Okay AnimeGAf I'm foregoing working out because I'm just kinda not in the mood today, so let's talk about
GETTER ROBO.
Getter Robo is one of the most well known Giant Robot series of all time. It's probably one of the oldest, too. It sits comfortably in the Trinity of Super Robot Wars with Gundam and Mazinger. If Mazinger is Mario and Gundam is Pikachu then Getter Robo is Link, so to speak. The series isn't Go Nagai's work, but it is heavily influenced by it (and I believe Nagai was close to Ken Ishikawa. The series began as a manga, and was adapted into an anime in 1974.
Clockwise from Top, The Shin, G, Original and Go Getter Robos
The manga, which I confess I still need to read, I am told differs from the anime. But I'm going to just give you the skinny on what I do know, and beg the aid of those who are more knowledgeable than I to correct the statements I make here and now.
Unlike
Mazinger Z, which was perhaps as idyllic as a giant Robot series could be, Getter Robo was actually sort of a hard edged show when it came out. While it is true that the original run now comes off as incredibly saccharine, I think it is important to take a step back and look at the show from a distance. Ryoma, Hayato, and Musashi were not the Justice Lovin' Crusaders of Good that Kouji was. Nor were they the spitting image of a good, wholesome, red-blooded Japanese teenager like Kouji.
Rather, Ryoma, Hayato and Musashi were
very troubled teenagers. Not in the sense we might immediately jump to today, where there's sex, drugs and rock and roll, but none of them spoke of their fathers, all three of them were violent to the point where Ryoma and Hayato once fought from the top of a mountain to the bottom in a single day. As Ryoma in New Getter Robo would point out: Benkei was really the only sane man in the group. Musashi, his predecessor, tended to be the most normal of his day, but he had a terrible temper and was prone to taking things out on his sidekick, Joho (think Bulk and Skull.)
Doctor Saotome was a crafty, sneaky, obsessive and brutish scientist who fit the bill of mad scientist almost perfectly at times. The only real soft spot he had was for his family, and even then he could be eerily stoic about it, like the death of his son Tatsuhito in the first episode, or his strangely frigid relationship with his wife. All the same, toward his daughter, Michiru, and his son (well, usually his son), Genki, Doctor Saotome could be a big teddie bear.
The show's principle villains, the Dinosaur Empire, were on the surface the sneaky bastard alien race that Super Robot shows were meant to slaughter. But one truth I've come to learn about Super Robot Anime is that
the idea that villains in older Super Robot anime were one shaded mustache twirlers is largely a myth. The Dinosaur Empire time and time again proved to be full of honorable warriors, men and women, who were only trying to fight the Getter Team because they were trying to save their homeland and Getter Technology, for all it would help mankind, was lethal to them. Countless Dinosaur Soldiers would die defending the Getter Team or valiantly fighting for their cause rather than trying to get away with this or that crime.
Although the show is now very cheerful and shiny in our memories, I put it to you that this is less because the Original Getter Robo pulled its punches and more because later shows would move to the far, far darker motives of the original manga. The original Getter Robo had a member of the main cast die a horrible death, had Ryoma and the team crying their eyes and screaming their souls out over the flaming wreckage of fallen foes. It was a show about a team of messed up people coming together to defend mankind and be more than what they were.
Ryoma Nagare in 1974, 1998, and 2004. What a difference 30 years makes!
Later Getter Robo series, specifically Armageddon and New would veer into far, far more frightening, and darker places. Armageddon deals with a world gone mad, where everyone who had ever been known and loved in the old animes has turned one upon the other. Doctor Saotome has gone mad with grief, Michiru is dead, Genki's lost his mind, Ryoma is in jail for murder, Hayato's destroying the world and Benkei is left to clean it all up. The series is, to me,
the dark work of the Super Robot Genre. To illustrate it to you, think of Getter Robo Armageddon as you would The Dark Knight Returns, except free of Frank Millerisms. Compare Getter Robo's beginnings to the Adam West Era of Batman and consider Armageddon as Beyond or Dark Knight era Bale. It's the Batman Beyond to Batman TAS, so to speak. You get the picture. It's a world gone entirely wrong.
New Getter Robo pushes beyond that, back to the age when the heroes of Getter Robo were precious more than mad men with a giant robot. Even Michiru, who through Armageddon had remained the shining example of a good, sane, kind woman has frozen over. Most notable of all is that in New Getter Robo there is absolutely no mention of Genki. Genki, the stereotypical bright eyed kid who served as an audience surrogate in many a Super Robot Show, simply doesn't exist. Interestingly, Tatsuhito, Doctor Saotome's long dead son, does.
But all of this is set up to a point which I really want to discuss with you: The fundamental shift in the meaning and treatment of Getter Rays in the series. As originally presented, Getter Rays were a new hope for mankind and Japan in specific. Discovered by Doctor Saotome, they were the absolute antithesis of nuclear energy. They were clean, renewable, sustainable, powerful. The Getter Ray would power the world of tomorrow. It was the Shizuma Drive of the 70s.
But over the course of the series we are constantly told bits and pieces about this. The Getter Ray is poisonous to the Dinosaur Empire. Does humanity have the right to clean energy at the cost of another sentient race? The demons of G are attracted to it. Should we be using an energy which demons find so enthralling? What began as a simple scientific wonder for a world in love with and looking to science for the answers they so desperately needed in the middle of the greatest struggle it had ever known, the Getter Ray was the ideal answer.
And yet when Getter Robo Armageddon airs, we learn that Getter Rays not only attracted the horrors known as Invaders, it sustained them and made men into them. The Getter Ray had driven Doctor Saotome mad, and had brought the utter devastation of mankind. It had gone from being the answer to Nuclear Technology to being Nuclear Technology itself. And when New Getter Robo aired, the Getter Ray became a simultaneous symbol for all mankind's ambition and drive and the all-consuming, all-integrating homogeny of a consumerist society. It had gone from being a shining ray for a bright new future to the imminent threat of a DG Cell, a symbol for the Devil. By the end of New Getter Robo its unmistakeable as the mythological concept behind Spiral Power. Ryoma himself begins to glow with it coursing through his veins, and the Gods descend in order to prevent a Getter Ray catastrophe.
In thirty years the Getter Ray goes from being a positive force for humanity's future to a terrible energy we consume at the greatest of costs.
Why? What happened? What does this loss of faith in one of anime's most prominent mystical forces mean?