Excellent work on those, how are you finding the IQ of the 80D so far? The improvements to the dynamic range with that camera I keep hearing about have me very interested, my 7D just doesn't cut it for concert photography above ISO 1600.
I like it, but take into consideration that I was coming from a T5i, so I was amazed by the difference in performance.
A lot of these are taken at ISO 3200, which is the max I have it set for, and thus why I have most of the pics in black and white (also the red lighting in the poorly lit venue does not make for a good pic).
The way I'm able to recover shadows in post processing make the purchase worth it.
I was using a 24-70mm f2.8 Tamron as my workhorse in the photo pit, after the 3 songs I was allowed I went back to the VIP area (which is raised) to get shots with my cheapo 50-250mm f5.6-6.3. Looking into getting the Tamron 70-200mm f2.8 for that matter.
One pro photographer that was also there had 2 6Ds, one with a 17-55 1.8 and the other with a 105mm 1.8. Of course his pics came out much better than mine, being he's been shooting concerts for 15 years and has huge bands under his belt, like Springsteen, GnR, Metallica, Rolling Stones, etc. Considering that, I don't think mine came out too bad for a first gig. And concert photography is damn hard, especially for a newbie.
For who was asking before, my experience with dealing with the logistics was:
- Email the headlining bands' management company to ask for a photo pass.
- The 3rd band from the top set a photo pass would be set aside for me (I was so happy)
- Got there, showmed my gear at the door, got a bracelet that would provide me access (it also gave me access to shoot all bands up front)
- 3 songs up front, the rest from wherever I wanted to.