Where are the Marvel movies?!?!?
Too fucking high.edit: wow interstellar is at 76% with an avg. of 7.1
2013, dude.
Edit: I'm surprised Dallas Buyer's Club is not there I:
Snowpiercer was garbage, shouldn't even be on there.
I'll never understand why snowpiercer is rated that highly. I liked it but it's a solid B movie at best
Snowpiercer...I'm just not in on the joke. Movie was thoroughly mediocre.
Surprised and unhappy to see Snowpiercer there.
Snowpiercer sucked so bad.
Maitiú;145917313 said:I'm adding myself to the list of people confused about the adoration of the half-baked Snowpiercer.
Snowpiercer also had the worst acting ever.
I have no clue why people say Chris Evans was great in it. He only had one expression in the entire movie. He was very monotone and boring.
Winter Soldier Chris Evans was 100 times better.
It was pretty bad, and exacerbated worse by all the fucking blog hype over the Weinstein controversy. "Harvey Scissorhands is going to cut up one of the greatest original sci-films in years!!", give me a break.
LEGO movie is extremely overrated.. or maybe I'm just not the target audience.. although i do enjoy animated movies a lot...
It was just too loud and colorful for my taste.. and the animations just put me off..
Can you read?
You said Marvel, not MCU. Plus if you would have read the thread you would find out they were just outside the Top 20.X-Men is not MCU.
Where are the Marvel movies?!?!?
Boyhood is legitimately one of the worst films I've ever seen.
You said Marvel, not MCU. Plus if you would have read the thread you would find out they were just outside the Top 20.
I'm asking why they are not in the top 10.
Because there were not good enough. Look at the % next to the movies in the link in the OP...Does this really have to be explained to you?
I know, I'm just expressing my horror that they are not top 10, personally they would be in my list.
If the lego movie doesn't win best animated film, comedy, and original song at the oscars. I'm going to be slightly upset.
It looks like a very generic white heterosexual male coming up story, and henceforth, I feel no connection to it at all. Nothing extraordinary or appealing (to me) about it.
You seem to care. You keep going out of your way to let them know how wrong they are.News flash: there are movies besides comic book movies. Nobody should care that GotG didn't make a list of critics favorites.
Where is The Raid 2?
I'm a white heterosexual male that enjoys a lot of LGBT themed cinema. Off the top of my head, the recent work of Xavier Dolan comes to mind. I don't feel much of a personal connection to that subculture, but that doesn't mean I can't empathize with the characters and their stories. Besides, I love the idea of escaping into a world that doesn't quite fit with my own subjective reality.
To reduce the subtleties of a complex work of fiction down to race, gender, and sexuality is a pretty silly thing to do... It's slightly off-putting that you'd admit to dismissing a film for those reasons.
I think you just validated the point though. to you the LBGT world is escapism. to everyone else, that white heterosexual male perspective is not escapism. it is the norm.it is what it is portrayed everywhere already.
imagine you want to consume as much diverse media as possible. Dismissing the movie like boyhood is fine, because you will consume this type of media whether you want it or not, if you haven't consumed a lifetimes worth already.
you find it off putting? Get over it. Privilege 101
Boyhood is escapism for me, too. There are all sorts of things about that movie that aren't unique to my own circumstance. Beyond that, there's something universal in experiencing the feeling of "growing up". Re-living that feeling is escapism, as well. For me, it was the best "escape" I experienced in the cinema this year. "Consuming as much diverse media as possible"? Like the other poster, your reducing Boyhood in a really shallow sort of way.
Privilege 101? That's a pretty fucking stand-offish attitude to take here. I'm trying to de-politicize an attitude towards a movie that has nothing political about it. You're trying to put the film into a ridiculous little box based on the race, gender, and sexuality of the character. It's... really weird. I don't want to put words in his mouth, but when Evilore said "culturally incompatible" at the beginning of this thread, I think he was being at least partially facetious.. but if you want to dismiss Boyhood and pull the "white privilege" card at somebody who's trying to argue that there's something universal about the film, knock yourself out.
To me, that's the limited perspective.
Boy, does this page demonstrate how few people understand how this list was calculated.
Where is The Raid 2?
1. Boyhood
I hope it was with darts at a board, or an equivalent. Yeesh.
All the negative comments about Snowpiercer confirm to me the movie's strengths. It's raw, rough, dirty, like original, interesting sci-fi movies used to be. Plot holes? Sure. A cartoony reality to it and the characters? Yes, this isn't social realism set in the future, it's a play with symbols and personalities, scenarioes, jokes. It's got some of the most interesting visuals in recent sci-fi with its practical sets, great action scenes, a hugely ambitious scope, some grit and dark humour. If it's flawed it's only because it dares to jump in with both feet and man I wish more sci-fi and action films follow suit.
If the axe fight to you is a great action scene, if a movie based on a handful of train cars is "ambitious scope", if the revelation that the protein bars are made ofis somehow dark humor, and if that ending didn't make the eyes roll out the back of your head, I don't know what to tell you. The movie carries nearly every trope of dumb Sci fi and reviewers fell over themselves to praise it.animal matter
I honestly can't fathom this reviewing better that the Raid 2.
