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GAF Photography Thread of 2016

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You know I really gotta hand it to my discussions with Supernormal regarding photoshoots and lighting and stuff like that cause it actually comes in handy. I had a brief photoshoot with a professor after he gave a brief interview for something for work. He was really um well...dude was fucking tight, but I eventually just started talking to the dude about his family and life in general and it really loosened him up. Which allowed me to get a really good shot of him actually giving a smile that doesn't look like he devours kids. I used one flash, shot it through a diffuser umbrella and that set up delivered, I just needed something light and portable.

It's literally about making the subject comfortable while getting what you need. You have to be very outspoken yourself and know what you want. So I'll start out with standard poses that sort of just work and compliment them or "lightly" poke fun at them till I can get a natural reaction (but sometimes this is not the best either). A lot of times I actually walk up to my subject and grab their face and put it where I want it (you gotta be careful with some people). As long as it looks like you know what you're doing and they like the pics there's pretty much nothing out of bounds if you work your way up to it.

Never show insecurity. I read a post from David Hobby's strobist blogspot where he was shooting some CEO and the guy didn't have a lot of time. He shot ONE pic and he said to the guy "we're done" and then got a few shots of his reaction (which lead to actual shot used). I use that trick all the time, and you look like a total boss. If you did your prep work with the lighting before they show up, you could probably pull off corporate shots using that 90% of the time.
 
Well, first of, atually getting actors to play the roles instead of friends. In this case the whole thing is done around the fact that we do not have actors, so we cannot have acting demanding scenes because they simply wouldnt pull it off. And working with people who arent used to be on camera, makes us having to re-do a lot of shots due to unexperience.

There would also be a huge bump in quality, better camera, better lenses, and a gimbal stabilizer/sliders and what not. Moving to a Black Magic/ Sony FS system, would mean we had 10 bit color science and much more dynamic range, which would be on par with what you'd see in a Rihanna or any other major star music video, because that dynamic range is what gives the video a filmic look. Even though I believe the video itself is somehwat filmic in its grading/colors, this is a very time consuming method, and all shots need to be extensivily graded in order to look this way. With this video (as well as all my others that you can follow here - https://vimeo.com/156891323 ) everything is shot either handheld or with a shoulder rig, and then digitally stabilized, this creates some creative limitations, because I cannot do fast pans and some other sequences because the digital process would be ruined.

Also lighting, which was severely hurt by the low budget, we were supposed to have 15 lights hanging from the ceilling for lighting/decoration, but that alone would costa round 200-300€ and we simply could not spare that much money, so we had to improvise with what we could.

And last but not least, it would grant us acess to other locations, there was a scene where she's leaving her house, that we jumped to a random house and filmed it, in fact, most of our filmings are done in private places, illegally, so we decided to scratch that scene off, since it was likely to give us some trouble.

Im all in favour of making our best with the little of budgets we have, im proud when people can say "it looks professional/high end" when it was actually done with so little money. But having a bigger budget doesnt mean I would spend it just because its there, I would apply it in specific areas that I would think could upgrade the overall quality of the project, yet keeping it as unexpensive as possible. It may not seem like it, but a small bump in the budget, and changing the gear slightly would produce high end content, similar to what we are used to seeing from big stars.

Well congrats on your work. I don't know a lot of people who can make a video like that for that amount.
 
It's literally about making the subject comfortable while getting what you need. You have to be very outspoken yourself and know what you want. So I'll start out with standard poses that sort of just work and compliment them or "lightly" poke fun at them till I can get a natural reaction (but sometimes this is not the best either). A lot of times I actually walk up to my subject and grab their face and put it where I want it (you gotta be careful with some people). As long as it looks like you know what you're doing and they like the pics there's pretty much nothing out of bounds if you work your way up to it.

