this thread has been flopping all week
DIE
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and make it a thread
and make it FORUM WIDE
Flawless queen
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BTW, I think this image pretty much sums up why Rita Ora will always be basic:
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Koren group 2NE1 drags Garbaj through the mud in touring grosses hahahaha
2NE1
NOKIA Theatre L.A. Live
Los Angeles, Calif.
Aug. 24, 2012
$653,716
6,680 /
6,714
1 /
0
$200, $150, $80, $30
Live Nation
Nicki Minaj, 2 Chainz
NOKIA Theatre L.A. Live
Los Angeles, Calif.
Aug. 8, 2012
$453,170
6,300 /
6,864
1 /
0
$99.75, $79.75, $49.75
Live Nation
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Hopefully she's going somewhere she's invited this time.
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please post it <3
It's really helpful, and I think we'd all love it if you kept it up every month!
Flawless Beauty *.*
BTW in the new issue of Rolling Stone there's an article about RED. ADELE's producer is also behind it. Savior is coming for them hits *.*
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Girls, we have ALL failed our faves. We've allowed the US music industry to continue shrinking over the better part of the past decade; now Japan's music industry is larger than our own.
The 11.2 billion dollar industry in 2005 collapsed to just 3.6 billion in 2010. This is bad news, ya'll. The smaller the game gets, the more Perra and similarly safe artists we'll be getting, and I foresee many of our faves getting knocked out of the game altogether. =(
Wait what?
I need receipts for this because last time I checked the US Market dwarfed Japan.
Crazy if true.
The saddest receipts you will ever see...
Page 30 shows the global marketshare each year. RIP our faves
GaGa's emphasis on the Japanese (and broader Asian) market is no mere coincidence. May this be a warning to the local faves to broaden their horizons and stop treating foreign markets for filth. Instead of giving the East Coast its hundredth show, perhaps consider re-routing the investment to other shores.
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And I mean actually giving a shit rather than just passing interest. Pink is another great example of investing time and energy to build a fanbase in foreign markets (and subsequently achieving higher career security). Legends like Madonna and Michael Jackson are perhaps the best example of this global mentality on a multi-decade scale.
I will say, though, that despite Icicle's argument being sound, the problem is more local rather than global. While the American recording industry is suffering, other foreign industries are flourishing (and those declining in absolute measurements are rising in a relative - i.e. market share - sense, like Japan). There's not so much of a loss on a global scale but rather a shift.
tl;dr - some of you will just have to deal with having foreign faves in the future.
GaGa's emphasis on the Japanese (and broader Asian) market is no mere coincidence. May this be a warning to the local faves to broaden their horizons and stop treating foreign markets for filth. Instead of giving the East Coast its hundredth show, perhaps consider re-routing the investment to other shores.
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And I mean actually giving a shit rather than just passing interest. Pink is another great example of investing time and energy to build a fanbase in foreign markets (and subsequently achieving higher career security). Legends like Madonna and Michael Jackson are perhaps the best example of this global mentality on a multi-decade scale.
I will say, though, that despite Icicle's argument being sound, the problem is more local rather than global. While the American recording industry is suffering, other foreign industries are flourishing (and those declining in absolute measurements are rising in a relative - i.e. market share - sense, like Japan). There's not so much of a loss on a global scale but rather a shift.
tl;dr - some of you will just have to deal with having foreign faves in the future.
Girl, the global music industry has been halved in 5 years! That said, the US has seen the sharpest decline, but dis ish affects everybody everywhere!
Commence freakout!
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oop. Let me amend that to something I was thinking while writing that paragraph: there is a loss on a global scale, but there is also a shift in influence. It seems inevitable that America will cease to become the centre of music; rather than local acts being content with success exclusively in America and foreign acts striving to break into the American market, the emphasis will become more global. This might have an adverse effect on American acts as they will lose the inherent advantage of coming from the most influential market, while foreign acts might find themselves flourishing as the playing field (in a relative sense) has become more even.I agree with your overall point (sorry locals), but I would like to point out that there is a loss here. According to the numbers in that report the global market is shrinking. There was, between 2005 and 2010, a global market loss of 9.1 billion - a large chunk of which comes from the US. To me, that's the fascinating thing. Some people would be quick to blame this on piracy, but piracy in the US is on the decline.
It's not so much a shift when the other markets are shrinking as well, even if it is at a slower pace. A shift would imply that global revenue is largely staying the same or increasing.
Yeah, sometimes I click recommended youtubes and end up listening to lots of Romanian 'stars' I've never heard of and actually so much of it is catchy, even if it all sorta sounds the same and they lack the AURA of INNA (who, according to Wikipedia, is also some kind of feminist activist in Romania).
It's beautiful, Aguila-sis. (´ー`┌
Carlysus, No Doubt, and new P!nk in one month is too much. I may also check out The Script's latest struggles.
Stars - The North, September 4
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Pink's album cover is disgusting.
Where is this place?
Gross. That looks like a parody of Brazilian favelas.An apartment building/housing complex called Habitat 67 in Montreal. Here's a better picture.