Right. I'm pretty sure Martin even makes a point (not sure which book he starts telling the reader about this) that some of his chapters are taking place further back than others.
I mean, it's kinda the nature of not having a single protagonist, killing off significant and major characters on a whim, and having disconnected characters separated by thousands of miles and rarely or ever interacting -- it becomes hard for the audience to know for whom to root. Thoughts follow.
Robb -- Which is why I think they're romanticizing Robb a bit (not that they need to). But I can't help but notice that some complaints earlier in this thread were about him being too much like his father, too honorable and stiff and boring, but now I'm reading that he was too quick to lose his honor to bed that hottie limb remover while also complaining that they spent too long doing so! I would have preferred that his character was a bit more consistent, but I'm guessing that they needed that out of the way before the next episode.
Jon/Dany -- I think both are actually very similar characters, at least in context. First, they're both far removed from the action but yet they both clearly relate to the title of the series itself. Most scenes of theirs are somewhat jarring environments compared to the average fantasy landscape of Westeros. And both are going a long way about attempting to prove something either to themselves or to fulfill some unknown destiny.
More, and this is show-specific, they're both victims of being really important characters with not a lot of movement related to the big thrust of the season (blackwater bay). So we get these obviously drawn-out delays just to remind us the characters still exist when all they've really done is change locations and lose something significant.
I absolutely agree with most of the criticism about the pacing with them (not the actors), but I'm not sure it can be prevented without significantly rearranging how the story is presented (ie, Lost's character episodes).
Tyrion -- Still the best character, in both versions. I think this was the first time Bronn really felt out of place on screen, but perhaps I was misreading the scene as bad acting rather than intentional, awkward tension. I did like Bronn's take on what living through a siege is like, though.
Seeing a Tyrion/Varys scene made me realize how little we've seen of the Spider this season, but he's delightfully creepy in ways I didn't really imagine in the books.
Cersei -- fantastic scene this week. Agreed with a previous comment that we could tell she really delighted in attempting to inflict pain on Tyrion.
Joffrey -- the "red smile" scene was dangerously close to the clown show the actor that played Draco put on. He just couldn't handle being that evil of a little bastard, which up until now Joffrey did quite well. This time, though, he reminded me of Draco Malfoy's actor in that he was just so over the top and grew a bit too fast. I dunno, Tyrion's comments "I bet they're terrified" kinda saved the scene, but it seemed really silly.
Theon/Asha - I think as much credit as Theon's actor is getting, he isn't getting enough. And Asha is just fine, regardless of how much better the other version of her was in the books. This episode was good for both of them, but I saw a sanity in Theon's eyes this ep that wasn't in his eyes during the last one.
Cat/Jamie/Brienn - I think this was mostly glossed over but it didn't make a lot of sense, and I think I remember it not making a lot of sense in the books either. First he escapes, then he's captured, they argue about him, then he's gone again. How is it Catelyn can sacrifice over and over again in the name of the Starks and Winterfell but can make such a weird decision? Fallibility and unpredictability make better characters, I guess.
I don't have any real problems with Brienn's actress and her awkwardness in armor, as mentioned in another reply pages back. I did have a problem with her turning her back on him though. I really do look forward to these two fish out of water working together in the near future, but I feel like that might be something sacrificed.
Ros/The Other Whore/All love interests in the show, basically - I think much of the discussion here is wasted on these ladies, based on the idea that they're supposed to be the same characters in the novels. My approach is to treat them the way the show treats them -- side characters basically irrelevant to the main arcs. That some of them are being used as plot devices should only make us feel like they're easter eggs for the readers, not poorly-realized ghosts of interesting characters included in the books. Basically: I don't care about them and neither should you, at least until the show tells us to.
Davos/Stannis - steals every scene he's in. It's interesting how little him and Stannis have appeared this season, considering what we're supposed to see next episode. I'd love to have a bit more, but I think he's getting equal treatment here that he did in the books. It's just an interesting juxtaposition to the over-coverage of Jon/Dany with a scene, no matter how small, compared to the three scenes of major import to Davos/Stannis.
Tywin/Arya - Other than those with Tyrion, these have been my favorite scenes of the season. I do wish Arya was a bit closer to her book version, but I don't think she's unlikable or less compelling as some are suggesting. I also overlook not choosing Tywin as the 3rd kill until it was too late, if only because it made sense for her to be as close to a significant threat to her family as long as possible, assuming her guise held.
Major Criticisms - I overlook almost all complaints of actors, delivery, accents, awkwardness, and looks except when it is a distracting departure from the expected (Joffrey could get terrible very quickly if his scene this episode is any indication). I also overlook complaints of budget, sets, and battle/mob sizes except where it's unbelievable.
However, I completely agree with the criticism that the major point of the season -- the battle at Kings Landing -- has only really been on the periphery and not nearly all-consuming as three armies and a massive navy converging would seem to present. We get Tyrion sauntering around KL and discovering wildfire, or w/e it's called. We get Tywin sitting around a giant table calling his generals idiots. We get Robb looking at maps. But there's nothing tying them together, no urgency, no panic. There's never an effort to show preparation or movement other than the briefest scenes of tents and practicing swordsmen.
Anyway, I'm really excited to see how this thing turns out. The battle takes place at night, btw. Or at least a very significant part of it does.