Christopher
Member
Michael Jacksons invincible is really really good guys.
That album was ahead of its time it needs 4 or 5 songs cut though...
That album was ahead of its time it needs 4 or 5 songs cut though...
I like this one, it's subtle but has groove.And here's the original Slave to the Rhythm from 1989!
https://www.youtube.com/watch?v=D4Bl-kLlcN8
It's a thing of beauty. 0_0
This is hurting me so bad..like I listen to the demo..then the new and im just like wtf did yall just fucking do!?
The cool part about the deluxe album is that you can consider disc 2 as a legit unreleased Michael Album from his artstic peak if you don't like the remixes.
The only misstep for me is the solo version of Love Never Felt So Good. Such a terrible mix, not sure what's going with the sound. But worst of all, the snare/handclaps go out-of-sync with the music in the second chorus. That's some serious amateur hour. Can't believe nobody noticed it before it went to print, considering it's the first track on the album. What a mess.
This is 100% how I feel.I dunno, all the original versions sound like demos. I like all the new versions except A Place With No Name, (the original just sounds like the America song it's based on anyway). Xscape is a massive improvement on the original, the different chords really bring it to life. Loving You is fantastic, I think that's my favourite.
The only misstep for me is the solo version of Love Never Felt So Good. Such a terrible mix, not sure what's going with the sound. But worst of all, the snare/handclaps go out-of-sync with the music in the second chorus. That's some serious amateur hour. Can't believe nobody noticed it before it went to print, considering it's the first track on the album. What a mess.
On what already promises to be one of the years stand-out music events, the 2014 BBMAs raise the bar even higher with a world premiere experience featuring the late King of Pop.
The Estate of Michael Jackson created the spot, which will present the superstar like youve never seen him before.
@BillboardBrasil
Michael Jackson aparecerá, na forma de um holograma, no palco do Billboard Music Awards
Michael Jackson will appear as a hologram on stage at the Billboard Music Awards
Michael Jackson will appear as a hologram on stage at the Billboard Music Awards
Holy shit! Hyped
Holy shit! Hyped
Michael Jacksons invincible is really really good guys.
That album was ahead of its time it needs 4 or 5 songs cut though...
Guys, I can't believe a new Michael Jackson album is out! I want to cry
Chicago is so good <3
Edit: I got something stuck in my eye
I am absolutely loving the new productions. Timbaland did a fantastic job. The beat in "Do You Know Where You Children Are" is essentially Timbo doing the music for an SNES game, and I love it for that.
There will be a performance of some sort of one of the songs at the Billboard Music Awards on May 18th. The performance is described by Billboard thusly:
Well Billboard Brazil's official Twitter account may have let the cat out of the bag on how that will go down (hint: exactly how you're thinking):
Translation:
Yeah, Chicago is great. Maybe my second favourite track.Chicago became my instant favorite on the album and remains as such for now (we'll see if that changes)... I think the song is underrated in this thread.
