Cherry blossom symbolism at full effect in this chapter. Not entirely surprising, given the content.
Renji reacted to what happened to Byakuya in a similar manner to the way Hitsugaya reacted to what happened to Hinamori, or the way Komamura was going to react to what Aizen did to Tousen had Ichigo not intervened just in time, or the way Yumichika was preventing from reacting to Ikkaku by Hisagi and Kira.
At the end, Byakuya had both his pride and his dignity shredded along with his body. More than that, as Renji's cry (stop!) showed, As Nodt didn't simply go for the kill, he went for the overkill. There's a nasty edge to As Nodt that I think we've only seen the surface of.
But then a power like his wouldn't (usually) be in the hands of someone nice.
All the way through this manga, I've made comparisons between Byakuya and Gin. Although their personalities and their beliefs were different, they ended up playing similar roles. It's even been lampshaded in the manga itself: they were approximately the same age, they were contrasted in the TBTP arc (Gin so utterly focused, Byakuya so utterly unfocused), they became captains at the same time, they played the same role (Byakuya in the Soul Society arc, Gin in the Arrancar arc) and, in the end, this chapter echoes Chapter 416 (in both a compare and contrast way) right down to one having fluttering cherry blossom petals and one having fluttering snowflakes (both are dual themes of love and the transience of life) and the final move inflicted on them in the chapter was reminiscent of how their zanpakutous worked (reminiscent in Gin's case, actual in Byakuya's).
Unlike Gin, however, Byakuya has not passed on a torch, there is no sense of hope that accompanies his chapter. Indeed, Kubo even depicted him as close to tears as it's possible to draw a character without depicting actual tears (the blood that trails from his eyes like tears). I can see fans having a debate about our blond-haired quincy's comment, however. I've read two translations and they both say 'It seems...'. Woolly comments lead to debate.
Anyway, that was my big comment, the comparisons between Gin and Byakuya have continued right to the very end for them. Even in defeat, it's there, and there's a lot about this chapter that's reminded me of Chapter 416.
Even down to Matsumoto and Renji, in fact. Matsumoto was frankly lucky that Aizen was lazing about and that Ichigo turned up when he did (since Aizen had started to move towards her). Renji didn't have that luck.
Our second quincy comes back. No surprise to the reader. Also no surprise is that the second quincy comes back at the worst possible moment for Renji. We have a clue to something we've already speculated about: that two quincies were dispatched to the Sixth Division because they did indeed have information that the two commanders both possessed bankai.
We also have a clue to the possibility that a quincy can indeed steal more than one bankai at a time. That said, it's still ambiguous (it could have been a reference to them having two medallions available) but definitely a possibility.
And we're not allowed to see who took out Rukia. That, I think, is interesting.
Kubo again echoes what he's probably expecting readers to be thinking: the fights are dragging a bit. Apparently, Buckbeard and Blondie might want to tweak that when they get the chance but it also tells the reader something that's already obvious: the Stern Ritter aren't exactly going all out at the moment.
Another interesting observation about that conversation: in both translations I read, Buckbeard comes across as separating himself and Blondie out from the Stern Ritter, as if the Stern Ritter are below them. That's not surprising for Buckbeard, but it's interesting for Blondie, especially since he's still giving off an Ishida vibe.
And then we have Kenpachi who is unsurprisingly doing rather well. That said, if Buckbeard was prepared for Ichigo having a bankai that couldn't be medallised, I suspect he has ideas about how to handle Kenpachi, too.
We'll have to see what Buckbeard has in store for Kenpachi and whether or not it works.
So, the cherry blossom has touched the ground at last. I have a haiku poetry book that is devoted solely to the cherry blossom symbolism. It contains 3,000 sakura poems and it barely touches the surfaces of the amount of sakura poetry that exists in Japan.
The mind is what
brings cherry blossoms
so close to hell!
~ Kisei (c.1700)
( trans. Robin d. Gill)