As usual 1 and 2 win and 3 and 4 have freaky feet
Yeah... 1, 2, and 5 for me. 4 and possibly 3 would be good, too, if it wasn't for the feet.
As usual 1 and 2 win and 3 and 4 have freaky feet
Rarity personality-wise has plenty of flaws: not exactly generous (see end of ACW), uses child labour (Sleepless in Ponyville), racist like the donkey above mentioned and lies a lot (Sweet and Elite). But she's fun as a character and usually delivers the best lines. On top of that she also has the best voice actor.
As usual 1 and 2 win and 3 and 4 have freaky feet
Man, for a second, I read "our upcoming movie" and wondered "did I miss a memo"?*sigh* I'm saving for the Steam Summer Sale, Animal Crossing, and our upcoming move.
As usual 1 and 2 win and 3 and 4 have freaky feet
Man, for a second, I read "our upcoming movie" and wondered "did I miss a memo"?
Deliver by Pegasusususususes
YOU DRILLED INTO THEIR HEADS?!?!
YOU MONSTER!
They opened it...
Have any of you guys heard of a little project called "Fighting is Magic"?...
Have any of you guys heard of a little project called "Fighting is Magic"? It is now defunct (RIP) but it was just a handful of pony fans who came together and produced a fighting game on their own. Visuals, systems, and all. The music was crafted by like two people, and VA's for each of the main six were auditioned for (and chosen quite well, I'd add.) It was to be distributed for free.
Well I bring this up because I've been a music kick from the game recently. It's fucking great, especially for what it was. Some links for ya'll:
Twilight Sparkle's theme
Applejack's theme
Rainbow Dash's theme
Pinkie Pie's theme
Fluttershy's theme
Rarity's theme
Have any of you guys heard of a little project called "Fighting is Magic"?
Have any of you guys heard of a little project called "Fighting is Magic"?
rrrrgggnnnnhhhhh
Man, for a second, I read "our upcoming movie" and wondered "did I miss a memo"?
Yeah I was pretty sure most of ponyGAF had heard of Fighting is Magic, but...yeah. Contingency planning.
What a lame way to go out. It had been demoed at EVO and received surprising support from regular FGC people (though I don't think the "big name" players played it), and I believe Fluttershy (last of the mane6) was almost finished or about to be worked on or something.
You know they're making it a non-mlp-related game and Lauren Faust donated her talents to helpw ith character design? So the game's still comingout someday, just not as MLP.Have any of you guys heard of a little project called "Fighting is Magic"? It is now defunct (RIP) but it was just a handful of pony fans who came together and produced a fighting game on their own. Visuals, systems, and all. The music was crafted by like two people, and VA's for each of the main six were auditioned for (and chosen quite well, I'd add.) It was to be distributed for free.
You know they're making it a non-mlp-related game and Lauren Faust donated her talents to help with character design? So the game's still comingout someday, just not as MLP.
Oh wtf, faust. wtf. WHen this game comes up there better be two donate boxes, one for FiM crew, and one for Faust. She must be paid for this amazing gift.More than just the character design, I think she's actually hand-drawing all of the character animations.
https://twitter.com/Fyre_flye/status/318143098121240577
They have seen the trailer - promotional material that is supposed to transmit the gist and style of the movie and make you want to see it if you feel that they are suited for you. In that aspect, they couldn't have failed any harder if they tried, and now they are getting the word of mouth that the trailer deserves - even if it may not be the one that the movie itself deserves. That is why I'm saying that they should have gone a different way with the trailer.That story says it went so wrong, yet they haven't seen it yet.
I was never able to swallow the Pretty Pretty Princess Promenade that was the season 3 finale. I felt that it was a bit contrived, and it left a sour taste in my mouth. See, all this time weve been watching a show centered around friendship and learning to respect and tolerate others of all walks of life, the end goal of which was apparently to become royalty. Im somewhat concerned that it sends mixed messages to little girls. Implying that all girls should want to grow up to become princesses is destructive. Its bad enough that girl and boy toys are steadfastly holding onto their old-school ways. I was under the impression that My Little Pony wanted to shake gender barriers, not reinforce them.
Until your friend becomes a princess. Then you're not allowed to be happy for them, you're supposed to shun them, because princesses are destructive and unrealistic ideals.MLP:FiM was centered around the idea that little girls should not be force-fed outdated female tropes and be wedged into specific gender roles at a young age. Each character represents different sets of personality traits. Some are very femme, while others are boyish or somewhere in between. Sometimes there are conflicts and they dont get along, but thats the beauty of real life; we dont fit into nice, cookie-cutter packages. You might not be the same as someone else, but you can still be their friend despite it.
This is absolutely not something you can infer from a trailer. It's not "the word of mouth that the trailer deserves."All that made these characters independent and unique is completely shattered.
Lauren Faust saw this meme image on the Internets. She basically said that it's horrible and unfair and that the people who made it can go fuck themselves.
Any chance you could provide a link to that?
I've had plenty of recent dealings with 6-7 year old girls, thanks to my son's school. There is a disturbing, self-feeding pattern of entitlement that involves the parents and the media and depictions of princesses as creatures of perfect beauty, granted the ability to be the permanent center of attentions and to order around everyone around at will. Given the chance, most little girls will hold on with great tenacity to that ideal, that feeling that they can be special without even trying, just by adhering to this image. They then go on to enthusiastically eat up everything that may position them closer to where they want to stand, and the parents oblige because they're their special little girls and deserve it. The toy makers say "thank you".Season 3 didn't imply that all girls want to grow up to become princesses. It said that Twilight gets there. There were a number of other girls in that season. And Lauren Faust intended to have Twilight become Celestia's successor all along, she just might not have had it happen so soon.
