[QUOTE="God's Beard!";179059510]They're always actively asking for portfolios. Trade shows and conventions are a major source of artists for entertainment companies. Even at smaller conventions I've heard Jeremy Jarvis can go through over a hundred portfolios a day. As far as I know, it's always 1K, but I think the contracts might be different for promos at least in terms of how strict they are with the art. They did manage to get Veronique back for five pieces this set and I don't know that 5k alone would entice her.
Guys like Noah Bradley put a lot of extra work in because they know the real value is from marketing themselves on social media and selling the originals. Peter Mohrbacher understood this as well, but he still felt like the actual contract wasn't flexible enough as well as some disagreements with the new AD he was assigned so he just quit.
That said, they could be changing their process which could be great. I remember that they did increase their artist pay about a year ago, but I don't think the flat fee increase is really what the artists are looking for. And frankly the new art book bodes poorly on that front.[/QUOTE]
They haven't advertised it like they did at PAX before (at least, on the internet, I haven't attended one). It was really unusual.
The caliber of artist for their lands is often a notch above everything else, which is why I suspect the pay for some of them is as well.