Never show insecurity. I read a post from David Hobby's strobist blogspot where he was shooting some CEO and the guy didn't have a lot of time. He shot ONE pic and he said to the guy "we're done" and then got a few shots of his reaction (which lead to actual shot used). I use that trick all the time, and you look like a total boss. If you did your prep work with the lighting before they show up, you could probably pull off corporate shots using that 90% of the time.
Yes I was pretty confident and had a really good idea of what I wanted. I was actually paying close attention and if I wasn't there would've been a nasty wall socket and wires in the shot, which would not have worked. Luckily I pay attention to the comments here and try to remember them and I tried to get it out of the frame, which was impossible so we just had him stand in front of it. The earlier shots were just full of cringe, but at least they gave me a really good idea of where to put my flash to make it a better picture. They were happy with some of the other ones, but I think the one I posted was the best one, it's not too close, it's not too wide, he looks, human and sort of jovial, it's perfect for the amount of time we had...until someone tells me what's wrong with it of course.
 

FStop7

Banned
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Taken with a 30+ year old Chinon point and shoot camera that I bought for $10 off of Craigslist. The seller literally pulled it out of a storage unit where it had been sitting for years. I put in new batteries and a roll of Fuji Superia 400. The auto focus is dead slow but it's still accurate. It uses some kind of infra red beam to focus. Pretty far ahead of its time.
 
Well congrats on your work. I don't know a lot of people who can make a video like that for that amount.

Thank you, thats a huge compliment, because I believe thats one of the most important parts of being a film maker...trying to look as high end as possible, with as little expenses as possible =)
 
Hobby photographer starter kit:
Go to military ball
Get photos taken by pro photographer hired by military
Wonder why they use a D3200, I know they paid you bank (tho whatevs)
35mm is a great focal length for portraits, ya
Why is there so much noise at ISO100
Sure don't bother to correct CA at all when it's visible ya
 
Hobby photographer starter kit:
Go to military ball
Get photos taken by pro photographer hired by military
Wonder why they use a D3200, I know they paid you bank (tho whatevs)
35mm is a great focal length for portraits, ya
Why is there so much noise at ISO100
Sure don't bother to correct CA at all when it's visible ya
I usually like checking out the gear of the event photographers. The ones my job hire usually have pretty good to expensive gear...they are mostly use Canon, but whatevs. I don't know what you guys hired though.
 

NeoRaider

Member
First time seeing this thread and it's amazing, i will be posting some of my photographs that i took with my smartphones, some are few years old and some are newer, they are not anything special but i like them so...











Nothing is edited, they are all original files.
 

Mr. Hyde

Member
A Rose In the Midst of Dreams by Tony Frattle, on Flickr

Wind Swept by Tony Frattle, on Flickr

Brothers by Tony Frattle, on Flickr

Vexation by Tony Frattle, on Flickr


It's been a while since I've posted but I have been pushing myself on the photography front every chance I get. Between my retail job and some personal life things happening, it gets tough but I keep going. I also did trade work with a local company who has now designed me an awesome logo which I am very excited about. I plan to get cards made this week. I also went from not having any makeup artists to two who are very interested in working with me and also someone who wants me to utilize all of their lights for my work to help advertise their company. I am not even sure what to do with an insane amount of high end lighting but I will figure it out! The person is a huge fan of Steven Klein's photography so I am sure something ambitious will come of it if things go as planned.

I am supposed to do a shoot outside today involving a girl covered in UV body paint and hopefully either holi powder or a smoke grenade in the background for an extra element of color. I need to go run around today looking for items.

I am loving all the work everyone has been posting! I try to browse daily.
 
A Rose In the Midst of Dreams by Tony Frattle, on Flickr

Wind Swept by Tony Frattle, on Flickr

Brothers by Tony Frattle, on Flickr

Vexation by Tony Frattle, on Flickr


It's been a while since I've posted but I have been pushing myself on the photography front every chance I get. Between my retail job and some personal life things happening, it gets tough but I keep going. I also did trade work with a local company who has now designed me an awesome logo which I am very excited about. I plan to get cards made this week. I also went from not having any makeup artists to two who are very interested in working with me and also someone who wants me to utilize all of their lights for my work to help advertise their company. I am not even sure what to do with an insane amount of high end lighting but I will figure it out! The person is a huge fan of Steven Klein's photography so I am sure something ambitious will come of it if things go as planned.

I am supposed to do a shoot outside today involving a girl covered in UV body paint and hopefully either holi powder or a smoke grenade in the background for an extra element of color. I need to go run around today looking for items.