Season 3 didn't imply that all girls want to grow up to become princesses. It said that Twilight gets there. There were a number of other girls in that season. And Lauren Faust intended to have Twilight become Celestia's successor all along, she just might not have had it happen so soon.
We all know how that worked out, and the subtle concessions to corporate dictate that culminated with this season 3 finale which, however well handled by the team behind the show, still represented the end of a road - the transition from a show solidly based on values of friendship, to one that seems to be centered around the notion of considering if a tiara looks good on a pretty pony's head. From here forth, there shall be the persisting feeling that no matter how well stories may be written, they are mere accomodations to corporate dictate looking to perpetuate the aforementioned "princess trap", and not the end result of legitimate artistic visions that happen to be capitalized.
That just goes to show how insidiously smooth the transition was.I always assumed that Hasbro had been doing that since square one.
Season 1: We'd like to sell a Gala playset.
Season 2: We'd like to sell a Wedding playset.
Season 3: We'd like to sell a Coronation playset.
Season 3: finale breaks the status quo to accomodate corporate mandate. Twilight Sparkle is Mary-Sue'd and the others are reduced to the parts of victims and onlookers. There is a spotlight on friendship, but it is shadowed by the obsession with the coronation.
I don't think that's a fair accusation at all until we see season 4. Assuming season 3 was intended to be the finale, I think it's great that we get to see these show runners continue the story, and see where they will take it.
I don't think that's a fair accusation at all until we see season 4. Assuming season 3 was intended to be the finale, I think it's great that we get to see these show runners continue the story, and see where they will take it.
I don't think that's a fair accusation at all until we see season 4. Assuming season 3 was intended to be the finale, I think it's great that we get to see these show runners continue the story, and see where they will take it.
I agree with Myke 100% on this. It's not really about how well the writers and animators can handle the tasks but the constant and increasing meddling from Hasbro dumbing down the core of the show that's worrying me.
I think it is problematic to assume that it was the finale of the show, specially considering the sorry state of well, tons of stuff. (I have expressed my opinions several times on this subject and I'm not feeling like repeating myself)
On the other hand, I do agree that we should wait for S4 to see how they are going to handle the show after the S3 finale, they have a lot to prove.
From what we know of Equestria Girls (thanks to the trailer),and the subtle concessions to corporate dictate that culminated with this season 3 finale which, however well handled by the team behind the show, still represented the end of a road - the transition from a show solidly based on values of friendship, to one that seems to be centered around the notion of considering if a tiara looks good on a pretty pony's head.
That just goes to show how insidiously smooth the transition was.
Season 1: finale has no effect on the status quo whatsoever, each character is written to showcase their aspirations. The whole thing is framed as a lesson on handling expectations, in alignment with the rest of the season. The only difference is scope and stakes.
Season 2: finale introduces two never-before-mentioned, corporate-mandated characters who, nevertheless, remain minor from that point on and don't affect the status quo too much. Regarding the mane 6, there is an emphasis on Twilight. The story plays out a bit like an opera, but friendship is still the focus, particularly its two special cases - brotherly love and romantic love.
Season 3: finale breaks the status quo to accomodate corporate mandate. Twilight Sparkle is Mary-Sue'd and the others are reduced to the parts of victims and onlookers. There is a spotlight on friendship, but it is shadowed by the obsession with the coronation.
Transformers Prime basically killed itself off in the same situation (after 2.5 years, despite a 5-year plan). I believe that Hasbro's half-budget S3 with no commitment for S4 led the MLP writers to believe the show was finished. I think we're lucky the show was able to keep going.I think it is problematic to assume that it was the finale of the show, specially considering the sorry state of well, tons of stuff. (I have expressed my opinions several times on this subject and I'm not feeling like repeating myself)
Anyway, here's the official Pony of Peace.
Also how would moving on dumb down the show? How was anything from the finale, or S3 bringing down the show? Should they just have Twilight continue learning about friendship and occasionally reporting to the Princess? Now she has something new to learn, true leadership. It's not like she's going to be sitting on a throne and ruling come season 4. We know that Cadance was fostered with Celestia for years before she was put in charge of the Crystal Empire.
We don't know to what degree Hasbro meddled. There's a lot to suggest that much of this was planned from the start. Lauren saying Twilight was going to succeed Celestia. Celestia clearly grooming Twilight for greater things since episode 1. At most there's evidence to suggest Hasbro wanted "Princess Twilight" and not just "Alicorn Twilight", but even that is speculation.
Also how would moving on dumb down the show? How was anything from the finale, or S3 bringing down the show? Should they just have Twilight continue learning about friendship and occasionally reporting to the Princess? Now she has something new to learn, true leadership. It's not like she's going to be sitting on a throne and ruling come season 4. We know that Cadance was fostered with Celestia for years before she was put in charge of the Crystal Empire.
There's plenty of new ground they can cover, and while I would agree season 3 had a bit of a pacing issue for individual episodes (Which can probably be calked up to Meghan having her first crack as show editor), the season was pretty much like the first two as far as story and plots go.
Everything points to S3 being the end. Story lines wrapped up in a was as to allow closure, but not totally close the doors. Rainbow Dash joining the Wonderbolts, Apple Jack being prepped to take over as Matriarch of the Apple Clan, Fluttershy gaining confidence and performing a very difficult task without much support from her friends, etc. We'll probably never know for sure if it was intended to be the end (well not till after the show is over and staff can talk more openly).
Transformers Prime basically killed itself off in the same situation (after 2.5 years, despite a 5-year plan). I believe that Hasbro's half-budget S3 with no commitment for S4 led the MLP writers to believe the show was finished. I think we're lucky the show was able to keep going.