) or at least arc villains like Ramba Ral instead of these boring Martian Generals who all just hate stupid Terran Scum then make the most moronic mistakes, like doing the only weakness their mechs have when it’s easily avoidable (looking at you rocket punch girl).

Also the character motivations really make no sense. Slaine in the last episode directly contradicts his own actions by saving someone who he knew wanted to off the Princess, then when HE DOES, Slaine freaks out like it was a big surprise or something. Saazbaum is mad his soon to be wife died because the Martians blew up the Moon. So it’s the Terrans fault and he will kill the Princess because REASONS
Inaho is…I guess he doesn’t like the Martians for reasons we’ll never really get?
Rayet couldn’t fucking decide on whether she wanted paper or plastic at a damn grocery store let alone which side she was on
I think the Princess is the only one who isn’t shaky and wavering in her standings. And look where that got her. Three times.
Despite that I am a bad person and easy to titillate so I will watch the second season, less for hopes that it will get better (they are low) and more because it’s there and I’ve already come this far so hey why not right.


#10: Sword Art Online II



Well it’s better than the first two parts but it still retains that good ole SAO charm we know and love. For the first few episodes there wasn’t really much wrong, it was middling the line of average/decent and some good fight scenes animation. But eventually Sinon and Kirito get into a cave and yadda yadda yadda. Of course it was what I was expecting, but I needed to see how it plays out. Now I don’t really have much to say about that, because again it doesn’t come as a surprise, it was expected.
In Episode 13, when Sinon’s beta orbiter friend comes in and turns into a psychopath with his psycho face and tries to rape her and says he is also Dess Gun’s subordinate surprise, now THAT caught me off guard. That’s the SAO I came to appreciate in the Fairy Arc. There was no tear licking though so I can’t say it loved up to that amazing scenes standards.
Apparently the next arc is the “good one”? People were saying this about this arc, but maybe this adaptation is just crappy all around because of how they are going back in time to insert things that happened into SAO that were super important that we never fucking saw, and apparently that stuff was in the novels? Well whatever. It’s hard to make GGO a continuation of SAO storywise when the plot points it’s jumping off of are from things we were NEVER SHOWN

#11: Sailor Moon Crystal



This show hardly ever airs so it’s pretty hard to say anything about it, combine that with my general lack of knowledge for this series and you have a recipe for almost complete apathy. It looks better than your average :Toei show (which is still not very good) so I can give it some pity points for that, and I have little reason to shit on it as I have no real connection with the series as a whole. It’s just not very interesting, and the twice a month airings don’t really help its case. I don't think many others really care about this either, and it'll be for a 9 months more, so if I was interested I would probably just go back and watch the older series and this one would still be going.
Also I forgot to watch Episode 6 so I guess it’s dropped.

#12: Captain Earth



It’d be unfair to say this is the most generic and dull mech series I’ve seen in a long time because Argevollen was airing this season. But I feel like most, if not all of the goodwill the series had to begin with in the first half has just been pissed away as everyone dropped it, one after the other. I don’t feel disappointment or anger at any of the admittedly stupid events that happen in the last few episodes, I had pretty much abandoned all hope for some kind of amazing turn around at that point. The definition of average, will use it to compare with other series. Puck does not lie etc etc
It’s gonna be sad when the thing this series is most known for is goddamn bellybuttons.

#13: Mahouka Koukou no Reittousei


At the end of last season, my thoughts on this were basically “Magic was interesting, not actually that bad, could be worse could be better.” Well I pretty much completely lost interest in this since the Nine Schools Arc was a borefest and the Yokohoma Disturbance was even more boring until the end, and the magic system really wasn’t enough to keep me interested. This is a good example of my awful tendencies of sticking things through to the end when I should probably drop them. I at least got to give props to it just simply accepting the fact that Tatsuya is an OP motherfucker, instead of trying to play him into cliffhangers where he might “lose” or situations where he struggles like Kirito. No, not here. When you can bring people back from the dead and just set off nukes with your magic gun and shit there’s really no need to try and humanize someone. I’ll say again that this show isn’t terrible, just in that painful spot where it’s not bad enough to drop but not interesting enough to watch, yet I do it anyway. Probably not going to watch the inevitable second season of this. Maybe it’ll eat away at my consciousness until I can’t take it, I need to know if Onii-sama and Miyuki bang.
I laugh my goddamn ass off everytime that ED comes on though.

