Its really neat that you and Dave created a reflection of Raylan in the character of DEA Agent Alex Miller. Even though Raylan isnt prone to deep introspection, do you think this partnership will affect his actions going forward?
That was our hope and intent. Although its true that weve created a character of action in Raylan, rather than one of contemplation and introspection, just because you dont want to think about something, or actively choose not to, doesnt mean you dont. This is what makes Tim Olyphant such a good, subtle actor. Hes the master of acting understatement, so I would argue that there are places in this episode where if you watch him closely, all it takes is flick of his eyes, a fraction of a second as he frowns, and we begin to suspect those wheels turning. Raylan is being slowly forced to confront aspects of himself he has previously been able to avoid simply by being the cool, gun toting Raylan, using violence and quips to deflect any real self-analysis. Last seasons death of his father cracked that facade remember that scene at the elevator? and now with his surrogate father questioning him in fact, ALL of his immediate and important relationships beginning to question him Raylan is being cornered into asking himself why hes the way he is, why he does the things he does. Is violence his only way of handling difficulties? Where does that come from and why cant he face that? How is that tied into his being a father, and his avoidance of that role? Alex Miller is one of many pieces of that argument.
Roscoes riff on King Lear is a wonderful and memorable moment. How did it come about?
On Justified its often a close collaboration. In this case Andron wanted from the start to have Roscoe be quiet throughout the entire run of the season until the very end. And then when Roscoe spoke it would reveal his truer self. As to what he would say, Andron had a few conversations with Steve Harris, and guess what? Steve is a huge King Lear fan. Thats when everything began coming together for that scene.
Big showdown scenes with lots of characters have been hard to land on in the past. Was this one any different in terms of difficulty?
This was one of the largest showdown/climax scenes weve had on the show, with almost all the main characters in a room together. This was difficult primarily because of the staging Audrys is a relatively small space, and Michael Dinner was working extremely hard to make sure the scenes made geographic sense. When you watch the scene, the shots and direction look effortless thats Dinner being a genius. But remember how many characters are talking, and how the camera moves to them and around the space. All in a tiny room. Painstaking planning and execution.