Nicole Perlman is a woman...
Mistook her back with Perlmutter
Nicole Perlman is a woman...
At 3 movies a year 6 films isn't crowded at all. Phase 2 was 3 years. Phase 3 will be 4 years. If Phase 4 is 3-4 years that means you can expect 3-6 more beyond those 6 sequels.
I missed this thread while I was on my Civil War blackout. It's good to be back.
That "leak" makes me laugh. That being said, I hope some of the Captain Marvel stuff is true. I love Carol but I can't think of any of her comic arcs that would be worth doing a solo movie about. Setting her up against the Kree for something original between the two Infinity Wars sounds a decent idea.
If they turn the Kelly Sue DeConnick run into a movie I'm out.
I really love her Captain Marvel run but I'll be the first to admit they'd make pretty weak movies in the MCU. Maybe a heavily modified "Carol goes to space" but it would need a lot of work.
I think the biggest problem the character has is that there's no hook. That's what they need, something that tells us immediately what the character stands for, what sets her apart from others, what makes her fun.
Why should we be interested in Captain Marvel and why should we like her?
I've read the three volumes of DeConnick where Carol goes into space and it just doesn't work. There's no dramatic structure, there's no tension, no focus, no fun. It's not poignant, but slow and meandering. It's not that there are not potentially great moments in those books or that there are no interesting ideas, it's that they're not handled properly. It lacks oomph, weight, whatever you want to call it. The best part about those books were when she reflected about her friends and family, her responsibilities, herself, but overall I thought the potential for a fantastic book with interesting character development was squandered. You have a great premise, a journey through space to help others and discover herself and then you make it....that.
I think that's my real issue. It's not that the books are bad, it's that you can faintly see what great potential there is.
>Michael Keaton was approached to play Osborn, but declined because he didn't want to commit to a multi-picture contract. Other actors are now being approached, including Jason Clarke and Dougray Scott.
>Casting is still in early stages, but Marvel has already named Michael Jai White as one of the frontrunners for M'Baku, and had meetings with Gugu Mbatha-Raw, Nicole Beharie, Yaya DaCosta and Sharol Leal for the lead female roles, either Lynne or Shuri or both.
>Carol Danvers will appear in AVENGERS: INFINITY WAR before CAPTAIN MARVEL, and Emily Blunt is lined up to play her. Emily Carmichel in talks to direct.
>ANT-MAN & THE WASP will feature the return of Janet Van Dyne and Scott Lang and Hope Van Dyne fighting an old enemy of Hank Pym's past familiar with the Quantum Realm, but his identity hasn't yet been determined.
>Blade, Moon Knight and Ghost Rider are being lined-up for Netflix shows.
I think the biggest problem the character has is that there's no hook. That's what they need, something that tells us immediately what the character stands for, what sets her apart from others, what makes her fun.
Why should we be interested in Captain Marvel and why should we like her?
I've read the three volumes of DeConnick where Carol goes into space and it just doesn't work. There's no dramatic structure, there's no tension, no focus, no fun. It's not poignant, but slow and meandering. It's not that there are not potentially great moments in those books or that there are no interesting ideas, it's that they're not handled properly. It lacks oomph, weight, whatever you want to call it. The best part about those books were when she reflected about her friends and family, her responsibilities, herself, but overall I thought the potential for a fantastic book with interesting character development was squandered. You have a great premise, a journey through space to help others and discover herself and then you make it....that.
I think that's my real issue. It's not that the books are bad, it's that you can faintly see what great potential there is.
The Vulture is only a background villain in Homecoming, like Zemo was in Civil War. Homecoming itself is slated to be a full sequel to Civil War, continuing where it left off, with Tony Stark trying to get into Aunt May's pants and Peter Parker trying desperately to prevent it. Once again, Stark is the true antagonist of the piece. Think Home Alone meets the Avengers.
The Vulture is only a background villain in Homecoming, like Zemo was in Civil War. Homecoming itself is slated to be a full sequel to Civil War, continuing where it left off, with Tony Stark trying to get into Aunt May's pants and Peter Parker trying desperately to prevent it. Once again, Stark is the true antagonist of the piece. Think Home Alone meets the Avengers.
We really don't need a Sentry movie.
Yea, and there is no sign of these movies slowing down. If Civil War is any indication they've solved the act 3 bloat problem.
