supernormal
Member
You know I really gotta hand it to my discussions with Supernormal regarding photoshoots and lighting and stuff like that cause it actually comes in handy. I had a brief photoshoot with a professor after he gave a brief interview for something for work. He was really um well...dude was fucking tight, but I eventually just started talking to the dude about his family and life in general and it really loosened him up. Which allowed me to get a really good shot of him actually giving a smile that doesn't look like he devours kids. I used one flash, shot it through a diffuser umbrella and that set up delivered, I just needed something light and portable.
It's literally about making the subject comfortable while getting what you need. You have to be very outspoken yourself and know what you want. So I'll start out with standard poses that sort of just work and compliment them or "lightly" poke fun at them till I can get a natural reaction (but sometimes this is not the best either). A lot of times I actually walk up to my subject and grab their face and put it where I want it (you gotta be careful with some people). As long as it looks like you know what you're doing and they like the pics there's pretty much nothing out of bounds if you work your way up to it.
Never show insecurity. I read a post from David Hobby's strobist blogspot where he was shooting some CEO and the guy didn't have a lot of time. He shot ONE pic and he said to the guy "we're done" and then got a few shots of his reaction (which lead to actual shot used). I use that trick all the time, and you look like a total boss. If you did your prep work with the lighting before they show up, you could probably pull off corporate shots using that 90% of the time.