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Resident Evil: Retribution |OT| Complete. Global. Saturation. Now in 3D!!!

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Kusagari

Member
This was atrocious. I honestly don't remember enough about the first 3 to judge it against them, but Afterlife was definitely better.

The first 30+ minutes of the movie were boring, worthless dribble. First the dumb slow-mo opening, then the pointless recap, then we zoom back into the slow-mo and then we get that dumb Dawn of the Dead ripoff dream sequence. Also the various "haha this is based on a video game" nods weren't clever and instead just felt forced and stupid.

Only thing keeping me somewhat entertained was the fact that all the main chicks are hot.
 

Mr_Zombie

Member
IMO Extinction is by far the best, it's the only one that feels like a movie to me. The second one and particularly Afterlife feel like... some kind of weird tech demos somehow. The first movie is just fucking crap to me although I realize many people for some reason think it's the only decent one.

The first movie felt the most competent to me. It actually had a storyline, a bunch of characters that had a purpose of being there and weren't incompetent idiots, actual tension and no over-the-top cartoony villain. And it had awesome ending. Destroyed Raccoon City, burning cars, dead bodies everywhere. Just a great set up for the sequel.

However, the moment they gave Alice super powers was the moment the series went down. Just look at Apocalypse. The beginning of the movie was actually decent (the editing was still crap, though), but then Alice crashed through the window and the whole thing turned into mess.

Exctintion would be good if it wasn't for the nonsensical plot (even by RE standards, a virus made all water to dry? really?) and a plot full of tropes (hey, I was bitten but I won't tell anyone; this sure won't turn bad later on, right?).
 

TUROK

Member
Shitty would be too nice of a word to call this.

The action sequences were boring (oh hey, a bunch of unrealistic flips in slow motion, that's fun), the acting was some of the worst in any Hollywood movie, and the humor was just awkward.

Also, poor Kevin Durand. Dude is such an awesome actor, and could have been a great Barry Burton, but he seemed off in this.
 

Evolved1

make sure the pudding isn't too soggy but that just ruins everything
wut? you got to be kidding? sienna guillory is ace. Apologise and repent for this blasphemy!

I think she's a terrible Jill... but I guess that goes with the theme of the movies.
 
These reviews more-or-less express my reasons for loving this franchise and this entry in particular.