I am loving all the work everyone has been posting! I try to browse daily.
Congrats at the new opportunities you're getting, it's a good sign.
 

Mr. Hyde

Member
Congrats at the new opportunities you're getting, it's a good sign.

Thank you! I am always hard on myself but my wife usually keeps me in check. I always feel like quitting but then I get pushed back into something fun and it makes me work harder on improving my work. I am actually sitting here browsing Vogue magazine because I try to consume as much as possible even if I feel intimidated by most of these photographers. Sometimes I feel better when I realize just how many people a pro photographer has on set with them when a a photoshoot happens. I run everything myself at the moment, including some of the makeup and all of the retouching.
 
I loveeee all all the neon lighting in the first two. Great job at keeping it so clear and not blown out.
Thanks these were probably some of my best night shots, the colors were just too good to pass up and I was in a rush, but I had to take those.
Thank you! I am always hard on myself but my wife usually keeps me in check. I always feel like quitting but then I get pushed back into something fun and it makes me work harder on improving my work. I am actually sitting here browsing Vogue magazine because I try to consume as much as possible even if I feel intimidated by most of these photographers. Sometimes I feel better when I realize just how many people a pro photographer has on set with them when a a photoshoot happens. I run everything myself at the moment, including some of the makeup and all of the retouching.
I know the feeling. I get really hard on myself as well too. I'm always browsing tutorials and stuff like that, only thing I'm bad with is giving direction, though yeah, I should really browse some fashion mags for lighting and pose ideas. I'd love to get a model that's a fan of Jojo's Bizarre Adventure, but I'm probably in the wrong country for that to be possible.
 

Mr. Hyde

Member
Thanks these were probably some of my best night shots, the colors were just too good to pass up and I was in a rush, but I had to take those.

I know the feeling. I get really hard on myself as well too. I'm always browsing tutorials and stuff like that, only thing I'm bad with is giving direction, though yeah, I should really browse some fashion mags for lighting and pose ideas. I'd love to get a model that's a fan of Jojo's Bizarre Adventure, but I'm probably in the wrong country for that to be possible.

Ha! You never know. I live in Orlando, FL and one of my friend spends the majority of his photography time in cosplay and he does a does a lot of photoshoots with obscure anime characters. I'm sure there are opportunities out there.

Direction can be tricky, especially when both you and the model are new at it. Working with someone who barely needs guidance outside of positioning is a whole different world I've realized when I did a photoshoot with the guy covered in charcoal. He does acting, costume work for theme parks and also commercials. He knew where to take things without needing much direction outside of me telling him to lift his head up or move over here and there to make sure the lighting fell on him correctly. It's a good thing to watch tutorials on but it's also something that you learn as you stay visually conscious in a photoshoot. I try to keep positive and communicative even if it's just something along the lines of "This looks awesome!". I am supposed to do an engagement shoot next month for a friend which will be a different ballgame of posing and I am a bit more intimidated by that. I hope to be ready to pull it off.

One fun thing to study in photographs is catch lights in the eyes. It's good practice to try figuring out which direction the light is coming from. It's good visual practice and helps train you.
 
Ha! You never know. I live in Orlando, FL and one of my friend spends the majority of his photography time in cosplay and he does a does a lot of photoshoots with obscure anime characters. I'm sure there are opportunities out there.

Direction can be tricky, especially when both you and the model are new at it. Working with someone who barely needs guidance outside of positioning is a whole different world I've realized when I did a photoshoot with the guy covered in charcoal. He does acting, costume work for theme parks and also commercials. He knew where to take things without needing much direction outside of me telling him to lift his head up or move over here and there to make sure the lighting fell on him correctly. It's a good thing to watch tutorials on but it's also something that you learn as you stay visually conscious in a photoshoot. I try to keep positive and communicative even if it's just something along the lines of "This looks awesome!". I am supposed to do an engagement shoot next month for a friend which will be a different ballgame of posing and I am a bit more intimidated by that. I hope to be ready to pull it off.

