Two thoughts:
First, I was tripped out hearing George Clooney and Sandra Bullock talk about my hometown, Lake Zurich.
Second, for me, this had the most impressive 3D since Avatar. I try to only see 3D movies that are actually shot in 3D, and even then they don't often get a strong reaction from me, but dammit I legitimately flinched at some debris from a sequence in the middle of the film. The director's patented long takes also meshed perfectly with the limitations of 3D at 24fps.
thank you, knew this was not for me. I never fall for "so beautiful" crap. Based on what I read on other sites story is shitty, and that's all I care about when watching a movie.
Nah, it's pretty obviously supposed to be symbollic of how this whole experience is a "rebirth" for her.
thank you, knew this was not for me. I never fall for "so beautiful" crap. Based on what I read on other sites story is shitty, and that's all I care about when watching a movie.
thank you, knew this was not for me. I never fall for "so beautiful" crap. Based on what I read on other sites story is shitty, and that's all I care about when watching a movie.
thank you, knew this was not for me. I never fall for "so beautiful" crap. Based on what I read on other sites story is shitty, and that's all I care about when watching a movie.
Fake imax.25th October in Sweden. All impressions in here are pumping my hype levels up to 11. Children of Men is one of my favorite movies of all time.
Btw...what the hell is a Liemax?
Yes sorry, I did mean non-realistic characters.
I mean what is impressive about all of it? Again this is just my opinion. I actually want to know what was so impressive about the effects so I can see where everyone is coming from... I don't mean to discredit anyone's opinion. I mean, to me, they just look like what a high budget film of this genre should look like.
I would also like to know what about the actual story or anything other than the visuals makes this movie such an achievement?
I have not seen the movie, but a story about two people being lost in space doesn't really need super deep characterization. We don't need to understand them. What they are going through should be universally terrifying and I this is more or less what the movie is about?
I'm sorry sir, but respectfully you have no idea what you are talking about.
Name one other movie that gives the experience or impression of being in space like this one does? You can't. Know why? Because it's not that easy to do convincingly. No other movie has ever told a story like this in space. The concert of direction, practical effects, and yes top notch superlative CGI effects, working in tandem made this movie an absolute work of fucking art.
It's okay if you don't understand how impressive the movie is, but believe me, the seamlessness of how real Gravity looks is far, FAR frpm being easy to reproduce. It took a lot of effort and skill to make this movie.
And the story may not be overly complicated, but even though it's simple it's still a good story. There are a lot of nuances and subtle undertones in this simple story that the movie conveys very smoothly. It does it so effortlessly that again, like the effects, most people probably don't even realize it unless they are paying attention for it.
Gravity is a masterpiece, in every sense of the word. It will be studied and scrutinized for many years to come.
thank you, knew this was not for me. I never fall for "so beautiful" crap. Based on what I read on other sites story is shitty, and that's all I care about when watching a movie.
If anything, there's TOO much story. Cut out all the melodrama, the tragic backstories, the huge overbearing music, the monologues. There's a much quieter version of this movie that's even better, that doesn't pretend that Bullock's character is interesting.
Yes it is good for the experience. I never said it wasn't. I just think this is what this movie is focused on. I was only stating my opinion on how good the movie really was when you overlook the "experience" of being in space. Globox asked if the story itself was good because that is what he enjoys in a movie. He doesn't care for visuals and such. I was only trying to be as truthful about my opinion on the story in this movie as I could. We are all entitled to our own opinion, so if you think the story was just excellent, don't reply to me saying I do not know what I am talking about, go and inform Globox on why the story in this movie is such a great one...
We are all entitled to our own opinion, so if you think the story was just excellent, don't reply to me saying I do not know what I am talking about, go and inform Globox on why the story in this movie is such a great one...
"I mean what is impressive about all of it? Again this is just my opinion. I actually want to know what was so impressive about the effects so I can see where everyone is coming from..."
