I think my promotions list for this year would be something like this:
1. NOAH
NOAH has gone from a wasteland of fuckery filled meaningless multiman tags with anesthetized crowds and overindulgent meandering main events to a brutal pseudo shoot fight promotion (not in the fake MMA sense more in the they are hitting each other really really hard).
With Suzuki Gun excised from the promotion like the insidious, near fatal parasite that group proved to be, NOAH was forced to totally change up their roster and booking. Their junior division imploded, with 3 of the most important wrestlers moving up to heavyweight, leaving Ohara and Ishimorii seemingly floating without any challengers. So in came a bunch of indie guys that have really added some diversity to the undercard and the imposed focused on Ohara has brought to light his unique and fittingly intense junior style.
Meanwhile the heavyweights regularly mix it up in singles matches up and down the card, with tons of interesting matchups, keeping every show fresh. Of course the usual suspects are being kept strong, Marufuji, Suigura and Shiozaki aren't dropping falls randomly. Still the way the matches are structured and the pace these guys are working ensures that everyone looks good to great coming out of it.
The main events are dominated by classic NOAH heavyweight tags, with a twist. There are not a lot of set teams and combinations, again emphasizing a level of novelty to every show. These combinations aren't just the main eventers, but also young boys and juniors.
I think at its core, NOAH the REBORN is a promotion where it really feels like everyone is working at their absolute best every single show, with simple, compelling booking and a unique working style.
2. OTT
An admitted huge live bias here; OTT shows are special live and that comes from people who got to tons of live wrestling all over the world rather than myself who has been to a single NXT house show outside of OTT.
OTT now put together indie supershows on the level of PWG, sell more tickets and run bigger venues than PWG while still running some actual stories, sort of. The reliance on imports is very apparent and they are only starting to book non-comedy local talent as of the last show (Devlin and Martina excepted). Still they put on fun shows with super hot crowds and WE MADE PETE DUNNE AND DON'T YOU EVER FORGET IT EUROGRAPS.
3. NJPW
Best main event scene in the world. Best main event booking the world. Brings in great gajin. Easy to access content. Cheap. Runs regularly. Issues with heavyweight tag belts since for fucking ever.
Push Ospreay.
4. Dragon Gate
Still my favorite overall style of wrestling and overloaded with talent but man have injuries totally fucked up this year for Dragon Gate. Cyber Kong is a Dream Gate challenger. Fucking hell man.
Not totally caught up and I'm sure important shit has happened so I'll hold judgement on the booking situation.
5. PROGRESS
Always there, always solid. The British Strong Style stuff is picking up. Main event scene is recovering once again. The tag division is really taking off, with SPPT surging up the card, strong outside talent like Ringkampf and the Hunter Brothers coming in and of course Trent/Pete holding down the titles. Apart from WXW, no indie promotion comes close on the combination of production, price, convenience and storytelling.