One fun thing to study in photographs is catch lights in the eyes. It's good practice to try figuring out which direction the light is coming from. It's good visual practice and helps train you.
Yeah I gotta pay more attention to the catch light stuff. I definitely know of it and I kow people go for that look. Sometimes I just luck into that. Good luck on that engagement shoot, just don't go in nervous. I honestly think that messes up the flow of your shoot. I usually work with free models. Some are experienced, others aren't. Now I'm starting to work with college professors and they're a whole different ball game cause they're just "people" which means they're not used to getting their pictures taken.
 
I usually like checking out the gear of the event photographers. The ones my job hire usually have pretty good to expensive gear...they are mostly use Canon, but whatevs. I don't know what you guys hired though.
Well, they had a Nikon 35mm 1.6 (apparently they make that, going off the metadata), so at least they weren't using a kit lens, so there's that.
Oh, they were also using Yongnuo flashes, so I know they weren't adverse to manual gear. Just wondered a few things about the end result that was odd.
 

Mr. Hyde

Member
Yeah I gotta pay more attention to the catch light stuff. I definitely know of it and I kow people go for that look. Sometimes I just luck into that. Good luck on that engagement shoot, just don't go in nervous. I honestly think that messes up the flow of your shoot. I usually work with free models. Some are experienced, others aren't. Now I'm starting to work with college professors and they're a whole different ball game cause they're just "people" which means they're not used to getting their pictures taken.

Oh yeah! People read you easily when you're nervous plus it also messes with your own mind. I try to go find a flow and work with it despite what obstacle comes. Staying positive goes a long way when working with any type of client.

I might actually reach out to college's soon. There seems to be a lot of people in my area wanting business headshots or shots for their linkedin profiles. It can be good side work while helping me invest into new lighting and lenses for portrait work.
 
Oh yeah! People read you easily when you're nervous plus it also messes with your own mind. I try to go find a flow and work with it despite what obstacle comes. Staying positive goes a long way when working with any type of client.

I might actually reach out to college's soon. There seems to be a lot of people in my area wanting business headshots or shots for their linkedin profiles. It can be good side work while helping me invest into new lighting and lenses for portrait work.
Yeah, I'm usually not nervous either, funny enough my shoots are getting quicker and I'm taking less shots. I don't know if that's good or bad. I should really try doing corporate headshots at some point.
That second one screams high contrast black and white.
 

SBH

Member
Took photos in a studio for the first time. I'm eager to learn and experiment with all the equipment, as apart of a four week studio course.
Crying in The Rain

Taken with Canon EOS 500D with Tamron 18-200mm. Honeycomb on the top right, silver umbrella in the front and a softbox as backlight. Dark grey backdrop.

Edit: Here are some pics I took last Sunday using movie lights I borrowed in front of a white backdrop. It was fun to learn to play with them also.
Catphones
Binding Justice 1
Binding justice 2
Jenni

All taken with Canon 60D with 50mm. Using two Redheads and one Kino Flo for lighting in front of a white backdrop.
 

vern

Member
My brother's wedding is tomorrow. I'm the best man and also his photographer. This is also my first wedding I'll be shooting. A little nervous, it's gonna be interesting and I don't wanna fuck it up since it's my brother. I should be able to get some different kinds of shots from the typical at least considering I'll be standing up there right next to him during the ceremony. Also we are doing the wedding "guerilla" style at a very busy public place that they didn't get a permit for.

The wedding party: there are two bridesmaids, one groomsman plus me as best man. My brother's two daughters (4 and 8) and a dog. It's very non-traditional. I've been contemplating how to pose everyone and I've checked out the site a few times. We are planning on shooting these pics for only an hour, and at midday around 1230-130. It's gonna be bright.

All in all it'll be fun and I'm sure I'll get something that they are happy with considering the circumstances... any general advice for weddings?
 
My brother's wedding is tomorrow. I'm the best man and also his photographer. This is also my first wedding I'll be shooting. A little nervous, it's gonna be interesting and I don't wanna fuck it up since it's my brother. I should be able to get some different kinds of shots from the typical at least considering I'll be standing up there right next to him during the ceremony. Also we are doing the wedding "guerilla" style at a very busy public place that they didn't get a permit for.

The wedding party: there are two bridesmaids, one groomsman plus me as best man. My brother's two daughters (4 and 8) and a dog. It's very non-traditional. I've been contemplating how to pose everyone and I've checked out the site a few times. We are planning on shooting these pics for only an hour, and at midday around 1230-130. It's gonna be bright.