http://www.slantmagazine.com/film/review/resident-evil-retribution/6508
Jaime N Christley of Slant Magazine said:
Ever since the rabbit-season/duck-season, push-me-kill-you montage that kicked off Resident Evil: Afterlife, series creator Paul W.S. Anderson has thrown onto the field whatever flag is supposed to indicate that he harbors no illusions that the series will ever again reacquire linearity—assuming it ever had it to begin with. Only a few values seem to concern Anderson: endless pleasure through endless bone-crunching mayhem, balletic ass-kicking, abstract visual design, and photographing his wife and muse, the always extraordinary Milla Jovovich.
That's why Resident Evil: Retribution brooks no dissent regarding its innate pointlessness. These people, these last remnants of humanity, are never going to catch a break from the all-consuming apocalypse, or the Umbrella Corporation that ignited the end of days—no more, anyway, than Wile E. Coyote or Doctor Doofenshmirtz are ever going to be able to quit the Road Runner or Perry the Platypus, respectively. Like the new self-aware-computer-controlled Umbrella, the series is now self-powered, and its spiral momentum is perpetual.
This necrotically beautiful film, shot with the Red Epic camera and edited with nimble grace by Anderson's regular cutter, Niven Howie, opens by walking backward through the sea-air massacre that must have followed the last installment's cliffhanger. This sequence and the two that follow indicate nothing less than a willful break from correct Hollywood storytelling and audience-pampering protocol: Alice is a witless suburban homemaker living the identical zombiepocalypse that kicked off Zack Snyder's Dawn of the Dead remake; and Alice is a tissue-clad detainee, tormented by an omniscient Umbrella henchwoman. At times, this long, three-stage passage, which is either wordless, or its dialogue consists of trifles or mesmerized repetitions, exudes a kind of anti-story hostility on the order of maladjusted Japanese master Seijun Suzuki(his Pistol Opera in particular).
Suzuki famously kept Nikkatsu president Kyusaku Hori in a state of perpetual exasperation, eventually to be fired precisely at the height of his ongoing punk war against every normative setting in Japanese narrative cinema. Anderson seems to be his own boss these days (and even if he isn't, he works with smart budgets; Retribution's production cost is the equivalent of about 20 minutes of Avatar), and his movies feel, fittingly, very, very free.
All right, the script has to erect some kind of easy-bake premise, some foothold for the audience to grab onto. When it's about halfway over, Anderson introduces a squad of gung-ho commandos on some vague mission to infiltrate Umbrella. In professional-wrestling parlance, old enemies have turned face, and old friends have turned heel. There's a big bomb, a timer, and a large beastie with an eight-foot tongue. The script and select images loudly proclaim their inheritance from movies like Inception, Aliens, and The Matrix. But if Anderson is at all working from a master text, it's got to be the series finale of Lost, with its madcap, oddly touching reunion of series regulars, past and present, the dead mingling with the living, connections vaguely re-forged or severed clean.
At this point in the franchise, Anderson is content to alight the saga on a perpetual rewind loop, ever-ending, ever-rebooting, all subsidized by his nonpareil compositional sense, and the good sense he has to quash his own dialogue (which, let's not kid, he's no Ibsen) with nonstop movement and fury. He's cast aside even the pretense that closure is forthcoming, opting instead for the zombie world without end, forever and ever, amen. And who can blame him, when his conditions produce loving portraiture of death goddess Milla, and you're never five minutes in any direction from a pitched battle between the immovable Alice and the irresistible army of the mutant undead?


http://www.efilmcritic.com/review.php?movie=23723&reviewer=389
Peter Sobczynski of ecritic.com said:
The "Resident Evil" films have never had much use for such archaic concepts as plot, character or dramatic tension but with "Resident Evil: Retribution," the fifth installment of the long-running series inspired by the equally popular video game brand, the franchise completely slips the surly bonds of commercial filmmaking requirements to offer viewers a work so completely removed from lucidity or linearity that if it bore the signature of Luis Bunuel or Seijun Sezuki instead of that of Paul W.S. "The Other Master" Anderson, it would be celebrated on the pages of "Film Comment" or "Cahiers du Cinema" as a masterpiece of experimental cinema. (In a perfect world, it would be highlighted there nevertheless, but never mind.) In other words, I liked it a lot. Of course, by making that admission, I realize that a good number of potential readers have decided that I have lost my marbles and have fled to study the words of saner and soberer minds. Frankly, I don't entirely blame them but for the hardy souls like you who have decided to stick it out, let me see if I can properly explain my enthusiasm.
Taking place before, during, after and occasionally parallel to the events of the previous episodes (you'll see), "Retribution" finds the seemingly indestructible Alice (Milla Jovovich) on yet another adventure that finds her doing battle against the endless hordes of mutated zombie that have overrun the Earth thanks to the depravations of the malevolent Umbrella Corporation while searching for fellow survivors and/or safety. Although the ads suggest that the action will be taking place all over the world this time around, it turns out that her trek only consists of a couple of underground sound stages designed by Umbrella to resembles places like New York, Tokyo, Moscow and other places that could help bump up the international box-office take. As Alice makes her way from place to place, the backgrounds change so abruptly (a laboratory door opening into what appears to be downtown Tokyo) and presumably dead characters from earlier installment turn up with such frequency that the proceedings take on a hallucinatory edge that made me wonder if Anderson had actually designed the film to be a feature-length homage to the classic Chuck Jones cartoon "Duck Amuck," in which Daffy Duck was driven to distraction by the shifting surroundings supplied by a sadistic and largely unseen animator--I kept hoping that in the final shot, the camera would pull back to reveal Luc Besson at an AVID machine remarking "Ain't un salaud je ?"

