superdeluxe
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With 10 days remaining, I don't think they're going to get 300k dollars
And that adventurer's hall is awesome
Review every single kickstarter, they get a huge boost at the end
With 10 days remaining, I don't think they're going to get 300k dollars
And that adventurer's hall is awesome
Regarding real-time with pause vs. entirely turn based..
I think I would be okay with options to pause at start of combat and also pause after every turn in combat.
Those two options would make combat tactical while not impeding exploration and also leave the possibility for the game to be entirely real-time for the people who like to play it that way
What more could we want for stretch goals? Thing is I'd prefer if they weren't too ambitious or this game will take forever to be developed.
$3.5MWhat more could we want for stretch goals? Thing is I'd prefer if they weren't too ambitious or this game will take forever to be developed.
So boss :3 (link's not working for me)
What non-gaming things have inspired you to become a better game writer and also gamer?
Going to see live plays that were made on a tight budget the amount of emotion and lighting they can bring to a scene with a minimal amount of props and effort really makes me think about how you can do the same with modern RPGs. Comic books are another (both reading and writing them). They dont always get the respect they deserve, and the way they unify visual storytelling and writing well, theres a lot to learn there, especially for describing and storyboarding cut scenes and making each line impactful with the right stance, action, and backdrop.
Neal Stephenson (with Snow Crash) is not only a huge host of design ideas on just about every page of his books, but he taught me when it was important to describe something and when it was not theres a end chapter line in Snow Crash that simply says and a car chase ensued. He had no need to describe anything further, that was enough, and it was simple, elegant, and I appreciated he didnt try to force details and action when none was needed. Scott McClouds Understanding Comics to this day makes me understand why its better to have less voice and less focus on ultra-realistic visuals if you truly want a player to empathize with a subject. Sometimes its easier to empathize with a stick figure than a highly-rendered 3D model, and its because the viewer is able to project more of themselves onto an abstract than something someone else has excessively detailed.
Theres more, but most of the rest is gaming related.
What is something you have wanted to implement in a game in the past that you worked on but were never able to before? It could be a scenario, feature, just about anything.
I wanted to have a spell system based on harnessing sound effects you find and create by interacting and exploring your environment (the death howl of a wolf, the crashing of the tide on shore, walking into a forest and hearing the wind whistle through the trees). The mage could then assemble these SFX pieces into new spell combinations to defeat opponents. We tried to do something vaguely like this in Old World Blues with the sonic gun that could be equipped with various SFXs, but thats not exactly the same thing.
Do you plan to implement other worlds, like how it was done in Planescape: Torment?
Our goal with location design is to make amazing locales for the player to explore, much like in Icewind Dale 1 and Icewind Dale 2 (Dorns Deep with the frozen museum, Dragons Eye, the still-enchanted elven fortress of the Severed Hand that was literally a giant citadel shaped like a hand rising from the earth, etc.). Having dungeons like these allow for plenty of diversity among locations even though they all take place in one section of the Eternity world the Endless Paths of Od Nua (which weve described earlier as our mega dungeon) is one such locale, and we plan to do many more locations equally unique and interesting for players to explore.
More races, more classes!
I would like to see some more stuff like the "Cipher", which is pretty much the only "new" class they've introduced.
The Cipher sounds pretty much like a psionic
Personally, I want much more companions. We have too few right now! I don't expect BG2 levels, but two or three more would be excellent.
Is there a place that has a paypal total or do we not know?
Is there a place that has a paypal total or do we not know?
Haven't watched it yet, but Matt Chats are always pretty cool: Matt Chat 167: Josh Sawyer on Project Eternity
Haven't watched it yet, but Matt Chats are always pretty cool: Matt Chat 167: Josh Sawyer on Project Eternity
can't decide whether to completely love or be mildly annoyed that they announced mod tools are already a go as part of the last update. Could have made for an epic stretch goal.
can't decide whether to completely love or be mildly annoyed that they announced mod tools are already a go as part of the last update. Could have made for an epic stretch goal.
Yeah, I love the guy, he's pretty nice, honest, respectful, etc., and he gets really awesome people to talk with him, all the qualities of a great interviewer.Matt Chat is so good, some of the best gaming interviews ever.
I hate Facebook stuff like this, but I already liked them on Facebook soObsidian will add another level to The Endless Paths of Od Nua if they reach 20k likes on Facebook (currently at 5k).
https://www.facebook.com/obsidian?fref=ts
For example, we are looking into the idea that wizards are only limited in the number of times they can cast their higher-level combat spells in a fight, and other spell are castable as many times as you want. As the wizard levels up, spells that previously had a limit can now be cast an unlimited number of times, and the newly acquired spells are the ones with a limit. And we could make similar abilities for fighters, priests and rogues too. In general, we always want to the player to have a choice of what to do with a particular character, and we want those choices to change as the character becomes more powerful.