All in all it'll be fun and I'm sure I'll get something that they are happy with considering the circumstances... any general advice for weddings?
The harder part is going to be when you are getting the wedding itself. Walking down the aisle etc.
While its a little different for weddings I'm sure, I've done a lot of event photography, and with something like that it's all about planning on where you want to be for the next three minutes. Keep in mind what's coming up, what angles are going to give you multiple shots that you need etc. For a wedding you want to be out of the way, in the back, so I'd keep a more telephoto lens on. You won't be able to use flash without being distracting, so depending on lighting you might want to try and go for an "old fashion" look so that noise/grain is acceptable.
For the rest of the event, the reception and lead up, just be trying to get everyone you can. Some good establishing shots of the party/people sitting at the pews/etc, then chat up the more important members of the immediate family so you can get some good candid smiles on camera.

Now, this advice is coming from a military photographer with experience with promotions and changes of command, and I'm sure we have more specialized wedding photographers that'll give you better advice, but I would feel fairly comfortable doing a wedding. More so than a regular portrait shootout actually haha.

Edit: I forgot to mention -- you will NOT be changing lenses during the event -- grab a 24-70, on an APSC of you can. I have the luxury of being able to place my lens on the subject's shoulders if I want, so I can get away with a 50 prime, but you won't haha. 24 on APSC is about as wide as you'd want, outside of like a candid group shot of people you're having a conversation with.
And do bring tripod and flashes! They will likely want to have a small "portrait booth", where you can just make a small setup and have a good few easy moments of just snapping the shutter while people want to get some photos.

That's about all I can think of ATM. Like I said I'm sure there's some more specific advice.
 

vern

Member
The harder part is going to be when you are getting the wedding itself. Walking down the aisle etc.
While its a little different for weddings I'm sure, I've done a lot of event photography, and with something like that it's all about planning on where you want to be for the next three minutes. Keep in mind what's coming up, what angles are going to give you multiple shots that you need etc. For a wedding you want to be out of the way, in the back, so I'd keep a more telephoto lens on. You won't be able to use flash without being distracting, so depending on lighting you might want to try and go for an "old fashion" look so that noise/grain is acceptable.
For the rest of the event, the reception and lead up, just be trying to get everyone you can. Some good establishing shots of the party/people sitting at the pews/etc, then chat up the more important members of the immediate family so you can get some good candid smiles on camera.

Now, this advice is coming from a military photographer with experience with promotions and changes of command, and I'm sure we have more specialized wedding photographers that'll give you better advice, but I would feel fairly comfortable doing a wedding. More so than a regular portrait shootout actually haha.

Edit: I forgot to mention -- you will NOT be changing lenses during the event -- grab a 24-70, on an APSC of you can. I have the luxury of being able to place my lens on the subject's shoulders if I want, so I can get away with a 50 prime, but you won't haha. 24 on APSC is about as wide as you'd want, outside of like a candid group shot of people you're having a conversation with.
And do bring tripod and flashes! They will likely want to have a small "portrait booth", where you can just make a small setup and have a good few easy moments of just snapping the shutter while people want to get some photos.

That's about all I can think of ATM. Like I said I'm sure there's some more specific advice.

Thanks for all that. The plan is to have a 24-70 on a canon 60D and a 35 on my 5D so I won't be swapping lenses.
During the wedding as the best man I'll be hanging out up there right next to my brother in the front and taking pics from there...it's gonna be strange but it's what they want. Also as it's in s public space and geurilla style there won't be pews. It's gonna be just a big crowd of people, no seats at all. Plan is to get in and out in a hurry. As far as like "documentary" photography of the wedding goes I feel pretty fine, more nervous about shots of the wedding party and not going too cheesy with posed shots but still posing people and getting some nice stuff. I looked at tons of wedding photos the past few days, so much of it looks so dumb I hope I don't fall into that trap too.
 
