Interviewing Tinashe in 2017 is to witness patience and resolve in action. Despite releasing a handful of pop-R&B bangers (the DJ Mustard co-produced 2 On; certified bop Player; current single Flame); a coterie of elegant, so-called alt-R&B jams (all of 2015s Amethyst mixtape); and being hailed by the likes of NME and Pitchfork as the next Aaliyah, her career has unquestionably stalled.
Joyride, the follow-up to 2014s critically lauded debut Aquarius, has sat unreleased by her label since it was announced 18 months ago. Singles have come and gone; various collaborations (Tinie Tempah, KDA, erm, Enrique Iglesias) have barely charted; and here we are, in the belly of the beast, AKA her label RCAs west London offices, quietly fuming. Or at least I am. Tinashe, slowly working her way through an English breakfast tea, has no time for negativity.
Things havent always gone according to my original plan, she says calmly, but thats life, and things change. Any normal person in this situation might want to flip a table in frustration, I suggest. However long it takes, I know I will get to my end goal, she says. Im never going to stop. I will make music forever. To prove her point, the background image on her phone is a generic picture of a Grammy, and it will stay like that until she can swap it for one of her own. Its been like that for years! she screams in mock horror.