Tschumi
Member
thanks for ur thoughtful write up, i had way too much fun enjoying my own spleen to be so measured but i find myself agreeing with all ur takesI genuinely enjoyed the first third of this. Some of the ideas that were being played with, such as nostalgia/memory being its own kind of Matrix and one people willingly enter into and allow themselves to be controlled by, had a lot of potential and gave new context to the fact Neo's journey to enlightenment across the OT was complete, but he was forcibly brought back (by the machine and Warner Bros) and controlled by his devotion to the woman he remembered loving. It wasn't anything nearly as inspired as the Architect (yes, I like the Architect) flipping the entire 'One' narrative around at the end of Reloaded, but it had enough behind it to justify a new movie. Unfortunately, the movie ended up doing nothing with those ideas, kept feeding off nostalgia without recontextualising it, and reintroducing old characters with no justification or consistency with how they previously behaved. The Merovingian turns up looking bedraggled and his entire role is to shout nonsense over a fight scene, then leave. Ostensibly he's showing how powerful programs escaped the purge of the previous Matrix into Neo's (which I feel I don't quite understand), but Smith was already there for that, and bringing the Exiles with him just added bodies into a scene which would have been stronger to focus exclusively on Neo vs Smith standing off again, even if that, too, ultimately contributed nothing (and Smith is nothing like old Smith, and there's no apparent reason for him still to exist).
By the time it got to Neo drawing his power from Trinity, which makes a tenuous sort of sense on the surface - Neo's ability to break from the One's path was always predicated on his unique love for Trinity - but seemingly forgets what the function of the 'One' was in the previous films, as is also the case in suggesting that the One is somehow tied to how the machines draw power from humans (rather than just giving the most independent and rebellious human minds an outlet through which they can be released in a controlled manner without destabilising the system as a whole). I like the entire original trilogy, if sometimes more in concept than execution, and really wanted to like this, but the longer it went on, the more it felt like a meandering, tiresome mess. The editing was also terrible for the action scenes: the great thing about the OT is how the action scenes and actors were so well choreographed and trained that the Wachowskis could let their camera just watch the performers do their thing - The Chateau fight scene might be my favourite action scene of the noughties for that very reason - rather than having to constantly cut around bad technique and staging as is often the case in Hollywood fight scenes. Resurrections had non-stop cutting during the action, and it was frankly depressing: I suspect it might have been because a lot of fight scenes involved multiple protagonists fighting off a crowd, another terrible idea.
Anyway, TLDR, I really, really wanted to like this and it introduced ideas in the first half to at the very least justify its existence in a series which did not need and had no narrative space for another entry. Unfortunately, it did nothing with those ideas and ended up a complete shambles. Wachowski movies are always at least interesting on some level because their ideas and philosophies are so vivid, if absurd at least as often as brilliant, but even on that score, this felt very much like Lana putting something together with no great passion, driven more by a studio ultimatum (as suggested in the movie itself, amusingly) than a need to tell this story and a vision behind it. Having so many of the Sense8 cast showing up was quite amusing, though, if distracting.
i liked Colonel Sanders Presents: The Architect, too.