WORST SHOW I WATCHED THIS SEASON?

TOKYO GHOUL.



(Sorry AquaWateria) Alright now Rail Wars may technically have less production values or be more shameless then this, but I gotta give it up to the trainwreck of an adaptation this is. After seeing the censorship in this, it made me feel a bit better about JJBA. Plus Parasyteis airing next season and that’s by Madhouse so it’s gonna make it look even wose

BEST SHOW I DID NOT WATCH?

HANAYAMATA.



I think? I don’t even know what it’s about. It’s probably better then Fate/kaleid liner Prisma☆Illya 2wei!

SHOW I’M GLAD I DID NOT WATCH?

GLASSLIP.



From every single comment made by the people who stuck around, it seems like the show was just a mess of characters and melodrama and some bullshit about chickens and time travel(?) thrown in there and I’m glad I didn’t deal with any of that. Really I don’t even know the reason why it’s so bad, I just know it is.

BEST OPENING?

Gekkan Shoujo Nozaki-kun. Runner up would be Terror in Resonance.

BEST ENDING?

Sabagebu!
, because it makes me laugh really hard. Runner up would also be Terror in Resonance.

BEST GIRL?

Seo, runner up to Kashima both from Gekkan Shoujo Nozaki-kun.

WORST GIRL?

Five, runner up to Lisa both from Terror in Resonance.

DO YOU SEE A PATTERN HERE
 

mankoto

Member
Log Horizon 24
Well they did a good job in making feel disgusted with him. That hair sniffing gave me an unnecessary SAO flashback.
 
Buddy Complex S2 01

What does it say about Aldnoah Zero when I'm more entertained and question less the stupid anime concepts in this popcorn-show over the "elobarate" Aldnoah Zero?

I tell you what it says. It says that DTL will love all the new BOYS BOYS BOYS being introduced, one who specifically calls Aoba senpai and wanted to be noticed by him. Hijinks ensue.
 

Andrew J.

Member
Buddy Complex Special 01

There were a few nice character beats and a bunch of cool lasers and explosions. I can't honestly say I expected anything more or better.
 

firehawk12

Subete no aware
After finishing the latest new chapter of Sunrider, I am convinced that it is a moe, western version of Legend of the Galactic Heroes. It has the same themes about hegemonic political empires, but infused with moe anime tropes as seen by a western artist/writer.

The best part is that it's still better than Mass Effect.
 

Firemind

Member
Sinon is definitely in the Kirito harem, dude. I mean, unless something about the non-stop camera panning over her ass and chest convinced you they're planning to respect her character development and not make her into yet another doe-eyed haremite.
That's fanservice. They're doing it to pander to a certain demographic (teens and young adults) and try to rake in the dough. It's the sad state the anime industry is currently in. Harem, as a plot frame, doesn't apply to SAO. There's really only one romantic interest and it's resolved in the very first arc.

Dunno. Haven't seen a huge overabundance actually. And Firemind hopefully isn't serious when he's telling us that Kirito is no Gary Stu. Same goes for the harem shenanigans. I mean less so but it's still darn clear what everyone's talking about in that regard.
Kirito is really good at video games. I remember people were complaining that he got incredibly OP in an MMORPG even though he just barely started. I don't know about you, but watching him kill 10,000 boars just to have the belief that he raised his stats legitimately would get boring very quickly.

Now I'm not questioning your level of suspension of disbelief. I just think it's amusing people get worked up about this sort of trivial stuff and not about actual plot points, like for example Kirito not calling the police. Though to be fair, having him personally stop the villain's evil scheme makes for much better television, innit?
 
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