How do you feel about Nintendo at the moment? Putting aside the companys poor Wii U sales figures and the recent announcement of the 2DS, what do you think of its general direction? What do you think about its approach to software, and more specifically, are you one of the people that sees Nintendo as out of step with what modern gamers want from their consoles? If so, thats a notion Id like to examine with a wider lens, as Nintendo's current direction can teach us a lot about our own views on the industry, and indeed about art itself.
So, to aid us in this venture, I would turn our eyes (and ears) to another artistic situation, one that has long been and gone. If you have had the misfortune of reading my previous IGN articles, youll know that my focus is chiefly on the world of music. More often than not, looking at the history of one artistic field gives great insight into another. So lets take a look back into music past to perhaps shed some light on how things stand for Nintendo present.
This year marks the centenary of one of the most influential musical works of the 20th century: Igor Stravinskys music for the ballet, The Rite of Spring. It premiered in Paris in 1913, made a very large cultural splash, and is still talked about enthusiastically. You may have heard excerpts of it all over the place, from the opening of the Beastie Boys Intergalactic music video, to various scenes from The Mighty Boosh. Its influence on Western music following it cannot be underestimated.
The provocative subject matter of the ballet (a pagan ritual wherein a girl dances herself to death to bring on the springtime) combined with the musics intense, original, almost alien qualities, formed the work that essentially gave Stravinsky his name, and created a new level of eccentricity and imagination in concert music.
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"Here was Stravinsky, having created a neoprimitive style all his own, based on native Russian sources a style that everyone agreed was the most original in modern music now suddenly, without any seeming explanation, making an about-face and presenting a piece to the public that bore no conceivable resemblance to the individual style with which he had hitherto been identified. Everyone was asking why Stravinsky should have exchanged his Russian heritage for what looked very much like a mess of eighteenth century mannerisms. The whole thing seemed like a bad joke that left an unpleasant aftereffect and gained Stravinsky the unanimous disapproval of the press."
I hope by this point, dear reader, that you are experiencing some sort of tinge of familiarity.
http://www.ign.com/articles/2013/09/02/nintendo-vs-modernism