"I wrote Episode 1 and 2, and what was great is they let me come in [and] introduce a character like that to our post-modern world. And I did it very much like The Third Man meets Three Days in the Condor. You're introduced to a guy who's very much the hitman we know from the games, but he's got a full head of hair, and he's independent. He has a handler, he's got a life, he's very much that early '80s, late '70s assassin we read about in the books, right? But at a certain point, he gets a gig, and that gig unveils the reality that no choice he's ever made has been his own. And of course, the show ends with him at a mirror, finding hidden under his skin, the barcode. So suddenly it becomes a mystery of 'who am I, really?' [Jason] Bourne did that excellently. This is more of, 'what is true in regards to the people in my life? What has been manufactured, what are thoughts, etc.' It's the nature versus nurture of it all," said Kolstad.