Thanks for all that. The plan is to have a 24-70 on a canon 60D and a 35 on my 5D so I won't be swapping lenses.
During the wedding as the best man I'll be hanging out up there right next to my brother in the front and taking pics from there...it's gonna be strange but it's what they want. Also as it's in s public space and geurilla style there won't be pews. It's gonna be just a big crowd of people, no seats at all. Plan is to get in and out in a hurry. As far as like "documentary" photography of the wedding goes I feel pretty fine, more nervous about shots of the wedding party and not going too cheesy with posed shots but still posing people and getting some nice stuff. I looked at tons of wedding photos the past few days, so much of it looks so dumb I hope I don't fall into that trap too.
Yeah, I didn't know if you were going to have access to two bodies, makes things a lot easier. And if they want you right there, that makes your job a LOT easier.
35 on the 5D? That's a full frame yeah? Make sure not to make the wife look fat haha. I know for military photos when I'm able to be that close, I just use a 50mm/30 on apsc. When I'm able to move about as I please that's all I use.

If it's outside, see if you can't influence the setup to keep the sun in a better spot. Sounds like it's loose enough that you could get them in a spot to get some nice side lighting. But, other than that I think you've got it.

Oh, and if you see a lot of photos that are kind of similar, it's because that's what people are asking for. I wouldn't necessarily go out of my way to avoid taking those sorts of shots.
 

vern

Member
Yeah, I didn't know if you were going to have access to two bodies, makes things a lot easier. And if they want you right there, that makes your job a LOT easier.
35 on the 5D? That's a full frame yeah? Make sure not to make the wife look fat haha. I know for military photos when I'm able to be that close, I just use a 50mm/30 on apsc. When I'm able to move about as I please that's all I use.

If it's outside, see if you can't influence the setup to keep the sun in a better spot. Sounds like it's loose enough that you could get them in a spot to get some nice side lighting. But, other than that I think you've got it.

Oh, and if you see a lot of photos that are kind of similar, it's because that's what people are asking for. I wouldn't necessarily go out of my way to avoid taking those sorts of shots.

Yep full frame and it'll be hard to make everyone look skinny lol.

Midday so sun will be pretty much overhead. Ito definitely be loose and casual, I asked the bride what she wants and she pretty much said she trusts me to figure it all out, she has no specific shots in mind. Searching wedding pics there are so many shots of things like the wedding party pulling on the bride and groom or everyone walking to the camera or everyone jumping... I mean I get the reasons why but just seems cheesy to me. I guess you are right though people are asking for them and those shots are kind of expected, so I'll do it. And hope I can swing some other creative stuff too. I'll find out in about 2 hours 😅
 

SBH

Member
Here is one more from last weekend:
Duck Digger

Taken with Sony Nex-5 with 18-55mm kit lens. Using two Redheads and one Kino Flo for lighting in front of a white backdrop.

Gangs of Voionmaa

This one is from a couple of weeks ago where I used two some really old discarded movie lights for lighting. Light grey backdrop. Taken with Sony Nex-5 with 18-55mm kit lens.

I would appreciate any comments and advice on how to do better. I also updated my last post with info.
 

Mr. Hyde

Member
Here is one more from last weekend:

Duck Digger

Taken with Sony Nex-5 with 18-55mm kit lens. Using two Redheads and one Kino Flo for lighting in front of a white backdrop.


Gangs of Voionmaa

This one is from a couple of weeks ago where I used two some really old discarded movie lights for lighting. Light grey backdrop. Taken with Sony Nex-5 with 18-55mm kit lens.

I would appreciate any comments and advice on how to do better. I also updated my last post with info.

I'm loving them! I'm assuming the lights were kind of hard due to all the shadows. I actually really like that. There's a lot of drama in the photos which I keep thinking about experimenting with. I'm hoping if the opportunity to use all the lighting a guy I met has, I can work on some cool techniques.
 

SBH

Member
I'm loving them! I'm assuming the lights were kind of hard due to all the shadows. I actually really like that. There's a lot of drama in the photos which I keep thinking about experimenting with. I'm hoping if the opportunity to use all the lighting a guy I met has, I can work on some cool techniques.

Thanks! Yeah, I got someone on Sunday to help me with the lighting as lights used for cinema are really hard lights and had to put softening paper and ND paper to make them better. Also the direction on a spotlight is, well, a spotlight. I'm happy I can use softboxes and umbrellas now as the studiopart of the school started. You can do subtle things so much easier.
 

