It's there.No 4K not buy. But I'm glad there isn't additional commentary or I'd be super tempted.
It's there.No 4K not buy. But I'm glad there isn't additional commentary or I'd be super tempted.
I agree 100%. However, some MRA's do not.
http://www.returnofkings.com/63036/why-you-should-not-go-see-mad-max-feminist-road
What about a version with good grading? That would be cool.
So it's a black and white version? Why?
I would freak the fuck out if both films were made.For those curious there's been some chatter on the next Mad Max films from John Seale, DP on the film, and Mark Sexton, storyboard artist, where a Furiosa script is now done, originally set as a anime prequel in 2009. They're almost done on a Max centered script that's a prequel to Fury Road tentatively titled "The Wasteland" and is said to be more bleaker.
Does the 2-pack come with all the bonus features from the original blu release?
This is why:
I don't get it.
Was it originally shot in black & white?
This is why:
I don't get it.
Was it originally shot in black & white?
George Miller said:The best version of Road Warrior was they used to do a slash dupe in music. To make a really cheap print, theyd make a black and white version for the composer. They used to put lines [across it], if you see old documentary footage of composers in the past, youd see them looking at the screen and conducting, that was a slash dupe, and it was black and white. And youd mix the sound that way [too]. And every time I saw the black and white I thought oh, my god! It just reduces it to this really gutsy high-con black and white, very, very powerful.
I don't get it. People prefer this:
...to this?
I don't get it. People prefer this:
...to this?
I don't get it.
Was it originally shot in black & white?
I don't get it. People prefer this:
...to this?
Nah. The really saturated colors were dope. It basically is the best comic book movie of all time.
So take away one of the most important and striking parts of the film, color?This is why:
Arguably it helps you appreciate different elements of the scenes. The compositions are easier to take in as a whole without color creating definite focal points. I mean, there's still contrast through value, but yeah.So take away one of the most important and striking parts of the film, color?
Not the editing, compositions, and action-driven visual storytelling?The use of color was what made the film unique IMO, so... uhm, I'm not bought.
So we're at a stage where movie makers don't have to add additional stuff to the disc to get us to re-buy, they just take stuff away instead.
So take away one of the most important and striking parts of the film, color?
Not the editing, compositions, and action-driven visual storytelling?
Not the editing, compositions, and action-driven visual storytelling?
What was it that was stopping them from releasing the black and white version before?
DerZuhälter;216974632 said:So quick question: Why do I need a special blu-ray for this? Why don't I just change the color settings on my TV and switch it to 0% colors. That would effectively turn my colored BluRay into a black & white edition.
We haven't seen how the B&W version looks yet. There is color grading involved even in B&W, if I'm understanding correctly.
I doubt they'd exclusively just set saturation to 0 when converting to B/W. Highlights, shadows, midtones, contrast were all probably modified.
Yo total sick burn, tell the sheeple!So we're at a stage where movie makers don't have to add additional stuff to the disc to get us to re-buy, they just take stuff away instead.
Something tells me the people asking "why" rarely watch black and white entertainment if ever.
AyyyyyFuck this obvious cash grab, they could had put this on the original release.
Double dipping day 1.
You saw that pristine look of the behind the scenes reel? That's hot stuff. Shits gets to look even more impactful.