DeathNote said:
The August 6th information actually appears to be a casting call
I agree, which is why I called it that in the first place.
But then, the showrunners said they offered those roles to specific actors, so if we're to believe them... Looks like those were more like "character descriptions" after all (might explain why there's nothing about the ethnicity they're interested in?)?
After Bell said no, maybe Charlotte's description was
then recycled into an actual casting call (by which I mean, used for an
actual casting process), but...?
(it seems Lindelof and Cuse are talking about how they handle casting
in general, in that quote... the question was just citing some examples, and one of them isn't even part of the freighter pack we were talking about ("Arthur Stevens" = Abaddon))
Kristen Bell was part of a conference call today discussing her role on Heroes and when questioned about what happened with LOST? She said she was never offered a role.
"I had been spoken to about possibly doing a role on Lost, but I was not offered one."
... Wait. What's the difference? ^^;
But I'm not sure what it is you're arguing, now...
That maybe Bell was never offered the role after all (so the showrunners... lied about that in that video I linked earlier? I certainly wouldn't argue that's impossible! I just find it a bit odd, in this particular instance, considering other sources reported on that at the time), so maybe they never really had anybody in mind for Charlotte in the first place, so it was a regular casting process, and maybe Mader was already involved in early August, so maybe that character description saying "late 20s" actually reflected Mader's age... which would also mean that description
wasn't really a casting call like you argued it was in the beginning of your post... and you lost me, sorry.
Could you clarify a bit? What's your theory as to what happened?
It's also interesting to note that she apparently didn't know anything about the August 6th casting call info
Just because she says "I was only told that she was supposed to be like a female version of Indiana Jones" in that interview, it doesn't necessarily mean that
literally was all she was told at the time or that she didn't read that description at some point (would you expect her to quote everything verbatim?): it could just as well be what she remembers of her overall impression of the character, based on what little info she had at the time...
If they messed up on her birthday they could have easily also mixed up things when they said 30s-40s. But, there's no proof that they didn't consider 30 or 40's at some point before early August.
What we
do have is a character description / casting call / whatever you want to call it now that said "late 20s", two actresses that definitely weren't in their late 30s / early 40s, and a script that said "1979".
Now, you're arguing that there might be some kind of dead angle in there where the character was (briefly? very early on?) supposed to be quite a bit older, but I'm not seeing any trace of that. Do you?
And of course, there would be other stuff I mentioned and you haven't commented on...
How the fuck do you get this shit
so wrong that you actually end up describing some on-set drama that never happened (and dissing one of your actresses in the process, but that's another matter) on your podcast?
How the fuck do you go from "yeah, we didn't catch that fuck-up in time, or we would have corrected it,
obviously, since we already knew that it would be important in the following season and we
naturally pay attention to our dates, duh" to "as it turns out,
we decided to change the character's birth date to 1979, actually... and then, we had Charlotte show up as a kid in 1974, yes...
what? problem?"?
Locke_211 said:
I think possibly the best bit of plotting in the series - and definitely in Season 6 - is Juliet's 'it worked' in 6x01. Then we spend the whole season wondering how exactly her plan worked and whether or not that means the other scenes are actually set in the parallel universe created by the bomb working. It turns out that because she's dying, she's slipping in and out of the afterlife and so she was talking about the vending machine we see in the finale. That's brilliantly done.
They landed on their feet with that one, which is rather unusual for them.
A somewhat similar but less successful example would be Jack's "nothing is irreversible" to Locke in the season premiere, which just
screamed "just like the mysterious paper cut on the neck, you'll have to wait until the end of the season to see that Jack got that particular nugget of wisdom from the island timeline! we're, like,
foreshadowing and all, you guys! this shit will
blow your minds, in a few months! (well, if we land on our feet, that is)".
My immediate reaction was: "yeah, sounds like the kind of line that would be spoken toward the end, when the on-island characters evoke or hint at the existence of an island-free timeline with less drama and death, and presumably fight for it to pass, or some shit like that (basically retconning/sacrificing their messy island timeline in the process)". "Nothing is irreversible: we're going to reboot the hell out of our timeline to resurrect our dead friends!" (-> cue the flashsideways)
And I still believe
that's what the writers were really gunning for in the beginning (before they changed their mind and came up with some weird "afterlife" bullshit): alternate timelines. Hence
those short videos (remember how Kate wasn't wanted for the murder of
her father, that time around, for example? the show sure didn't go anywhere with that in the end, huh?) and
this interview.
But so they changed their mind (and had Desmond (wrongly) believe in the original version), and as a result, the "nothing is irreversible" line was orphaned. What the fuck do you do with that shit now that it doesn't apply anymore? Do you just forget about it, or...
... Yeah, you could also give it to Kate in the finale, so she'd have something to say during one of those island treks:
KATE: Why did you take the job, Jack?
JACK: Because I was supposed to.
KATE: Why? Because some stranger wrote our names on a wall?
JACK: I took it because the island's all Ive got left. It's the only thing in my life I haven't managed to ruin.
KATE: You haven't ruined anything. Nothing is irreversible.
"Oh, right. Should we go back to the beach and raise Jin and Sun from the dead, then?
No?
Then
shut up, Kate. Thanks."
Yeah, it's not like anybody would care about that line, now, naturally... It doesn't mean much of anything, in this new context.
dc89 said:
The rest of that tattoo is a mystery. Another fail imo.
What a weird idea it was to try and do something with Matthew Fox's tattoo... That was some seriously misguided fluff.