Drealmcc0y said:
I dont know how the egyptians arrived, nor do i care.
If you don't care how the whole thing could have happened, it's hardly surprising you don't have a problem with that, sure.
Does it really matter how the egyptians built their stuff? They just did, this is lost, not grand designs.
"C'mon, it's Egyptians! They just build gigantic stuff! That's what they do! Leave some Egyptians to their own devices for a while, and there you go: they built a big fucking pyramid while you weren't looking!"
You're right: this is
Lost, and expecting more than base stupidity wouldn't be very reasonable...
Well they built the cork after the events of Across the Sea
Yeah? I dunno, probably. I mean, we didn't see the statue on that episode (I imagine the kids would have been intrigued by it), and there were hieroglyphs in the (completed) wheel room, so yeah, I
guess it would make more sense, anyway...
we dont know how exactly it all happened.
Nor why.
Details.
Its my belief that people who have such hatred(etc) in them that they latch onto the dark side of the source and become the physical representation of it(smoke)
Guess the workers were all very nice people then, fortunately enough...
So did Mother think her sweet, sweet children actually had a whole bunch of hatred in them? Was that another case of
"you have murder in your heart, kid... just sayin'"?
And we do agree those Egyptians were more special than Desmond, then? They were, like, Super-Desmonds. Or Desmond was a bit Egyptian.
Hey, maybe that's why Jacob took an interest in Richard! He saw the eyeliner and went "dude, have I got a job for you!" ("... the Canary Islands? eh, fuck... nah, you can keep the job... but you're downgraded to "sub-leader"... no, there's no leader yet, I'm just doing that out of spite, fuck off")
The Egyptians built the cork for the same reason the DI built the button, because they had their own little incident.
(we do agree the show didn't say nor hint at anything like that, yes?)
So, er... the very-nice-people-who-wouldn't-turn-into-Smoke-Monsters found the-cave-that-can't-normally-be-found and dug a hole where they shouldn't have? And then built the whole cork thing (complete with cool hieroglyphs) to plug it back?
Considering what went on in the finale, they did so quickly, too, I imagine... That is to say, as quickly as it takes to fix a crashed airliner with duct tape (on
Lost).
It's a bit like the whole "sure, DHARMA fucked up at the Swan site and reacted by quickly (less than 108 minutes?) hooking up a computer to the pocket of nasty electromagnetism, setting a (familiar-to-the-audience-but-apparently-not-to-DHARMA-people-despite-that-one-ARG) password in order to prevent random people from saving the world as they please, and somehow making it so the process couldn't be automatized" thing: you can
somewhat explain what happened and hope people will roll with it. Just don't try and actually
show it. The catastrophic discharge of silliness would be inescapable and leave no survivors in its wake.
We dont need to see the Egyptian story because its essentially the same story as the DI.
Hey, maybe we didn't even need Egyptians in the first place, then! That would have been an idea: not introducing all that Egyptian stuff if you're not going to actually do anything with it (sorry, turning the foot of a statue into an apartment and using the actual statue to slightly deflect the trajectory of a flying ship don't really count). I'm thinking outside of the box, here, huh?
"Ah, but what will the viewers speculate about, then? We need fuel for the hype.
Here's an idea: whenever we approach areas we don't intend to explore at all (because work is hard and world-building stupid: it's all about making the box look appealing, not about actually putting something cool inside ((c) J.J.)), let's just throw some random hieroglyphs at it.
Encouraged by our repeated assurances that we wouldn't introduce meaningless elements on the show, viewers will naturally try and translate them, debate the whole thing back and forth, and feel like their minds are expanding courtesy of our plot's (illusion of) depth and scope. "Best show ever!", they'll say!"
We saw the statue once in season 2 then didnt see it again until mid season 5.
And that's more than enough time for a viewer to completely forget what he saw on the show, even something as big and incongruous as that foot.
Fucking haters, always remembering things...