Mr. Hyde

Member
Neon Grimm Vol. 01 by Tony Frattle, on Flickr

The first edit from my shoot yesterday. One light in a softbox on a boomstand swiveled over her. This is my first time getting to use my new stand and also the first time I've used my flash for fill light outside. It was a nice learning experience which I will use for more ambitious projects soon. I was aiming to turn the shoot into something a bit more atmospheric using smoke grenades but I cannot find any locally here so I am going to order some online very soon for upcoming shoots. Despite not having the tools I wanted to use, I looked around at my surroundings and figured out a conceptual story in my head and then went with the flow. The other photos have more props in it that give it a surrealist americana feel. The editing on this photo might have been influenced by me reading too much Vogue.
 

SBH

Member
The first edit from my shoot yesterday. One light in a softbox on a boomstand swiveled over her. This is my first time getting to use my new stand and also the first time I've used my flash for fill light outside. It was a nice learning experience which I will use for more ambitious projects soon. I was aiming to turn the shoot into something a bit more atmospheric using smoke grenades but I cannot find any locally here so I am going to order some online very soon for upcoming shoots. Despite not having the tools I wanted to use, I looked around at my surroundings and figured out a conceptual story in my head and then went with the flow. The other photos have more props in it that give it a surrealist americana feel. The editing on this photo might have been influenced by me reading too much Vogue.

I like the small touches like the leaf on the top and right lower corner showing it's really taken outside. I'm not sure about the harder than the rest face and hair, but than again it makes it interesting.

I went through your pics and I really like your stuff where you make me think what's the meaning of it. Also you are good at lighting.
 

Mr. Hyde

Member
Thanks! Yeah, I got someone on Sunday to help me with the lighting as lights used for cinema are really hard lights and had to put softening paper and ND paper to make them better. Also the direction on a spotlight is, well, a spotlight. I'm happy I can use softboxes and umbrellas now as the studiopart of the school started. You can do subtle things so much easier.

That's really cool! I need to keep in mind softening paper and also ND paper because if I agree to work with a guy I met, I will probably need all of it. It's a lighting company who has a lot of entertainment lighting which is different than what I am used to. I will make it work! He wants to help advertise the lighting company by doing something different and he's obsessed with art in general. I will find out in the next couple of days if our ideas mesh well together.
 

Mr. Hyde

Member
I like the small touches like the leaf on the top and right lower corner showing it's really taken outside. I'm not sure about the harder than the rest face and hair, but than again it makes it interesting.

I went through your pics and I really like your stuff where you make me think what's the meaning of it. Also you are good at lighting.

What does "harder than the rest face and hair" mean? I might just be reading that wrong but my mind cannot wrap around it! Haha. I appreciate it! I keep trying to add storytelling touches into my photos. And thanks on the compliment on lighting. I really am becoming obsessed with all aspects of light. I feel that helps me more than investing money into a new camera, for the moment. I am now trying to learn new lighting techniques to help capture different styles of mood.
 

SBH

Member
What does "harder than the rest face and hair" mean? I might just be reading that wrong but my mind cannot wrap around it! Haha. I appreciate it! I keep trying to add storytelling touches into my photos. And thanks on the compliment on lighting. I really am becoming obsessed with all aspects of light. I feel that helps me more than investing money into a new camera, for the moment. I am now trying to learn new lighting techniques to help capture different styles of mood.

Hmm.. How would I explain. I know it's in part of the makeup, but it really feels a bit like a mask.

I go to a school which has film student, so I borrowed stuff from their side. Also there are journalists and radio students, as well as actors, who I get to be models easily. All of the people in those pics are from the acting line.

One thing I need is a camera. I got in this school with pictures taken with a friends camera and all of them were landscapes and animals. Now here though, with a supply of models I really have had fun doing my own projects with people. I now have used schools Sony Nex-5, but with no additional lens, it just isn't enough. So I borrow cameras from fellow students to take pics. I need one, but as this school is expensive (in Finland standards), it has to wait.

