You Know Nothing
Member
I will never again come for her fifth grade education. ;_;
Beyoncé is basically reinvigorating the album format in the digital age. This move was truly genius. She's reintroducing the concept of buying a full experience instead of just focusing on singles.
Learn us Bey ;______;
Excuse me while I flood this thread with first-watch impressions of ALL the videos off THE album of this pop era. This is also the first time I'm listening to ALL of the songs.
Excuse me while I flood this thread with first-watch impressions of ALL the videos off THE album of this pop era. This is also the first time I'm listening to ALL of the songs.
Beyoncé is basically reinvigorating the album format in the digital age. This move was truly genius. She's reintroducing the concept of buying a full experience instead of just focusing on singles.
Learn us Bey ;______;
No, because no one else is gonna be able to do this now. This move was amazing though. The concept of buying full albums is mostly dead save for this exception.
She better slay with her 600k first week sales. Gags is probably screaming that Bey did ARTPOP better than her and is gonna clock her out of the sales game.
I'm predicting the next person to go this route going to have a teaser video 1-2 weeks before the album drops then have the album + first single on the same day w/ a radio deal.No streaming, no a la carte other than the single. Bey did the most extreme version of an alternate promo plan, so I doubt it will be replicated quite like this.
HAUNTED
DAT ASS. Probably my least favorite of the three so far. Good beat. Felt kind of lazy. While the visuals are striking -- got Cabin in the Wood feels, and was that a Lady Gaga cameo? (lol) -- they also got old quick. On first watch and no rewinds, something about it feels cheap. At a Beysus concert, I can TOTALLY see this track being an intermission visual while she changes outfits. Not for me.
HAUNTED
DAT ASS. Probably my least favorite of the three so far. Good beat. Felt kind of lazy. While the visuals are striking -- got Cabin in the Wood feels, and was that a Lady Gaga cameo? (lol) -- they also got old quick. On first watch and no rewinds, something about it feels cheap. At a Beysus concert, I can TOTALLY see this track being an intermission visual while she changes outfits. Not for me.
Jim Harrington said:All of those things can be found in such forgettable tracks as "Blow"
JEALOUS
Holy shit. That this video went back-to-back with Partition, with a transitioning bit, is just genius. And holy shit. I'm HERE AND STAYIN for emotionally-charged Beysus. Pouting with feels watching this video. And the song, holy shit. This is a Beyonce song. I especially love the "If you're keeping your promise, I'm keeping mine" bits. So catchy. I am stanning HARD for this song. And that's on first listen. Jealous just topped Pretty Hurts as my favorite track off the album so far. Amazing. God-tier. YAS.
MINE
Well that was confusing. Both the song and the video. I don't get it. The song was all over the place. The video, while it had themed visuals, still felt cluttered and disjointed. Who directed this? One of my least favorites.
Kiii at all the people who called her Hasbeyn, Xbey One and a tours-only heritage act
Bey is kind of irrelevant at the moment yes.
So in summary:
BEYSUS-TIER
Jealous
Blow
Pretty Hurts
DIVINE
XO
Blue
Rocket
Ghost
Partition
Drunk In Love
OK
Flawless
Superpower
Heaven
WHUT
Mine
Haunted
No Angel
Yonce
What's more, iTunes only at the moment.
It's truly astonishing tbh.