First off, cooldowns are NOT on individual spells. For any particular spell, you cast it, and when you are done, you can cast it again right away. But one limitation is on spells of a particular level. When you cast a certain number of those spells, in any combination, then the whole spell level group goes into a cooldown, and you can't use any of them until that cooldown has passed. That cooldown is long enough that for short battles, you are limited to casting a certain number of spells for each spell level. For long battles, that cooldown might expire and you can start casting those spells again.
The other cooldown has to do with your grimoire. A wizard may know a lot of spells, but he can only cast a few basic spells plus the ones that are in the grimoire that he is holding. Grimoires vary in size, holding various numbers of spells of different spell levels, and the player is free to load up his different grimoires with spell combinations of his choice. But once combat begins, switching grimoires causes a cooldown for all of those spells, leaving the caster only able to cast his basic spells until the grimoire cooldown passes. This means the player will have to think carefully about which spells he adds to a grimoire and under what situations he would want to switch one for another.
The big difference between turn-based and real-time-pause combat is that in the latter you can have your party take actions simultaneously.
But here's the difference between the two: in Dragon Age, most of the time, I have no idea what the #&*$ is going on. Seriously. Combat begins. My party members go into their tactics. I select one of the foes for my lead character to fight. I start using his special attacks. Meanwhile, there's a cacophony of sound as friends and foes meet each other and cast spells. Colors streak across the screen. My character starts sparkling for reasons I don't understand--am I being affected by an offensive spell, or did one of my party members cast a buffing spell? Sten starts calling for healing but then suddenly he's at full health even though I didn't heal him. Liliana starts saying "trap, trap, trap" even though we're in combat and it's unrealistic to disarm traps. My character is suddenly paralyzed and I don't know why. The screen shakes and I go sprawling against at tree--what hit me? Then, all at once, it's over, and apparently we're all alive.
No, the difference is this
http://crpgaddict.blogspot.com/2011/06/turn-based-vs-real-time-combat.html
I realize not everyone feels like that, but that pretty much sums up how I experience real time combat - I have no idea what's going on. I can muddle through it, but it's just not fun to me.
What more could we want for stretch goals? Thing is I'd prefer if they weren't too ambitious or this game will take forever to be developed.
No, the difference is this
http://crpgaddict.blogspot.com/2011/06/turn-based-vs-real-time-combat.html
I realize not everyone feels like that, but that pretty much sums up how I experience real time combat - I have no idea what's going on. I can muddle through it, but it's just not fun to me.
No, the difference is this
http://crpgaddict.blogspot.com/2011/06/turn-based-vs-real-time-combat.html
I realize not everyone feels like that, but that pretty much sums up how I experience real time combat - I have no idea what's going on. I can muddle through it, but it's just not fun to me.
They update regularily the Paypal numbers on twitter: https://twitter.com/obsidianThey are.
Is there anywhere we can see the PayPal total?
That article really seems to be about DA:O much more then RTwP. None of his complaints are about things that are inherent to RTwP.
Yeah, that's more of an option for when you're trying an encounter after failing terribly a few times.The Infinity Engine games I've played all had those options, though I have to say, the pause after every turn option doesn't work as well as it sounds. Everyone finishes their turns at different times, so it ends up pausing like every two seconds.
No, it's not. Because playable characters in DA:O have way too many short cooldowns, so playing the whole game without any A.I. assistant becomes simply painful and ineffective (you are either losing a lot of potential DPS or pausing the game every TWO seconds to cycle through characters at a frantic pace).That's not even problems with DA:O, that's when playing DA:O with the other characters' automation options on. You can turn that all off and control everyone directly (from the isometric camera) in the PC version, and play it as a real time with pause game... it's the best way to play the game for sure.
$3.5M
Optional Felicia Day voice track for every NPC
$4.5M
Optional Nolan North voice track for every NPC
Not sure what to this about this:
I liked IE games, but they weren't perfect and mimmicking everything so that it feels exactly like them is not a good idea, Eternity should be its own game and the decisions should be made more progressively.
Also, the funding has been steadily slowing down. Wasteland 2 had had some healthy bumps at this point in their campaign, hopefully Obsidian figures out how to attract those who haven't backed them up yet.
New streath goals:
at 4mln $ they will create Planescape Torment 2
at 6mln they will create Arcanum 2
at 10mln they will create Bloodlines 2
New streath goals:
at 4mln $ they will create Planescape Torment 2
at 6mln they will create Arcanum 2
at 10mln they will create Bloodlines 2
If we are going with dreams, I'm all for Darklands 2.PS:T 2 is a horrible idea. Some things are just too great for sequels.
Instead, they should create a Deadlands or a Dark Sun RPG, I'm fine with either.
Man, I hope we can reach the 2.5M goal. I love them Barbarians and Psionics.