Jay is certainly off beat at times on 4:44, but I think it's knowingly so. Check the Dumbo thing at the end of the verse on "The Story of OJ", for example. "Conversational" is a term I've seen thrown around a bit, and I agree that what he's going for at times, but unfortunately this is after a number of albums where we've seen his flow deteriorating more and more with what feels like each passing song, so for those of us who've been complaining about it for a while, "conversational" doesn't mean much. There's a gulf between the way he attacks "Marcy Me" and 90% of the other verses on the project. Sure he's dropping knowledge and getting introspective, but the flows/deliveries are boring. So yeah, while there's nothing as bad as the worst stuff on BP3 and MCHG, it's not a "return to form" either.
The return to form, as much as this thread hates to admit, was American Gangster. That was Jay's spike of life on an otherwise flatlined post The Black Album career.
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Top whatever of 2017 so far:
- Quelle Chris - Being You Is Great, I Wish I Could Be You More Often
- Sean Leon - I Think You've Gone Mad (Or the Sins of the Father)
- Roc Mariano - Rosebudd's Revenge
- Nnamdi Ogbonnaya - DROOL
- Porter Ray - Watercolor
- Goldlink - At What Cost
- Freddie Gibbs - You Only Live 2wice
- Kendrick Lamar - DAMN.
- BONES - Unrendered
- DJ Quik & Problem - Rosecrans
- G Perico - All Blue
- Kweku Collins - Grey
- Azizi Gibson - Memoirs Of The Reaper
- Vince Staples - Big Fish Theory
Which of these will survive the year I don't know, but they're what I've put the most time into. Quik & Problem in particular.