Common - Nobody Smiling
What a frustrating album. Nobody Smiling is almost great and that's a more accurate description than calling it decent or good because it symbolizes just how disappointing it is.
The production is pretty overall. You can tell how much No ID influenced Kanye's style, especially at the onset of his career. So Common getting No ID to handle the album is in a way like cutting out the middle man, as the roots of Kanye's styles are very much alive in the aforementioned producer. The beats in the beginning mostly mostly dark and menacing, incorporating synths that wouldn't be place out a funeral procession, but there are also are a few breaks in the somewhat suffocating tone of the album here and there.
Kingdom features a choral sample and pace that will instantly remind listeners of
Jesus Walks and the simple yet holistically soulful sample on
Rewind That would make Dilla blush. The funky blues beat on Out of Bond encapsulates the streets of south-side Chicago so well.
7 Deadly Sins has to be an ode to RZA, it sounds like it could have been a b-side on Wu-Tang Forever, and I mean that in an entirely positive way. And the last track slows the pace down a bit, yet keeps things a bit somber. It's the perfect denouement giving enough Common enough breathing room to really contemplate the zeitgeist with insight and sincerity.
What keeps the album from being great are a few glaring missteps that mostly take place in the middle of the album with the exception of
Diamonds.
Diamonds is such a fractured mess. Common's verses are on some inconspicuously reflective shit though his tone sounds like he's just trying to swag out. However Big Sean's chorus really suggests that the song was probably meant to be breakout single. Big Sean's entire presence is entirely banal and shallow. He doesn't even sound like he's trying and the content of his raps are poison to a track with a pretty good beat and some decent Common verses.
Hustle Harder is another low point. And it's a damn shame because that beat instantly conjures head banging and toe tapping. Common is entirely to blame for the ruin this time. I'd consider myself a pro-feminist, so I'm all for a song that big ups female independence, but it just sounds so random, cheesy, and forced on this song that it's hard to get behind. Also the way Common constantly measures the hustling women to a nigga is laughably limiting and idiotic. I wish the track was an instrumental interlude.
Lastly,
Real isn't a bad track, but it really fucks up the pace and atmosphere of the album. Also it's presence doesn't really add anything to the it. Common isn't really saying much of anything on the track and it just seems entirely insignificant.
The album really starts and ends so well that it kind of makes the blemishes in the middle easier to forgive at first. However, when you think about what the album could have been and just how well some of the standouts work in contrast to the lows the album's squandered potential becomes harder to swallow.
Strong 7