So while I was planning to re-read some of Jojo's earlier parts, I got it in my head to read Araki's pre-Jojo work, to see just how he's progressed as an artist.
Poker Under Arms
Famous wild west outlaw Don Peckinpah spends his days gambling and gunning down anybody trying to collect on his sizable bounty. In a dingy saloon he encounters fellow outlaw Mike Harper, and they engage in a not so friendly game of poker...
One of Araki's underrated skills as an author is how he can milk a scene for all the tension it's worth, and this set-up lets him show it off. This one shot is very low-key and restrained; it takes place almost entirely around a poker table, with two outlaws trying to beat the other at poker. The manga is mostly standard, diametric panels. It's told using a narrator in the beginning as a framing device, a technique Araki would use frequently in his pre-Jojo days. Artistically it mixes some cartoony-looking faces with realistic clothing and backgrounds. Impressive for a debut work, Araki doesn't really use negative space, and every panel has at least some sort of background. Mike Harper bares a resemblance to Speedwagon, and the hobo who tells the tale looks alot like Dario Brando.
Say Hello to Virginia
Hiroshi Takemoto and Captain Matt Jackson are the only two crew members on board the space freighter Dillinger, along with the on-board computer, Bonnie, and the self-propelled robot, Clyde. To break the monotony of their grueling journey, a mysterious figure appears to tell them that there are two bombs installed on the ship, one of which is named Virginia. Who might have an interest in sabotaging their peaceful mission of transport? Will the two protagonists have what it takes to defuse the bombs and survive?
Apparently Araki had another one-shot,
Outlaw Man, but I couldn't find anything about it. Not much to add to this one shot that I didn't say about
Poker. It's a set-up that allows Araki to flex his suspense muscle and artistically it's about the same. The sci-fi backgrounds and the ship resemble retro sci-fi anime from the 70s, like The White Base in
Mobile Suit Gundam. The way Araki draws machinery is far more intricate and detailed than I thought he was capable of. Both these and Poker Under Arms read like fun little short stories you would find in a pulp magazine.
Cool Shock B.T One-shot + 1st volume
B.T (you are never told his real name) is a high-school student who always seems to find himself in some kind of trouble or mystery. Using his love of illusion and his best-friend/accomplice/narrator Koichi, B.T will solve crimes, pull off heists, and generally fuck with people who annoy him.
Araki's first multi-chapter work also marks his first major change as an artist. The western comic realism is pretty much dropped, replaced with lots of straight lines and basic shapes, making the manga resemble much older 60s manga like works by Tezuka or Mitsuteru Yokoyama. As the manga progressed however, Araki would return to drawing more detailed clothing. The backgrounds aren't very realistic either, now they look more abstract and 'painterly'. Araki would use arrows to point at something important, usually a character. Araki would experiment with character expression as well, such as using shadow to completely obscure the face of a threat, making the pupil of one eye get smaller when exasperated, and for some reason he would draw a ring of tears around a character's eye when they get angry.
B.T as a character is, simply put, kind of a dick. So much of a dick that, as Araki put in some author's notes, his editor had a hard time pitching the manga to its publishers. As you can see from the cover, B.T would serve as a prototype to Dio Brando, although he isn't nearly as bad. The best point of comparison is Yami Yugi from the early chapters of
Yu-gi-oh! We never learn that much about B.T, aside from the fact that he has a grandmother who isn't above pulling off a scheme herself. No, mostly we spend time with series narrator Koichi, who as you may have guessed, acts like Part 4's Koichi minus the stand power-ups. The adventures they go through range from getting back at a bully to escaping Nazi-cosplayers who may be pedophiles who want to torture them. It's pretty wild.
Baoh
Teenager Ikuro Hashizawa is kidnapped by the Doress (Judas in the English manga) Laboratory and turned into a Baoh, a bioweapon with super-human strength and other abilities.
He escapes with the help of Sumire/Violet, a 10-year-old psychic girl who also was kept by the Judas group. Professor Kasuminome (Hazyeye in the English manga), head scientist at Judas, sends various assassins and monsters to try and kill Ikuro, in means of stopping the Baoh virus from spreading and infecting the world.
The most famous of Araki's pre-Jojo mangas, thanks to a single episode OVA and some DLC in
All-Star Battle. At two volumes, it's also the longest. If Cool Shock B.T took artistic inspiration from guys like Tezuka and Yokoyama, then Baoh is a big love letter to the works of Go Nagai. The central premise, with a protagonist who has a body-horror transformation while fighting off the assassins sent by a shadowy organization, is classic Nagai. Some characters, like the grandpa who lives in the mountains and the final assassin Walken, look like they jumped straight out of the pages of
Devilman and
Cutey Honey. This is where the Araki who created Jojo first started to emerge. Characters go into impossibly wacky poses as horrifying depictions of skin melting/bubbling/peeling and eyes popping out of their sockets leap across the page. There's not much strategy to be found here, this is exactly what most action manga of the era were like; big, splash page wacky abilities exploding all over the place until one fighter dies screaming into a bloody mess. It's dumb, but that era's style can be enjoyed.
Gorgeous Irene
Irene is a professional assassin who is able to transform into any type of woman using her 'make-up' power, but instead of killing in cold blood, she uses her abilities for good.
Ah, Gorgeous Irene. Allegedly Araki dislikes this short, two chapter manga and to be honest I do too. With an Araki who clearly discovered fashion magazines, most of the characters are gargantuan monstrosities, contorted into laughable positions that completely screw with the flow. It's nigh incomprehensible. Irene is a complete ditz until she applies her 'battle makeup', which not only changes her personality but noticeably expands her tits and ass. Also there are casual nip slips all over the place. The first chapter makes it seem like the plot would involve Irene taking clients chapter by chapter but in chapter 2 her butler and caretaker is killed and she's left stranded in Harlem following a character who looks exactly like Jonathan Joestar around like a lost puppy. Basically this whole manga is like one of those over the top video nasty OVAs from the 80s.