I could take pics with it in the fall with using sunlight, but I hate the cold, so now I have been just shooting inside. I'm just beginning to learn all the things you can do with light. You can really do good stuff with not so great camera with light and post-editing. Things would be a lot easier with expensive gear, but learning the hard way has it's benefits so with a good camera, lenses and lighting things seem so easy every time I get to use them :)
 
Got my Samyang 12mm f2.0 in the mail today along with some ND filters. I want to use it mainly for some night sky stuff, but I wanted to put it through it's paces today and I am pleasantly surprised.


March 19, 2016 by Tyler Jacobs, on Flickr
Came out a little soft, but I think the tripod being partially in the water was causing some shaking. The stream is running pretty fast at the moment. All the rest of the photos are super sharp.


March 19, 2016 by Tyler Jacobs, on Flickr


March 19, 2016 by Tyler Jacobs, on Flickr
 

iExplicit

Member
Hey, everyone! I'm new here. I am an active music photographer. I've been lurking on here and HaloGAF for a while now. It's cool to finally be able to post here.


Figured for my first post, I'd drop some sample images I've taken.

All shot with Canon 60D

Sigma 17-70 2.8:
1916702_10209120365434977_1453728723410494252_n.jpg

Sigma 35mm 1.4
img9344-1518884.jpg

Sigma 17-70 2.8
858785_469554823240367_8711637262076614326_o.jpg

Sigma 35mm 1.4
img8848-1520070.jpg
 

Elepsis

Neo Member
I tried becoming competent at photography a few years ago, and bought a Sony NEX-5N, but it was kind of a failure at the time: I just didn't end up shooting as often as I intended, and I never really found myself being as careful about exposure and composition as I thought I would be: more often than not, I ended up in snapshot mode.

Now I'm trying to pick it back up, and I'm thinking I want a slightly more portable camera that I can bring anywhere with me, especially since I have quite a bit of travel coming up this summer.

I've been leaning towards the Fuji X70, with the thought that it meets my size requirements, still has a large sensor for night shooting, and that a fixed focal range will give me the mental bandwidth to think more about exposure and composition than just zooming in and out.

So, today I decided to try shooting solely with a 28mm focal length (on my kit zoom) to see if I could live with it. The results were mixed, but I think it's doable. Of course, I still have no idea what I'm doing. :)

Here are a few shots I was happy with:

y3mRnr1z0pVrHUTHQf2xehjVnU93Ptb-GaDvdXqb1B7I7qc3VTjjsDu6rc5e6JIhRzmCjgXSZrd3hgfVSJpMpBPGp5yzVWubRZxa-RG84VJxraWUyYIsyMMGMJvt70Bq19V_tILXMCbDwruJEMj0wTyDEiG-T69hDG-nTM_ZYFbShk


y3mnYhegPdLh4ML6V77h8nI3GzSZMTn0ilQK-d4w0gqLkbQQH-9W1pDHfw8Dd0CMI1Ktopb_G1XGdolS2C6bCqqIBvsuzHW9g7FrUUcCxTES9s_mPv892uawNspD6fnhjauTILFc0W4k-ietrUkPD7I_VKS_SK5C6-d7B6F2Q9YD8E


y3mr_A9pYaExa9-upjaS4ssJ8uEo1kQ0uF8JJtpOFPOBkMd1jY8RiR1bweiLqE3gvcCtShYOe7MijSG0YcbvEuhdkotMOGM_sksY2xEzNhQSiyQEqY5aGr2PaCUaeCdVWUXe0fhZxNkRFyPm5cC0hehjkxP0nfDDLxZl5VIbvZbZu0
 

SBH

Member
Elepsis, I like the last shot. At first glance I didn't understand what I was seeing and then it showed me beauty with nice shapes and a 3d-effect.
 

vern

Member
The wedding I mentioned yesterday went well I guess, for what it was. We were supposed to have an hour to 1.5 hours for photos prior to the wedding, but bride was running late and we ended up having about 25 minutes to get things done before the bride had to disappear while guests started arriving. Had some time to shoot a couple photos of my brother and a few other wedding party members after that but really didn't get a lot done. During the wedding someone else took my body with the 24-70 and shot some photos while I stood up there next to the groom in the front and shot a few snaps with my 35mm. Gonna start going through them today and see if I managed anything decent. I didn't have much time to get anything too creative unfortunately.
 
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