After seeing the blatant trolling from a select few in the non-book thread, and just the "I know more than you!" attitude from some, havingin season 4 is going to be a long, long 9 month hiatus of that thread being mucked up.the purple wedding
Hopefully there's some specific ground rules laid in place in regards to posting there. But I'm fully expecting someone to spoil the big events. As sad as it is, some just can't help themselves.
I've seen quite a few 'I'm done with the show' reactions on the net, do you think they'll change some things next season to get at least some more justice for the Starks to appease viewers?
ASOSLike at the purple wedding, since Joffrey's death is so unsatisfying, Sansa could be the one who poisons him and she could look him and Cersei in the eyes while he's dying in her arms and say 'The north remembers.' and then disappear in the chaos. That change would make a long awaited death less lame and disappointing on screen. Or make Stoneheart appear earlier and get started on same Frey mass-hangings.
I've seen quite a few 'I'm done with the show' reactions on the net, do you think they'll change some things next season to get at least some more justice for the Starks to appease viewers?
ASOSLike at the purple wedding, since Joffrey's death is so unsatisfying, Sansa could be the one who poisons him and she could look him and Cersei in the eyes while he's dying in her arms and say 'The north remembers.' and then disappear in the chaos. That change would make a long awaited death less lame and disappointing on screen. Or make Stoneheart appear earlier and get started on same Frey mass-hangings.
I've seen quite a few 'I'm done with the show' reactions on the net, do you think they'll change some things next season to get at least some more justice for the Starks to appease viewers?
ASOSLike at the purple wedding, since Joffrey's death is so unsatisfying, Sansa could be the one who poisons him and she could look him and Cersei in the eyes while he's dying in her arms and say 'The north remembers.' and then disappear in the chaos. That change would make a long awaited death less lame and disappointing on screen. Or make Stoneheart appear earlier and get started on same Frey mass-hangings.
so right. it's good to finally see the axe fall on the assholes trying or not trying to wreck shit.
I've seen quite a few 'I'm done with the show' reactions on the net, do you think they'll change some things next season to get at least some more justice for the Starks to appease viewers?
I don't know what they were thinking with the "Lannisters send their regards" line, but Roose just jumps up to Robb, and then hops off in the other direction. He's like a child pretending to be invisible and scaring his parents.
ASOS???Wait, so Joffrey's death is unsatisfying? WHAT?
I don't know what they were thinking with the "Lannisters send their regards" line, but Roose just jumps up to Robb, and then hops off in the other direction. He's like a child pretending to be invisible and scaring his parents.
Ending with Stoneheart is a must to me. She is just an embodiment of the starks suffering, maltreatment, and wrath and that would be powerful to see her after this. I think would be great to show it the episode after the red wedding.
yo seriously that ending scene sadly just felt goofy when that happened.
I love the actor playing Roose. His delivery is awesome. I like him a lot better than the book Roose, who supposedly is very meek in his speech, almost to the point of not being able to hear him.
It was kinda funny.
You have to remember that many book readers were "done" with the book after reading the RW chapter. People will learn to accept that Robb/Cat/Talisa are dead, and will move on.
Yeah, throat slashing sure is hilarious.
Yeah, throat slashing sure is hilarious.
Yeah, throat slashing sure is hilarious.
Could Jon be named Commander of the Nights Watch next episode? I don't recall when it happens in the book
Yeah, throat slashing sure is hilarious.
The way GoT does it is kinda funny, like darkly comedic.
I mean come on, you didn't laugh at this?
Actually the CGI on Catelyn's throat was pretty distracting.
I couldn't pick the book up for three days after reading that chapter. Everyone comes back though. You just can't come this far and give up on the series.You have to remember that many book readers were "done" with the book after reading the RW chapter. People will learn to accept that Robb/Cat/Talisa are dead, and will move on.
Could Jon be named Commander of the Nights Watch next episode? I don't recall when it happens in the book
Why would I laugh at that? I believe my reaction was "OH DAMN!" I'm not some prude when it comes to gore (far from it). But I do know the difference between comedy and violence. Maybe this is an generational thing to be so desensitized to violence that you feel compelled to laugh about it as a defense mechanism?
Or maybe they screwed up the framing of the shots? Talisa got shanked like something out of the Wire or Oz, Bolton appears in and out of frame like it's a game of tag, and Catelyn's killer just pops up like it's whack-a-mole.
Catelyn grabbed a handful of Jinglebell Freys long grey hair and dragged him out of his hiding place. Lord Walder! she shouted. LORD WALDER! The drum beat slow and sonorous, doom boom doom. Enough, said Catelyn. Enough, I say. You have repaid betrayal with betrayal, let it end. When she pressed her dagger to Jinglebells throat, the memory of Brans sickroom came back to her, with the feel of steel at her own throat. The drum went boom doom boom doom boom doom. Please, she said. He is my son. My first son, and my last. Let him go. Let him go and I swear we will forget this . . . forget all youve done here. I swear it by the old gods and new, we . . . we will take no vengeance . . .