The movie is, of course, one of the most preposterous things ever put on a movie screen and if I had even a modicum of shame or a tenuous grasp on my critical faculties, I would decry it has incoherent junk more in need of a Ritalin prescription than a cogent analysis. My guess is that there are plenty of critics out there who will be more than willing to do such things and while I most likely cannot disagree with their observations with a clean conscience, I cannot support them either because I was having too much fun watching it get especially upset with its blatant idiocies. Look, the "Resident Evil" movies--and "Resident Evil: Retribution" certainly falls under that heading--are big-screen junk food meant to appeal to the 14-year-old boy inside us all with its cacophony of ear-splitting noise, CGI gore, big guns, tiny dresses, fabulous-looking babes and a screenplay that contains less dialogue than the average Terrence Malick film (and of that, roughly 50% consists of expository ejaculations and the other 50% consists of the characters repeating said ejaculations so that no one in the audience gets confused).

While this kind of base cinema can be pure torture in most cases (such as the wretched "Underworld" films), I have a soft spot in my heart or head for the "Resident Evil" films that they keep hitting nearly every time. Part of this is because the films seems to have a healthy sense of their own inherent silliness and play up to it in ever-inventive ways--while I would be willing to suggest that any movie of this type might come up with the concept of Stalinist zombies chasing our heroes on a fleet of motorcycles through the streets of fake Moscow, only this film would dare add the lunatic touch of ensuring that all the cyclists were wearing safety helmets. Part of it is because while the fight scenes consistently defy the laws of logic and physics in ways that might even raise eyebrows within the Texas school system, they are such a gorgeous riot of sound and image that the entire film could be put on a constant loop in a trendy art gallery and it would seem perfectly at home in those surroundings. A large chunk of it is due to the magnetic screen presence of Milla Jovovich, who kicks, jumps and struts her way through the proceedings with a kind of droll panache that is just as fetching and alluring as the two thin sheets of paper that make up her entire wardrobe for several minutes of screen time. More importantly, unlike Kate Beckinsale in the "Underworld" films (not to beat up on those clinkers once again), who goes through her paces with a palpable sense of condescension towards the material, Jovovich still seems to be having fun with the material and that feeling can be sensed by the audience as well.

As much as I love "Resident Evil: Retribution," there is one aspect to it that even I cannot quite justify and it is one that has long plagued the series as a whole--the films always conclude with wild cliffhangers that promise far more than Anderson is willing or able to deliver. The opening does take up pretty much where the previous installment left off, with an gigantic air-sea battle but after a few minutes, we are back to the usual skulking around factory-like setting filled with smoke, steam and hallways that hordes of the undead can race through at a moment's notice. And yet, once again, it concludes with an image that, while as nonsensical as anything else on display, is undeniably arresting. However, when "Resident Evil 6" comes out (and considering how successful these things are around the world, that is pretty much a fait accompli), it will almost certainly abandon yet another promising conceit for more of the same old silliness. If it does stick with it, though, the end results could be enough to make the rest of you as giddy about these films as I clearly am and prove that maybe I am not as crazy as I sound.

Many critics like to talk about so-called "guilty pleasures"--films that they cannot justify enjoying on any other grounds than the fact that they enjoyed them. I don't particular subscribe to this type of thinking--perhaps it is the lapsed Lutheran in me that cannot ascribe the concept over feeling guilty for liking a film deemed to be less than worthy by the guardians of taste--but if I did, the "Resident Evil" films would my guilty pleasures. Right now, there are a number of good films that are either currently in release (such as the inexplicably neglected "Premium Rush" and "Cosmopolis") or just about to drop (such as the other Paul Anderson's stunner "The Master" or the equally audacious sci-fi epic "Looper"). "Resident Evil: Retribution," on the other hand, is a film that has been pretty much for no other reason than the fact that the previous films all made tons of money for Sony Entertainment and a new one is virtually assured to do the same. And yet, despite the admittedly less-than-noble reason for its existence, it still manages to be marvelous fun for those with a taste for the ludicrous, a sense that I hope and pray that I never lose.