Yeah Chicago is unquestionably one of the best tracks in the album. It's my favorite track of the album.i met her on my way to chicago
where she said she was alone
and so was i so i asked her for her name
she smiled and looked at me
i was surprised to see
that a woman like that was really in to me
she said she didnt have no man
raised the kids very best she can (she was lovin me)
she told me she was all alone
said dont she didnt have no one (she was wanting me)
she said just give her a break
filthy lie was the go she played
she lied to you lied to me (she was lovin me)
cause she was lovin me lovin me
yeah
i never would have that she was living like that
her words seem so sincere
when i held her near she would tell me how she feels
it felt so real to me
this girl she had to be
an angel sent from heaven just for me
she said she didnt have no man
raised the kids the very best she can (she was lovin me)
she told me she was all alone
said dont she didnt have no one (she was lovin me)
she said just give her a break
filthy lie was the go she played
she lied to you lied to me
cause she was lovin me lovin me
yeah (she was lovin me)
she tried to give a terrible lie (she was lovin me)
lovin me while she was still your wife (she was wantin me)
she thought that lovin me was right
while you at work ad the kids at home (she was lovin me)
she said she didnt have no man
try to get me any way she can (she was wantin me)
she lied to you lie to me
cause she got a family family yeah
why? no, alright
oohhh oohh oooh
i feel
daddada daddada
i didnt know she was already spoken for
cause im not that kind of man
i swear that i would have never looked her way
now i feel so much shame
and now things have to change
you should know that im holding her to blame
she said she didnt have no man (holdin her the blame)
raised the kids the very best she can (holdin her the blame)
she told me she was all alone
said dont she didnt have no one (holdin her the blame)
she said just give her a break
filthy lie was the go she played (holdin her the blame)
she lied to you lied to me
cause she was lovin me lovin me
yeah (holdin her the blame)
she tried to give a double life
lovin me while she was still your wife (holdin her the blame)
she thought that lovin me was right
while you at work and the kids at night (holdin her the blame)
she said she didnt have no man
try to keep me any way she can (holdin her the blame)
she lied to you lie to me
cause she got a family family yeah (secret time for me)
she said she didnt have no man (she was lovin me)
raised the kids the very best she can
she told me she was all alone
said she don't -didn't have no one (she was lovin me)
she said just give her a break
filthy lie was the go she played
she lied to you lied to me
cause she was lovin me lovin me
yeah (she was lovin me)
she tried to give a double life
lovin me while she was still your wife (she was wantin me)
she thought that lovin me was right (she was lovin me)
while you at work and the kids at night (she was lovin me)
she said she didnt have no man
try to keep me any way she can (she was wantin me)
she lied to you lie to me
cause she got a family family yeah
Chicago man, Chicago. So, so good.
my favorite is Chicago. Omg the way he flows into the chorus is unbelievable. No one sings angry like he does. The R and B beat Timbalnd gave is downright perfect. This is a number one hit. Much props to Timbaland. I feel he did right by Mike and his music. This goes to show that he really is the king. That I can go back almost 30 years and still produce musoc better than anything in the past 10 years. I hope the younger generation picks this up. This is real Pop music.
It's really that damn good. *HUGS*
Yeah, Chicago is great. Maybe my second favourite track.
I Xscape and Chicago are some of my favourite MJ songs now.
Yeah Chicago is unquestionably one of the best tracks in the album. It's my favorite track of the album.
i met her on my way to chicago
where she said she was alone
and so was i so i asked her for her name
she smiled and looked at me
i was surprised to see
that a woman like that was really in to me
she said she didnt have no man
raised the kids very best she can (she was lovin me)
she told me she was all alone
said dont she didnt have no one (she was wanting me)
she said just give her a break
filthy lie was the go she played
she lied to you lied to me (she was lovin me)
cause she was lovin me lovin me
yeah
i never would have that she was living like that
her words seem so sincere
when i held her near she would tell me how she feels
it felt so real to me
this girl she had to be
an angel sent from heaven just for me
she said she didnt have no man
raised the kids the very best she can (she was lovin me)
she told me she was all alone
said dont she didnt have no one (she was lovin me)
she said just give her a break
filthy lie was the go she played
she lied to you lied to me
cause she was lovin me lovin me
yeah (she was lovin me)
she tried to give a terrible lie (she was lovin me)
lovin me while she was still your wife (she was wantin me)