Lord Walder peered at her in mistrust. Only a fool would believe such blather. Dyou take me for a fool, my lady?
I take you for a father. Keep me for a hostage, Edmure as well if you havent killed him. But let Robb go.
No. Robbs voice was whisper faint. Mother, no . . .
Yes. Robb, get up. Get up and walk out, please, please. Save yourself . . . if not for me, for Jeyne.
Jeyne? Robb grabbed the edge of the table and forced himself to stand. Mother, he said, Grey Wind . . .
Go to him. Now. Robb, walk out of here.
Lord Walder snorted. And why would I let him do that?
She pressed the blade deeper into Jinglebells throat. The lackwit rolled his eyes at her in mute appeal. A foul stench assailed her nose, but she paid it no more mind than she did the sullen ceaseless pounding of that drum, boom doom boom doom boom doom. Ser Ryman and Black Walder were circling round her back, but Catelyn did not care. They could do as they wished with her; imprison her, rape her, kill her, it made no matter. She had lived too long, and Ned was waiting. It was Robb she feared for. On my honor as a Tully, she told Lord Walder, on my honor as a Stark, I will trade your boys life for Robbs. A son for a son. Her hand shook so badly she was ringing Jinglebells head.
Boom, the drum sounded, boom doom boom doom. The old mans lips went in and out. The knife trembled in Catelyns hand, slippery with sweat. A son for a son, heh, he repeated. But thats a grandson . . . and he never was much use.
A man in dark armor and a pale pink cloak spotted with blood stepped up to Robb. Jaime Lannister sends his regards. He thrust his longsword through her sons heart, and twisted.
Robb had broken his word, but Catelyn kept hers. She tugged hard on Aegons hair and sawed at his neck until the blade grated on bone. Blood ran hot over her fingers. His little bells were ringing, ringing, ringing, and the drum went boom doom boom.
Finally someone took the knife away from her. The tears burned like vinegar as they ran down her cheeks. Ten fierce ravens were raking her face with sharp talons and tearing off strips of flesh, leaving deep furrows that ran red with blood. She could taste it on her lips.
It hurts so much, she thought. Our children, Ned, all our sweet babes. Rickon, Bran, Arya, Sansa, Robb . . . Robb . . . please, Ned, please, make it stop, make it stop hurting . . . The white tears and the red ones ran together until her face was torn and tattered, the face that Ned had loved. Catelyn Stark raised her hands and watched the blood run down her long fingers, over her wrists, beneath the sleeves of her gown. Slow red worms crawled along her arms and under her clothes. It tickles. That made her laugh until she screamed. Mad, someone said, shes lost her wits, and someone else said, Make an end, and a hand grabbed her scalp just as shed done with Jinglebell, and she thought, No, dont, dont cut my hair, Ned loves my hair. Then the steel was at her throat, and its bite was red and cold.
Why would I laugh at that? I believe my reaction was "OH DAMN!" I'm not some prude when it comes to gore (far from it). But I do know the difference between comedy and violence. Maybe this is an generational thing to be so desensitized to violence that you feel compelled to laugh about it as a defense mechanism?
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The framing was fine. I'll take the experienced cinematographer's take over random NEOgaffer any day, thanks.
Ok. Can you describe why it worked for you? Was it just the shock value?
It worked because they didn't try to do anything special. They just shot it point blank and matter of fact, like regular medium shots of the characters. It made the violence all the more shocking and frank. It wasn't built up like an emotionally stylistic moment with slow motion. It was Catelyn standing there, all emotion drained from her, catatonic, and someone simply coming up behind her and slitting her throat. The frankness of it all added to the horror of the acts. Immensely effective filmmaking.
And I don't know why people think Bolton was darting around weirdly, it seemed perfectly natural and his delivery of the line was suitably cold and matter of fact.
It worked because they didn't try to do anything special. They just shot it point blank and matter of fact, like regular medium shots of the characters. It made the violence all the more shocking and frank. It wasn't built up like an emotionally stylistic moment with slow motion. It was Catelyn standing there, all emotion drained from her, catatonic, and someone simply coming up behind her and slitting her throat. The frankness of it all added to the horror of the acts. Immensely effective filmmaking.
And I don't know why people think Bolton was darting around weirdly, it seemed perfectly natural and his delivery of the line was suitably cold and matter of fact.
They should have had Roose Bolton do it.
He could hippity hopped to Catelyn and said "The Lannisters send their regards again!" before cartwheeling out of the room.
Vengeance will be glorious.
I just have to quote THAT part of the book again. It's so damned well written, it feels like an axe to the gut (pun intended) every time you read it.
Those last paragraphs... oh lord, they're too much.
Ok. Can you describe why it worked for you? Was it just the shock value?