SCULLIBUNDO
Banned
I feel like if you liked TDKR, you'll like MoS. For me it has the same kind of problems, only magnified. Hollow, telegraphed character motivations being the main connective tissue.
I didn't expect to hear that.
Perhaps "hate" is too strong a word for Watchmen. It was pretty well made and seemed to be like this perfect adaptation of the source material (aside from the giant squid shit, whatever the hell that was all about). But I was so uninterested in anything about it. Story, characters, action didn't do anything for me at all.
Too bad the script is worse in MOS than it is in Dawn of the Dead.
The visuals and music make Watchmen for me. It's just a cool audiovisual experience. The story and the characters are just okay, Dr. Manhattan excepted.
I can't decide if MOS or TDKR hurts more. Both have some nice points to them, but both also hurt a lot when I think about them. TDKR hurts more recently after rewatching Batman Begins and Dark Knight, because the set up in TDK is shit on within the first fifteen minutes of TDKR.I feel like if you liked TDKR, you'll like MoS. For me it has the same kind of problems, only magnified. Hollow, telegraphed character motivations being the main connective tissue.
I feel like if you liked TDKR, you'll like MoS.
I can't decide if MOS or TDKR hurts more. Both have some nice points to them, but both also hurt a lot when I think about them. TDKR hurts more recently after rewatching Batman Begins and Dark Knight, because the set up in TDK is shit on within the first fifteen minutes of TDKR.
I also liked both Dark Knight Rises and Man of Steel. I don't think Dark Knight Rises is a bad movie. It's overlong, and muddled. It's also the first of the three Nolan Batman movies to rely heavily on "Fuck it, he's Batman, that's why" as a plot explanation. You'd think it would have happened more often, considering the character.
Dark Knight Rises is the least of the three Nolan Batmans. But it's not a BAD movie. It's just disappointing.
Here's a comparison: Dark Knight Rises is disappointing the way Godfather III is disappointing. Godfather III is an overlong, silly, but ultimately pretty good gangster flick. It's biggest problem (besides the Sofia Coppola casting hurrr) is that it's filled with characters named "Corleone" and it's called "The Godfather Part III"
I will agree that Snyder has the chance for improvements with the MOS sequel. Especially if they take the criticisms to heart and try and please both camps.TDKR is infinitely more disappointing because its coming off the heels of TDK. Snyderman has a chance of improvement with a sequel. Batnolan is done.
Kent's personal life wasn't one bit convincing
He was all cliched rugged young american
Just nothing interesting whatsoever
I will agree that Snyder has the chance for improvements with the MOS sequel. Especially if they take the criticisms to heart and try and please both camps.
But TDKR was a huge stumble after the terrific TDK. It felt like Nolan and Co. were too stuck on "everything must tie together and be epic" than making a great stand alone movie like the first two were. The pressure of closing out a trilogy they never planned as a trilogy got to them.
I feel like if you liked TDKR, you'll like MoS.
MoS>>>>>>>>>>>>>>> TdkrI feel like if you liked TDKR, you'll like MoS. For me it has the same kind of problems, only magnified. Hollow, telegraphed character motivations being the main connective tissue.
We're gonna disagree this time, my friend.MoS>>>>>>>>>>>>>>> Tdkr
Naw. There's more heart to Thomas Wayne, Alfred, Bruce, Gordon and even Ras in BB than anybody in MoS - Costner included.Heart is totally subjective. I wouldn't classifiy MoS as cold in the least. The characters feel more human than Nolan would ever allow them to be.
Agreed. There was more heart and emotion in Thomas's death scene in BB than anything in MOS.Naw. There's more heart to Thomas Wayne, Alfred, Bruce, Gordon and even Ras in BB than anybody in MoS - Costner included.
That's not the Nolan of todayNaw. There's more heart to Thomas Wayne, Alfred, Bruce, Gordon and even Ras in BB than anybody in MoS - Costner included.
We're gonna disagree this time, my friend.
I dislike both, but at this point in time I would rate TDKR above MoS, even if I'm more disappointed by it.
But again, I don't care for either of them.
Naw. There's more heart to Thomas Wayne, Alfred, Bruce, Gordon and even Ras in BB than anybody in MoS - Costner included.
It was better than Fantastic Four, but worse than Daredevil.So what's the GAF consensus on Man of Steel? A hundred and fifty pages are a lot to read. I saw the film on my birthday and thought it was the best Superman film I had ever seen and destroyed Superman Returns (which I was deeply disappointed by). I loved the serious and ambient tone and the fact it was a true origin story that went all the way back to Krypton. Some of those action scenes (particularly in the opening scenes and third actt) were just stunning to watch on the big screen too. Did you guys like it?
Evenly split I would saySo what's the GAF consensus on Man of Steel? A hundred and fifty pages are a lot to read. I saw the film on my birthday and thought it was the best Superman film I had ever seen and destroyed Superman Returns (which I was deeply disappointed by). I loved the serious and ambient tone and the fact it was a true origin story that went all the way back to Krypton. Some of those action scenes (particularly in the opening scenes and third actt) were just stunning to watch on the big screen too. Did you guys like it?
Evenly split I would say
though there are a few who would insist that returns is better lol. Who knows, I've never even met a real live person who actually will admit to liking returns so it could be some elaborate prank.
lol what. The whole point of Superman is that he does not leave his humanity behind.I feel like Watchmen kind of made MoS suffer under Snyder's hand. Especially when it came to Clark turning into Superman. Because the dude had already nailed the scene of a character turning into a god before. And that's what Clark becoming Superman/learning to fly for the first time should have meant. The moment his feet leave the ground and he begins to ascend ought to be moment the leaves the human race behind.
And believe me, after Watchmen I imagined Superman's transformation scored to Phillip Glass many, many times.
lol what. The whole point of Superman is that he does not leave his humanity behind.
You're misinterpreting me. I mean that becomes the point where he can't be a part of the human race as he once was. He still has all his morals etc, but it's at that moment when he can no longer pretend to be just another guy. It's when he comes unto the mantle of being Superman.
For the first half of MoS, he's trying to hide his secrets/fit in, still wanting to just be Pa Kent's son. It's when he dons the suit that he accepts that he can't do that anymore.
Here is a little experiment: Just immagine the movie didn't have the awesome fight scenes in it.
What's left? Nothing!
It's so mediocre, emotionless and forgettable with just very boring acting.
Only the long and great action scenes elavate it to a meager 2,5 out of 5 Stars (I think) AT BEST.
Naw. There's more heart to Thomas Wayne, Alfred, Bruce, Gordon and even Ras in BB than anybody in MoS - Costner included.
Korey scale or don't bother, pls.
And I'm sure you're full of shit.
TRegarding MoS, I'm not sure I understand the point of hiring Snyder and then neuter his style completely. The movie has some great looking sequences, but it's kinda weird he shot this handheld. Superman is a character that probably could've used the larger than life visuals of Watchmen.
Yeah I can see that. I may give it another shot one day.
I tried to watch Watchmen the other night and I kind of hate it. I can't stand the characters and the movie plays like an expensive music video.
Re: Man of Steel aesthetic ... after reading Goyer's script Snyder decided he wanted to shoot the movie in a "verite" style. I agree that his visual approach in Watchmen would have been more appropriate.