The visuals and "experience" IS the story in Gravity. You can't take the story-telling out of the story and say that you're only interested in plot. If that's the case you'll probably have a much better time reading wikipedia summaries than watching films.
How intense is this movie?
I watched Flight in a packed theater last year, and the plane crash scene almost made me have a panic attack.
Anything rivaling that level of intensity and violence in Gravity?
You might be in trouble if you see this movie.
It's pretty tense, and doesn't really let up very often.
Also since we're moving goalposts here, let's plant one in the field;
Explain to me how SLIGHT GRAVITY SPOILERSA fucking eighteen minute one take scene with no cutting while IN SPACE is not A: technically impressive B: visually impressive and C: not damn impressive from a story standpoint of keeping that up for as long as it did.
Are you going to tell me the apparently 13 minute long take in Before Midnight isn't impressive on a story standpoint too? Cause that's a battle you'd lose
Unfortunately, I doubt many people in this thread have seen Before Midnight.
How intense is this movie?
I watched Flight in a packed theater last year, and the plane crash scene almost made me have a panic attack.
Anything rivaling that level of intensity and violence in Gravity?
TWIST: Sandra Bullock was George Clooney all along.Anyone else think M Night Shyamalan could have made this movie? Its like a mvoie he always wanted to make.
Bah. Edited that out. My apologies. If it makes you feel any better, I haven't seen it either. I just know about it from Sculli.
...Yes it's all his fault
You might be in trouble if you see this movie.
It's pretty tense, and doesn't really let up very often.
Also since we're moving goalposts here, let's plant one in the field;
Explain to me how SLIGHT GRAVITY SPOILERSA fucking eighteen minute one take scene with no cutting while IN SPACE is not A: technically impressive B: visually impressive and C: not damn impressive from a story standpoint of keeping that up for as long as it did.
Are you going to tell me the apparently 13 minute long take in Before Midnight isn't impressive on a story standpoint too? Cause that's a battle you'd lose
It is visually and technically impressive. When I say I think it's average, I mean average for a big budget film. I thought many other films were as impressive in many different ways. Although I do fail to see how this guaranties a good story.
Oh, not my point. I've seen the film. I was just commenting on how I wish that trilogy of films were more popular than they are, haha.
It is visually and technically impressive. When I say I think it's average, I mean average for a big budget film. I thought many other films were as impressive in many different ways. Although I do fail to see how this guaranties a good story.
It's fucking intense. The first time I saw it my gf and I just sat for like ten minutes, watching the credits, because we felt exhausted. We also felt glad to be alive, lol.
Picture the plane crash in Flight, but for 90 minutes long almost continually. There are a few scenes where it slows down, but not for long. That's Gravity.
One thing really bothered me:
THIS MAKES NO SENSE. What force is acting on Clooney at that point to move him away from the station? Her foot is caught in the tether, which arrested both of their motion relative to the station. All she had to do was pull gently on the tether and Clooney would have begun drifting slowly towards the station. Even if Clooney did for some reason decide to detach, he wouldn't start accelerating away from the station! He would just stay in place, fairly close to the station.
One thing really bothered me:
Okay, so the part where Clooney drifts off into space makes no sense to me. Sandra Bullock's leg is caught in some tethers attached to the international space station. Her motion in relation to the space station has stopped. She grabs onto a tether attached to Clooney's suit, stopping his momentum relative to the station as well. At this point they are both "stopped" in space. (I realize they are still moving at thousands of miles per hour, but they are stopped relative to the space station.) Clooney insists she let go or they will both die. She refuses, but he detaches anyway, and starts drifting off at a rather fast rate away from the station.
THIS MAKES NO SENSE. What force is acting on Clooney at that point to move him away from the station? Her foot is caught in the tether, which arrested both of their motion relative to the station. All she had to do was pull gently on the tether and Clooney would have begun drifting slowly towards the station. Even if Clooney did for some reason decide to detach, he wouldn't start accelerating away from the station! He would just stay in place, fairly close to the station.