she thought that lovin me was right
while you at work ad the kids at home (she was lovin me)
she said she didnt have no man
try to get me any way she can (she was wantin me)
she lied to you lie to me
cause she got a family family yeah
why? no, alright
oohhh oohh oooh
i feel
daddada daddada
i didnt know she was already spoken for
cause im not that kind of man
i swear that i would have never looked her way
now i feel so much shame
and now things have to change
you should know that im holding her to blame
she said she didnt have no man (holdin her the blame)
raised the kids the very best she can (holdin her the blame)
she told me she was all alone
said dont she didnt have no one (holdin her the blame)
she said just give her a break
filthy lie was the go she played (holdin her the blame)
she lied to you lied to me
cause she was lovin me lovin me
yeah (holdin her the blame)
she tried to give a double life
lovin me while she was still your wife (holdin her the blame)
she thought that lovin me was right
while you at work and the kids at night (holdin her the blame)
she said she didnt have no man
try to keep me any way she can (holdin her the blame)
she lied to you lie to me
cause she got a family family yeah (secret time for me)
she said she didnt have no man (she was lovin me)
raised the kids the very best she can
she told me she was all alone
said she don't -didn't have no one (she was lovin me)
she said just give her a break
filthy lie was the go she played
she lied to you lied to me
cause she was lovin me lovin me
yeah (she was lovin me)
she tried to give a double life
lovin me while she was still your wife (she was wantin me)
she thought that lovin me was right (she was lovin me)
while you at work and the kids at night (she was lovin me)
she said she didnt have no man
try to keep me any way she can (she was wantin me)
she lied to you lie to me
cause she got a family family yeah
Listened to the whole album, I don't like it much at all. These songs should not have released like this. The originals aren't that great either. I did like the Michael album though.
Hope it's not a hologram of an impersonator.
LA Times said:Michael Jackson's 'Xscape' feels shockingly vital
From the first lines of the first song, the Paul Anka-penned, "Love Never Felt So Good," "Xscape" confirms that hearing Michael sing "new" material can still be a mystical experience, and throughout the freshly produced recordings the sound of a still-vital spirit rushes into the present with revived energy.
You can hear his breath in the slow-burning "Chicago," about an innocent tryst gone wrong, can nearly touch the quiver in his falsetto during "Loving You." "Blue Gangsta" is pure funk, with a vocal take that's toe-curlingly gorgeous and a conceit that ups the "Smooth Criminal" vibe. That crack of emotion, heard in headphones, races to the pleasure center, while the track's producers, including Dr. Freeze, Timbaland and Jerome "J-Roc" Harmon, build a sonic Robocop to support it.
In fact, "Xscape" often passes the skeptic's test.
Does it swing? Yes. Does it feel like a contractual obligation album? No. Does it honor Jackson's legacy? Yes. Can you dance to it? God yes. Can you mash to it? Certainly.
The product of "album producer/curator" Antonio "L.A." Reid and executive producers Timbaland and Jackson's estate overseers, the release offers sonic holograms of the best possible kind. This is especially true of the Rodney Jerkins-produced title track, which closes the album with robotic glory, and the nearly perfect opener, "Love Never Felt So Good."
...
One measure of this effort's success? Jackson accomplishes something virtually impossible when, during "A Place with No Name," he makes soft rock vocal group America sound funky. A lost-in-the-desert re-imagining of the early '70s song, his demo is utterly surprising, like Frank Ocean turning an Eagles song into his "American Wedding." As updated by Swedish dance-pop masters Stargate (Ylvis' "The Fox," Rihanna's "Diamonds," "Firework" by Katy Perry), the new track thumps with classic hooks and melodies.
Thematically, "Do You Know Where Your Children Are" is less effective at its message than Prince's "Sign O' the Times," and showcases the more tiresome touchy-feely side of late-period MJ, the sweet protector of innocents who moralized on youth troubles and absentee parents with an admirable, if indulgent, righteousness. The original "Slave to the Rhythm" sounds more like a Roger Troutman and Zapp jam than an MJ track, with a gravel and growl that's fierce and convincing. Updated by executive producer L.A. Reid and others, its sturdiness is impressive.
By the conclusion, the producers have posited a future for hologram Michael, one that shimmers with surreality, capturing the idea of artist as cipher, and temporarily blinding us to the truth that his remains are entombed in Glendale. At the same time, "Xscape" offers a chance to once again be whisked back to his creative prime and recall the man before his flaws felled him, when he was untouchable.