The Vulture is only a background villain in Homecoming, like Zemo was in Civil War. Homecoming itself is slated to be a full sequel to Civil War, continuing where it left off, with Tony Stark trying to get into Aunt May's pants and Peter Parker trying desperately to prevent it. Once again, Stark is the true antagonist of the piece. Think Home Alone meets the Avengers.
The Vulture is only a background villain in Homecoming, like Zemo was in Civil War. Homecoming itself is slated to be a full sequel to Civil War, continuing where it left off, with Tony Stark trying to get into Aunt May's pants and Peter Parker trying desperately to prevent it. Once again, Stark is the true antagonist of the piece. Think Home Alone meets the Avengers.
We don't. Because in the MCU, The Sentry is Vision.
Uh... ok?
For Cosmic stuff, I'd say do Annihilation, but that would require getting back the FF rights. Which would also give us Doom and Galactus.
The hell? Is that the Void side of him or something?
"Marvel Studios may have finally hit that creative sweet spot. "
http://birthmoviesdeath.com/2016/05/09/inside-the-new-marvel-bullpen
Didn't Coogler get a peek at Civil War as a foundation to help make BP?
Ahaha that Sentry Pic what Storyline is that from? Probably an X-Men one?
I thought it wasn't a peek so much as Coogler and Boseman worked with the Russo Bros. and the screenwriters to hash out T'Challa.
The Russo's said that he saw an early cut of the movie and gave some notes/lines but I don't think he had the time to make a big impact on Civil War.Not sure Coogler was attached to the MCU early enough for that to happen, was he? He was still doing Creed and rejecting Marvel's offer at the time Civil War was coming together I thought.
"Marvel Studios may have finally hit that creative sweet spot. "
http://birthmoviesdeath.com/2016/05/09/inside-the-new-marvel-bullpen
Not sure Coogler was attached to the MCU early enough for that to happen, was he? He was still doing Creed and rejecting Marvel's offer at the time Civil War was coming together I thought.
She's an idealist who believes she can save the world with her powers but crashes against the reality that not every good cause can be brute forced to success. Juxtaposing her galactic adventures with her domestic trivialities like dranking and worrying about next door neighbours.
That slightly political and ideological edge to the character sets her ambitious personality very much apart from another sort of arrogance like Iron Man.
Nothing screams fun more than 'political and ideological edge'. Joke aside I don't think they've really found a core identity that works for the character, in part of the lack of iconic stories that would otherwise help shape the character. It doesn't help that her history is a bit of a mess.
I don't disagree that there is a great character beneath all the rubble, I just feel that they've done a poor job at bringing that forth. A headstrong, stubborn hero that cares deeply about her friends, cocky and at times overconfident, one that is always on a journey of self-discovery and trying to reach her full potential. That inner conflict is something I think has fundamental appeal and I wish they managed to translate that into the comics. There's a nice scene where she looks into the vortex, refuses to change and states "It was never more power I was after". That's a potentially great scene, but in the book it is a brief moment, then it's back to the battle without any reflection.
A headstrong, stubborn hero that cares deeply about her friends, cocky and at times overconfident, one that is always on a journey of self-discovery and trying to reach her full potential.
This is going to get a lot of use.
I've read the three volumes of DeConnick where Carol goes into space and it just doesn't work. There's no dramatic structure, there's no tension, no focus, no fun. It's not poignant, but slow and meandering.
This is going to get a lot of use.
I just died.
This is going to get a lot of use.
Uncanny AvengersAhaha that Sentry Pic what Storyline is that from? Probably an X-Men one?
He's mostly known for playing villains. He's the main bad guy in Mission Impossible 2, for example. He'd probably do a pretty good, slightly ham and cheesy Osborne to be honest, probably better than Jason Clarke.Haven't seen Dougray Scott in anything.
The second Ghost Rider was done for relatively cheap and the CG Rider there was better looking that the much higher budget first movie.Out of these three, however, I think Ghost Rider might be the least likely just because of the CGI budget though.
He's mostly known for playing villains. He's the main bad guy in Mission Impossible 2, for example. He'd probably do a pretty good, slightly ham and cheesy Osborne to be honest, probably better than Jason Clarke.
He's mostly known for playing villains. He's the main bad guy in Mission Impossible 2, for example. He'd probably do a pretty good, slightly ham and cheesy Osborne to be honest, probably better than Jason Clarke.
This is going to get a lot of use.