1) E-40 Overtime shifts
2) Big KRIT R4 the prequel
3) Maybach Music Group Self Made Vol 1
4) Ace Hood Blood Sweat and Tears
5) Em and Royce Bad Meets Evil
6) Big Sean Finally Famous
7) Saigon Greatest Story Ever Told
8) Glasses Malone Beach Crusier
9) Jay Z and Ye WTT
10) DJ Khaled and Friends We The Best Forever
This man knows what's up. Beach Cruiser is still on my list of shit to listen to. Really low, but it's on my list. Gotta give the west a chance, only reason why I gave Tyler and Black Hippy a chance in the first place.
Also, if I could, I would make
The Low End Theory my album of the year. Listened to it for the first time (first Tribe album I listened to ever) and it blew my mind. The only word I can think of to describe it is sublime. So fucking smooth, I haven't heard flow like this in forever, that never stops throughout the entire album. Its cohesive, there's not a bad song on there and I'm surprised I even enjoyed it really; I have difficulty going back to listening to old stuff that people herald with their rose tinted glasses on. Without those glasses or fond memories, it's difficult to judge if something stands the test of time or not and I certainly think it has aged well. Favourite cuts being Excursions, Buggin Out, Check the Rhime, and Verses from the Abstract. I like it better than Illmatic too. Looking forward to listening to Midnight Marauders next, after I finish listening to some Q4 albums.
One thing that did catch me off guard though is the proportion of the work/credit Tip to everyone else in the group. The bulk of the rapping and producing is Tip. I don't know, I just thought there would've been a bit more of an equal distribution going in but that wasn't the case. Not that there's anything wrong with that, cause I love Tip.
Might as well throw this in here too while I'm at it: I just finished listening to
Radioactive. I wanna give Yelawolf the benefit of the doubt here but.. it's mediocre. The sound is kinda the direction Yela was heading anyways, so I'm not as surprised as some of you here were, but there's far too many forgettable songs on here for me to say it's decent, and the highs aren't even that high enough to save it like Section80. Best songs IMO are Let's Roll, Throw It Up, Animal, Write Your Name (the best) and Everything I Love The Most. Everything else is just average to bad. Disappointing overall, and it sounds like it's missing that critical second opinion, where Em walks in and asks, WTF IS THIS SHIT? A case of either too much creative freedom, or too much A&R involvement, which scares me because these two ends of the scale are exactly what could make the Slaughterhouse album dogshit. Now all we can do is wait for the numbers to come out and to see if there still is potential for growth with Yeller.