I'll take this chance to plug Critics Top 10. Every year this site ranks movies by the number of appearances on end-of-year lists. It's a pretty comprehensive overview of the year's most acclaimed films (the site does the top 50 movies).
I'll take this chance to plug Critics Top 10. Every year this site ranks movies by the number of appearances on end-of-year lists. It's a pretty comprehensive overview of the year's most acclaimed films (the site does the top 50 movies).
The entire list ranking RT aggregate scores of every movie is "irrelevant" because three superhero movies weren't ranked the way you wanted them to be.
Sometimes I wonder if people on GAF OT watch anything other than superhero flicks. You guys do know there's a shitton of other films comjng out each year, right?
I'll reply to you because of the Seinfeld avatar.
I think it's unfair to categorize someone who enjoys superhero flicks as someone who only watches superhero flicks. You got to this conclusion because you assumed these were my favourite movies of the year, while my implication was that since these two movies were miles ahead of X-men, it doesn't matter if this list is a result of an aggregator or a college of worthy reviewers, IT IS a shit-list. To me.
I watch all sorts of movies: Japanese movies, Korean movies, documentaries, us independent movies, I watch tv-show like Knicks, and Madmen and Masters of Sex and haven't touched a single episode of Agents of shield. And while I like Arrow, had I been God and had to decide between Arrow not getting a fourth season and Hannibal getting a third, I would kill all the actors and the cast of Arrow with a biblical flood.
As for why my preference goes to Cap and the Guardians, here it goes.
I loved First Class. The action wasn't as good as I expected but it was a movie that I loved dearly. I never really liked Xavier until I saw this movie: I enjoyed his weird relationship with Mystique, I understood his willingness to try and placate Magneto because of the good Charles saw in him, I like how sleazy he was presented at the start of the movie.
I still listen to this movie's soundtrack. I still haven't watched it a third time because the ending was so heart-wrenching. Both times I saw it, I connected my personal life to Xavier trying to save his friend from himself and from the rage he couldn't control.
It was a significant movie because it wasn't about the effects, it wasn't about motherfucking everpresent Wolverine, it wasn't structured on clues to a possible trilogy: it was a good movie, plain and simple. It was a great story, with X-men fitted in and not the other way around.
So. Days of Future past wasn't a good movie. It's an emotionless sequence of retcons, cameos and more motherfucking Wolverine. Magneto was back to its '80s comic book persona. Charles and Magnus are now together again after years of complete opposition but they don't have a single conversation to close the divide that was created at the end of First Class: this was a sequel, it should have had an emotional/narrative continuity with its predecessor. Dinklage doesn't have a single moment of glory in the entire movie, in spite of being the force driving the entire plot: no cool monologue, no sympathy for his hate towards mutants. There's no story. There's just a bunch of special effects and plot fixes. The movie is boring.
Winter Soldier should be in that list out of the quality of its action ALONE. When you add in the fact that the movie also takes pop-shots at military policies, while pretty much deconstructing Captain America as a symbol of culture supremacy and transforming him into a real hero in such a way they wished they had done that in the first movie, and if you think at how violent the movie is without showing A SINGLE DROP OF BLOOD, well that makes impossible for me to compare the two in any way, let alone prefer DOFP to something like Winter Solider which has the all-ages appeal of a real Disney movie.
Guardians of the Galaxy, don't even get me started.
The movie has an African American female lead, wait a GREEN female lead (and based on the Fantastic Four casting, we all know what Fox thinks of African-American female leads) rips your heart out in the first five minutes, establishes new characters and a new universe without ever resulting formulaic, his most powerful character is an SFX botanic version of Forrest Gump, its main character has no superpower, the script makes you laugh at Rocket Racoon and then makes you feel guilty about it, and last but not the least nails a good joke after the other. It's a great ride, full of feels. And yes, it's predictable, somewhat derivative and the bad guy is as unimaginative as they come but IT DELIVERS what it promises, something one can't say about DoFP except (maybe) the Quicksilver sequence.
I hope my opinion is more clear now and that whether you agree or not, at least you won't reduce it to simple fanboyism.
just watched Grand Budapest Hotel from Redbox DVD last night.
Umm... is most of the film supposed to be 4:3? The scenes where Jude Law was talking with the guy in the hotel about his story were widescreen for me but everything else was 4:3?
my GF's dog sat on the remote early in the film and zoomed the screen or something so I wasn't sure if he accidentally changed the aspect ratio or something...
Did you notice the different aspect ratios lined up with the different eras the film take place in? It was intentional. A little way to differentiate the time periods.just watched Grand Budapest Hotel from Redbox DVD last night.
Umm... is most of the film supposed to be 4:3? The scenes where Jude Law was talking with the guy in the hotel about his story were widescreen for me but everything else was 4:3?
my GF's dog sat on the remote early in the film and zoomed the screen or something so I wasn't sure if he accidentally changed the aspect ratio or something...
The Raid 2 doesn't exactly have the world's most original gangster story, and it can't be ignored that the remarkable level of violence in the film is going to be pretty damn off-putting for a lot of people. Frankly, I'm surprised it scored as well as it did, since it's such a genre enthusiast kind of film.
Um, if you're not joking, each part of the story that follows a different timeline/character arc is in a different aspect ratio.