More later. RR is much improved but I've got a completely different set of grievances with it.
Cont.:
Much improved was a little strong, on a repeat viewing. Rainbow Rocks is arguably
better, but I wouldn't call it good. It's not a mess like EG is, but instead it winds up being bland and unfocused.
Blandness first: In short, the script tries really hard to be funny, and... it isn't. At all. The only two jokes that hit are Pinkie sticking her head through the portal at the very end, and Snips and Snails' rap number, which is wholly thanks to an inspired bit of ad libbing on the part of the voice actors. The rest of the gags just hurt, in part because they're bad, and in part because there's so many of them that they rough up the pacing of most scenes. And the movie's kind of a downer in general since everyone hates everyone else, so a little levity would've done a lot to balance it out, but there's no wit to be found.
Bad sense of humor aside, where EG had its main plot and only one subplot (Flash <3 Twilight), RR has its main plot and
four discrete subplots. In order of importance:
- Stop the sirens: Let me talk about Discord for a moment. Discord exists as an exception to the "don't focus on external forces too much" rule above because he played to the series' strengths. Nigh infinite reality warping powers, and his preferred method of attack was to mess with the heroes'
heads. A few carefully chosen words to point their core character traits in the wrong direction and just enough magic to make it stick, and he was set. Tirek worked for very similar reasons; his magic wasn't as dangerous as his ability to prey on Discord's insecurities, his reign of terror wasn't as shocking as him stabbing Discord in the back, and he was beaten by his inability to comprehend anything but treachery. It helps that they both have excellent screen presence, but they're good villains who got away with getting a bunch of screen time because they played the social game first and foremost.
The sirens have decent screen presence going for them and not much else. Their characterization is one dimensional and unimportant to the point that they could've been compacted into a single character without changing the story any. They're positioned as social manipulators, which is good in theory, but what they accomplish doesn't actually
matter beyond getting the battle of the bands going in the first place. The student body was already hostile towards Sunset, Sunset already had deep-rooted insecurities about her friends, and the Rainbooms were going to blow up whether Trixie did anything to them or not. The heroes are their own worst enemies in this film, so all that's left for the sirens is to start the plot and provide the light show at the end. So good job there girls, you're as important as Sombra.
At the very least, have them be the reason for the Rainbooms' schism by fluffing up Dash's ego. Something.
Anything.
- "Can Sunset fit in?": Subplots are go. This is the most important one, and it starts out alright with the general student body shunning her while the other five are friendly, if still a bit reserved. But then things just get
worse as she gets more and more "No offense" comments and feels more and more outcast. And... well, eventually the movie runs out of time and has to tie up all the subplots at once, which is handled by Sunset finally finding her spine and all the answers. Her reasoning actually makes sense in the grand scheme of things, since her entire M.O. as a villain was driving people apart by planting little seeds of conflict and letting them grow, but that's not brought up at all in
this movie, and the sudden bit of wisdom feels like it comes out of nowhere.
She wins back the trust of the student body by helping save the day in the end (because the magic isn't strong enough without her for... reasons), but I'm not at all sure why she's friends with the Rainbooms beyond that being the compulsory status quo. They're pretty awful, and Twilight's the only person she has a genuine moment with the whole time.
- "Can the Rainbooms get it together?": Haha, no. They're a disaster. I get the impression that without someone periodically telling them that they're best friends, they'd be worst enemies. No wonder Sunset broke them up so easily. At least Discord had to use a little magical influence. These guys just do it to themselves. It's a terrible showing for the characters who are supposed to represent friendship and harmony, and nothing in the series is more jarring than watching them go from being at each others' throats one moment to being BFFs again under a minute later after spending the entire movie getting under each others' skin. The sirens got robbed.
- "Can Twilight come to terms with not having all the answers?": Twilight's kind of screwed from the word go, since the entire reason she's here is
to sell toys to stall the resolution for a while and ultimately fail. It's an awkward inclusion as well, since the script has to go well out of its way to explain how the hell she's even in the story. And like every other plot thread, there's no development, the problem just exists in stasis until it's simultaneously resolved alongside the other subplots. It's a question worth asking, just not in this movie. Leave her to communicate only through the book, if she's in it at all, and use the time to start establishing the idea that the girls actually need Sunset in advance of the point where it becomes necessary.
- Flash still <3 Twilight: I don't know why these scenes are here outside of inertia from the first film. They add even less to the film than all the short little bits of fanbase pandering. It's not going to happen, McCarthy. Spend the time elsewhere.
The structure isn't incoherent this time around, but it's overstuffed and doesn't develop any of its ideas, all of which exist in parallel and don't particularly affect one another. Nothing comes to a satisfying conclusion.