http://www.villagevoice.com/2012-09-12/film/resident-evil-retribution/
Nick Pinkerton of The Village Voice said:
Most action filmmakers are lucky to generate as much sheer razzle-dazzle in the course of an entire movie as Paul W.S. Anderson gets into the first five minutes of Resident Evil: Retribution, running the opening set piece in voluptuous reverse slow-motion, with spent shell casings leaping back into pistols and shock troops slurped skyward by helicopters. The fifth entry in the Resident Evil franchise and the third directed by Anderson—one of the few filmmakers who makes 3-D worth the glasses rental fee—Retribution 3-D picks up where 2010’s Afterlife 3-D left off, with Milla Jovovich’s Alice in a pitched battle with the insidious Umbrella Corporation’s forces. Captured, Alice awakens in one of those underground compounds of which Anderson is hopelessly fond, a proving grounds test facility made up of “stages” through which she must escape by passing through a series of one-upping trapeze-act combat numbers toward a rendezvous point with allies. A submerged world of soundstage set pieces populated by rudimentarily human cloned dummies, Umbrella’s universe is essentially that of Anderson, whose lavish visual imagination is matched to a placeholder idea of character that’s almost avant-garde in its generic stylization, dialogue buffed of personality by passing through 10,000 previous movies. Diagramming every revolution of Jovovich in wheeling and whirling action, however, Anderson is pitch-perfect when singing the body electric, and it’s impossible to call any movie whose finale incorporates nuclear submarines and a zombie feeding frenzy in arctic waters less than a triumph of the human spirit.
 

RS4-

Member
I'm not sure where to put this in regards to the series, I don't think its up there with 1 or 2.

But yeah the first what, nearly 10 mins were lame. Didn't really like the Suburbia thing either. Should've kept Barry around.

But Guillory :eek: and I didn't know what to expect for the ending, so its something to look forward to!
 

cj_iwakura

Member
I always liked W.S. Anderson's filmmaking style. (Ironically, PT Anderson's one of my favorite directors too)

Mortal Kombat was amazing, and he hasn't disappointed me since.
Never did see Death Race 2000 though, I have some limits.


And yes, I loathe Gullory. She couldn't act her way out of a paper bag.
 

Oersted

Member
another lazy cash grabbing entry in the series. laughable ripoffs from other movies, wooden actors with nothing to say and nothing to involve you emotionally. and that leon... are they even trying?
 

Kagari

Crystal Bearer
Not as good as Afterlife but still another highly entertaining entry in the Resident Evil franchise. Thank you, Paul.

Really liked this song from the opening too.

http://www.youtube.com/watch?v=EcR1S-NOzLQ

I'm glad they went with the same composers again. The opening music to Afterlife is equally great.

Thought about it some and I'd probably rank the movies something like this:
1>4>2>5>3

Though I need to rewatch Apocalypse again, haven't seen it in years so I don't remember a lot of it.
 

Plissken

Member
Just came back from this, I thought it was better than the last 2 overall. At this point, these films are like KFMDM albums for me; I know the formula will be a copy+paste of the last one with a few guest stars, but I can't help myself. I know in the end I'll be entertained, and I was. Barry was cool (
went out like a boss
), Leon and Ada were adequate, Jill was hot, and the returning characters were cool to see, even if the way they came back was contrived.
 