For a movie whose central villain is Newtonian physics, it sure played fast and loose with the rules here.
One thing really bothered me:
Okay, so the part where Clooney drifts off into space makes no sense to me. Sandra Bullock's leg is caught in some tethers attached to the international space station. Her motion in relation to the space station has stopped. She grabs onto a tether attached to Clooney's suit, stopping his momentum relative to the station as well. At this point they are both "stopped" in space. (I realize they are still moving at thousands of miles per hour, but they are stopped relative to the space station.) Clooney insists she let go or they will both die. She refuses, but he detaches anyway, and starts drifting off at a rather fast rate away from the station.
THIS MAKES NO SENSE. What force is acting on Clooney at that point to move him away from the station? Her foot is caught in the tether, which arrested both of their motion relative to the station. All she had to do was pull gently on the tether and Clooney would have begun drifting slowly towards the station. Even if Clooney did for some reason decide to detach, he wouldn't start accelerating away from the station! He would just stay in place, fairly close to the station.
For a movie whose central villain is Newtonian physics, it sure played fast and loose with the rules here.
What other big budget films were on a similar level?
Life of pi, Avengers, Avatar, king kong, 2012, Lord of the Rings, Prometheus, transformers, Titanic, etc...
I thought some of these were better IMO. It may be hard to compare because they are very different movies, but overall just as well done visually.
camera/editing technique talk
Oh damn you! Thanks for letting me know though. It's not a story spoiler but it may make people sad.
Also I love that damn series of movies. Sunrise is my favorite movie with Sunset close behind. I made a thread on it a while back.
You fail to see a lot of things, I'm thinking. Least of all being discounting everything but the story of Gravity, which is easily the weakest part of the whole package.
It's a shitty argument presented to dissuade people from watching the movie, which is fine, but if you're removing the numerous visual and technical marvels that come from this, you're out of your mind. And you're clearly degrading your opinion from 'crappy CG' to 'average for a big budget film'.
I'd say $100 mil at this rate isn't really a big budget film. And this movie stars two A-List actors who could easily command a good portion of that budget.
Do you want to discount Oblivion's visual effects too? That'll end well.
To be blunt, the argument you're presenting is junk. If I remove large sections of other movies and focus on the weakest thing presented, I pretty clearly won't like it. Like someone said earlier, very few movies are above reproach or criticism. This isn't one of them. It's fine to not like the movie. Your reasoning is just pathetically way off base.
And didn't Life of Pi, you know, win a ton of goddamn awards for this sort of thing?
I won't spoil mine because I don't mind, but this kind of thing is Cuaron's bag. Children of Men was revolutionary with this shit. In Gravity's it's taken to the nth degree
If you haven't yet seen this movie, stop reading right now. Just stop. It's good enough to be worth your money, so just go see it and enjoy it on your own with moderated expectations.
You guys are turning this movie into Drive all over again. Over-hyping it beyond reality; ruining the experience for would-be moviegoers.
If you haven't yet seen this movie, stop reading right now. Just stop. It's good enough to be worth your money, so just go see it and enjoy it on your own with moderated expectations.
Yes the story is the weakest part. Exactly. Which is what I am telling Globox. That is the reason for my initial post, I was offering him/her my opinion on the story itself. Yes, I did also add that I thought the visuals were average, which I do, but that's my opinion and also besides the point.
With the exception of Life of Pi, those are fucking tentpole movies with budgets far and away above that of Gravity's. And didn't Life of Pi, you know, win a ton of goddamn awards for this sort of thing?
Avengers cost 200 million and I'd say Gravity/Oblivion scorch that shit. And don't even get me started on the rest you named.
I won't spoil mine because I don't mind, but this kind of thing is Cuaron's bag. Children of Men was revolutionary with this shit. In Gravity's it's taken to the nth degree