- J - D -

Member
This is it. This is the point of no return for the series. I think Retribution is, finally, the film in the series that completely drops the flimsy pretense of realism, stakes, and narrative that existed to varying degrees in the previous four films. This is finally the film that accepts what it is: an over-the-top cheesy action schlock-fest. Prior to this, the series flirted with the schlock while keeping within the structure of what people usually consider a film. Remember when the series had some initial semblance of being grounded thrillers that built up to the crazy shit slowly? Someone said that Extinction felt the most like a "movie". Well, I'd give that distinction primarily to the first film, but Extinction tried, as well. I think the signs were there. Sure, we looked past the parts in Apocalypse with Alice running down the side of a skyscraper and karate-chopping the shark (or Nemesis, whatever). In Extinction Alice had wild telekinetic powers, but it was okay because its use was limited and subsequently thrown out in the next film. You could even make a similar arguement of Afterlife if you ignored the bat-shit crazy opening sequence, in which Alice walks away from a plane crash unscathed. But Retribution just lets it all hang out: numerous desperate call-backs to previous films, clone factories, zero-stakes car chases, no new enemies but bigger/twice the number of old baddies, gun-toting zombies (fuck you, RE5), car-driving zombies (fuck you, RE5), an increased amount of slow-mo wire-fu, and an incredibly drawn-out and hilariously unnecessary final battle in which the hero walks away from certain death with relatively minor injuries while the villain is taken out in the most ludicrous of fashions. There were
swimming zombies
, for pete's sake. MY LORD.

Oh man, this movie is so bad. It is so good.

The acting is terrible, the main protags aside from Alice have practically no depth whatsoever while the ancillary cast of characters, some being familiar faces, come and go with barely a hint of an afterthought. Oh, Oded Fehr, they gave you nothing to work with. Remember when you were Gigolo guy? Michelle Rodriguez was given a tiny bit more to do besides snarl and shoot things, fortunately. Leon Kennedy, why do you look like Woody Harrelson? Ada Wong, did you learn your lines phonetically? Barry Burton, I can't remember if you had any lines. You went out like a champ, though. Jill Valentine, the 'shoot-glowing-weakness-thing' on your chest could use more protection. At least zip up your jumpsuit some, it's cold out.

The locales are very reminiscent of a video game progression of disparately themed levels. Really, the segmented domes of this new Umbrella base is very much like an old school video game's themed areas, with a central hub of sorts to connect each place; the geography-based, non-elemental equivalent of 'lava level, water level, ice level, boring level' and so on.

The plot? What plot? Escape from evil science base again, Alice, because we need you for something something...hold on this time there's a car chase sequence inside the Umbrella base! Who needs new villains? We have a giant licker and TWO axe-wielding majinis!

I was almost fooled during the first 15 minutes, where I thought Anderson had something genuinely interesting in store for us. The low-key open leading into a slow-mo reverse action sequence was pretty cool. I went in knowing about the
clones
, but I wasn't sure what to expect from the scenes featuring Alice in suburban bliss. Well, my curiosity was short-lived, once they kicked things into HIGH-GEAR, I turned off the part of my brain that modulated logic and expectations.

By the time we see
Wesker
casually sitting in the
President's oval office
, I had already given up wondering if I was dreaming.

You know, a while ago I made some rather snide remarks regarding the RE games becoming the interactive equivalents of the RE film series, but Retribution has taken it up a notch. The games have become what the movies were -- at least they have a semi-logical progression of story beats. The movies have ascended into some weird heaven where straight-to-dvd films are reincarnated as stuff like this.

Will there be another one? I hope there's another one.
 
Pretty bad but entertaining

Acting was horrible =/

And I've only played part of REmake and Code Veronica so I can't compare to the games
 
I fucking loved this movie..

Me and my friends were planning a marathon of all four films, but unfortunately we only had the time to watch the first film and then just decided to go watch Retribution in theater. Every time the Licker was onscreen in the first movie, we laughed our asses off cause the CGI was so bad. So seeing it again in Retribution was awesome as the CGI was actually pretty decent. I loved the opening. The slo-mo was neat, but it was that amazing music that really got me pumped up. The soundtrack to this movie was great.

Milla and Sienna were so gorgeous in this film, it's not even funny. I pretty much just watch these movies for the pretty leads, the ridiculous and ludicrous action, the music, and WESKER! I wish Wesker had more to do, but him essentially being
President of the United States
was hilarious and awesome. Wish Fehr had more stuff to do, I remember liking him back in... Apocalypse? Rodriguez played Stock Rodriguez again, but I liked seeing brief glimpses of domesticated Rodriguez, hahaha. The return of the
Red Queen
was pretty fun too, as that was a pretty good callback to the first film.

Barry was awesome. Semi-sleazy Leon less so. Ada was... meh. God, this film was so ludicrous. I love it.

Love the outfits Milla and Sienna wear.

resident_evil_retribugak6k.jpg

hr_resident_evil-_reteok7g.jpg


Anyone else catch the sexual tension vibe between Alice and Raine? Saw bits of it in the first movie and this one.
 

Jerrod

Member
I was seeing these movies because they were fun to laugh at and make fun of, and then the last one actually had good 3D effects, but this one was just terrible. I was just cringing the whole time and I didn't think the 3D was very good. I won't watch any more of these unless Wesker is heavily featured because he is the closest to his video game counterpart and does a really good job of being Wesker.
I'd vote for him.
 
Why does Jovavich still do these films? It's not like she's an incompetent actor. I've seen her in other films and she's decent when the script is gppd.
 

Christopher

Member
I just don't understand what's the point left with these movies? Extinction pretty much killed it when they destoryed the world...at least with the Capcom games, theres still some survival left.

There's still some kind of hope outside the contaminated areas. This is just shit. I love how their just happened to be an outfit for Alice to wear in that Umbrella Labratoy too...oh here you go! Guns too take these!

Also the on and off again Super Alice ...I rolled my eyes at the end so far in back of my head. Trust me I can enjoy a mindless action film, but where the fuck are these films going..? There's no storyline...there's no one outside Alice to give some kind of linkage to the other films...

Ironically the best parts in the movie were the suburb parts where Alice was the housewife...now that was intense, and what the second film shoulda been like.
 

jason10mm

Gold Member
It was soooooo bad. Everything was so static, way too much slo-mo. Jumping and spinning in slo-mo is just so excruciating to watch over and over, the fight scenes got boring. Maybe I've just seen too many dynamic and kinetic Asian films since 2002. Compare the endless fights in The Raid to RE5. The film is locked in the past, and not in a good way. Expendibles 2 was very similar, just guys standing around sweeping guns at faceless bad guys who fall over in droves, but at least that film had fun and the acres looked to be enjoying themselves. Aside from Michelle Rodriguez no one even cracked a smile in RE5. They need to hand over RE6 to an Asian director or one of luc bessons guys who can choreograph a fight scene and make it interesting. No shaky cam though, we can at least be thankful for that.
 

Chamber

love on your sleeve
Why does Jovavich still do these films? It's not like she's an incompetent actor. I've seen her in other films and she's decent when the script is gppd.

The cast always seems to have a good time on set. I would imagine making a cheesy zombie/monster movie filled with special effects is pretty fun.
 
Worst movie of them so far. Also, toooo much dub step on the movie. Almost teared my ears off. Some action sequences were OK, not good but OK. And script was cheesy as hell. Ada Wong reactions looked like they didn't fit in the movie cause she was acting like a Japanese movie. Stepped out disappointed. Next movie will watch when its released in DVD or Blu-ray.
 

judhudson

Member
It was a fun movie, I loved it, and I also enjoyed the previous films. Its just a fun popcorn flick where you shut off your brain for an hour and a half and watch Milla Jovavich kick ass.

I am highly anticipating the 6th one, the end of this movie was awesome. Kind of makes me wonder how they'll go from there though. I mean,
the whole world is turned to shit and monsters everywhere.
 

Kagari

Crystal Bearer
Worst movie of them so far. Also, toooo much dub step on the movie. Almost teared my ears off. Some action sequences were OK, not good but OK. And script was cheesy as hell. Ada Wong reactions looked like they didn't fit in the movie cause she was acting like a Japanese movie. Stepped out disappointed. Next movie will watch when its released in DVD or Blu-ray.

What?
 
It was a fun movie, I loved it, and I also enjoyed the previous films. Its just a fun popcorn flick where you shut off your brain for an hour and a half and watch Milla Jovavich kick ass.

I am highly anticipating the 6th one, the end of this movie was awesome. Kind of makes me wonder how they'll go from there though. I mean,
the whole world is turned to shit and monsters everywhere.

May as well complete the insanity and include time travel.
 

anaron

Member
I'm genuinely thrilled this movie exists solely for the fact that a new commentary with Michelle & Milla will likely be produced.
 
It's weird to me how down some of you are on the flick. Yes, it is silly and frequently inspires laughter, but that does not make it bad.

Enjoy the series but this was probably my least favorite one. It just seemed to have an odd pace to it. There was two great action sequences but everything else, I dunno just seemed off. Lot of the action scenes were really static with so many shootouts with nothing going on. There is three long sequences of bunch of characters just standing around shooting back and forth without any real action going on, just back and forth popping out of cover going pew pew. Which was odd seeing how usually the action has more set pieces and flair, but these long shootouts seemed to just be there to increase run time?

Moscow shootout with las plagas russian troops, they go back to this scene like 3 times and each time it's the same pop and shoot with characters standing in the same spots. Then you have the suburbs house shootout with the characters just doing the same back and forth pew pew and it goes on for some time. Then the really really long one was near the end with the hallway before the bomb goes off. Big shootout, some characters leave, yet they keep going back to those left in the fight. No one changes positions or anyhing, just popping in and out, then more characters leave, to only come back later again for even more of the same. They just keep streaming umbrella guys in to get shot and the main characters popping out to shoot back and forth. Swore they reused footage in some of these shootouts too.
 

Kagari

Crystal Bearer
Anderson said he was going to originally shoot 5 and 6 back to back. I think that's really evident with the way Retribution was set up - definitely obvious filler.

I was rewatching Extinction earlier and I still put it as my least favorite entry in the series. Somewhat like Retribution... it just doesn't go anywhere. That, and the whole desert environment is just boring. I think "killing off" most of the world in that one was probably a big mistake as it's really limited where they can really go from there.
 
Imagine if it turned out that Anderson and Nolan were the same person and all the RE films are just one big Inception for Milla's character, a suburban housewife in the real world that is trapped in a dream world.

Wait, that's Total Recall.
 

Evolved1

make sure the pudding isn't too soggy but that just ruins everything
Alice is Wesker. She is everyone.

You see... this entire time she's been in a coma. The rest of the world is still alive and well. All the while, Alice sleeps, and her extreme narcissism manifests itself throughout her subconsciousness.

This is why characters are paper thin. Why the impossible happens. How inconsistencies can be explained away and why ham-fisted, extraordinary coincidences become routine. She is the center of the world, the most important part of the story, and everything else exists as fodder to demonstrate her superiority, or to witness her super human ability.

Of course, this world is all twisted, bizarre, and macabre, because deep down she knows she's very sick.
 
Alice is Wesker. She is everyone.

You see... this entire time she's been in a coma. The rest of the world is still alive and well. All the while, Alice sleeps, and her extreme narcissism manifests itself throughout her subconsciousness.

This is why characters are paper thin. Why the impossible happens. How inconsistencies can be explained away and why ham-fisted, extraordinary coincidences become routine. She is the center of the world, the most important part of the story, and everything else exists as fodder to demonstrate her superiority, or to witness her super human ability.

Of course, this world is all twisted, bizarre, and macabre, because deep down she knows she's very sick.

Oh, Alice...

how much further down the rabbit hole will we go? Maybe Wesker's her chief physician, which is why she villifies him so much.
 

Kagari

Crystal Bearer
The whole series will be revealed to be a simulation designed to deliver Alice to Wesker.

Somehow I could see that happening.

Speaking of simulations...
is the beginning of Afterlife from the Umbrella Prime simulation now or what? I'm so confused.
 
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