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Rottenwatch: AVATAR (82%)

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This is how i feel about this movie, Its like i'm dying to return!
 
aznpxdd said:
Except in Avatar you can actually follow the action...

So is that what we're going to predicate this being a decent film on? The fact that Cameron gave us slightly smoother CGI action than Bay? This doesn't change the fact that the film contextualizes itself almost entirely through background narration, wastes much of the first hour and a half showing off Pandora's visual splendor without going too far into the Navi's actual traditions--at least not to an extent to merit its 1.5 hour span--and has a flimsy, overused, stock plot.
 
Tobor said:
No way, those guys suck. He should have hired the writers from Star Trek.
Damon lindelof was also involved in the writing of star trek and there were probably a few other uncredited writers involved too. There always are on projects that big.

It also helped that on star trek they didn't have a director who wanted shitty writing as Bay always seems to want. No matter who writes his flicks they always have the same shitty qualities.
 
JGS said:
You guys had better trailers than me.

I had Clash of the Titans, Salt, & a Piranhas remake in 3D.

The Titans trailer did not look better than the original to me except for Zeus. The rest just looked like a typical CGI show off flick.
I had zero trailers :/ the theater employee actually announced before that the film was too long.
 
Why make up a metal at all? There are quite a few real rare metals that would easily be valuable enough to a future human society to warrant the mission.

You don't have to treat your audience like they're made of stupidanium.
 
Speevy said:
In a year where all the super serious dramas have fallen flat, this will win the Oscar.
All the Oscar buzz seems to have died down now that everyone has seen it and the RT/Metacritic score has deflated. I can see it winning a Special Effects Oscar but I don't think it will stand up to films driven by superior writing and superior acting. Zoe Saldana might have an outside chance for Best Actress but I don't think her work during the serious moments is all that great, and some might say it borders a little on hammy.

Based on buzz alone I'm probably picking Up In The Air to take home most of the gold. Clooney is a Hollywood darling, and Reitman needs an Oscar but they couldn't give it to him for something as light and flip as Juno or Thank You For Smoking. I'd say that even Nine has a better shot than Avatar.

But then again with the crazy way they've re-arranged the Best Picture nomination process, who knows what could happen? Maybe the vote will be split between all the artsy fartsy folks, and some mainstream film could win. But since the "serious drama" category is supposedly devoid of legitimate contenders, all it takes is one good artsy fartsy film to beat everything else. Of course there is the animation taboo, and I'm not sure how many voters can/could really pick a mostly animated film over more "legitimate" live action efforts.
 
DanielPlainview said:
I had zero trailers :/ the theater employee actually announced before that the film was too long.

Didn't miss much then. The trailers at mine were Prince Of Persia, Clash of the Titans, Salt, Percy Jackson and the Olympians the Lightning Thief (what an awful title), and some other utterly unmemorable movie. It was awful how far movie trailers had fallen.
 
JzeroT1437 said:
wastes much of the first hour and a half showing off Pandora's visual splendor without going too far into the Navi's actual traditions.


A long 3D tour of an alien world, perfectly rendered, isn't really a worthwhile thing to complain about in a movie whose premise and raison d'etre is precisely that. I almost forgot that Pandora was threatened while we got to explore the place.
 
I think Cameron should keep writing his own stories. He is the best action director out there in exploring relationships between characters. I think he did it better when he was with his Bigelow, but you can't turn back time.

IMO, no one, except possibly Spielberg when he does action flicks, comes close and Avatar is no exception. He may farm out writing to make a more interesting villian, but otherwise, his stories are tight because he's telling them. I have a hard time believing he would ever give up control anyway. When he makes a movie, the WHOLE movie is his.

T2 is nowhere near as well written a story as Avatar. It just isn't. The reason it is awesome has nothing to do with the writing.
 
border said:
All the Oscar buzz seems to have died down now that everyone has seen it and the RT/Metacritic score has deflated. I can see it winning a Special Effects Oscar but I don't think it will stand up to films driven by superior writing and superior acting.

Based on buzz alone I'm probably picking Up In The Air to take home most of the gold. Clooney is a Hollywood darling, and Reitman needs an Oscar but they couldn't give it to him for something as light and flip as Juno or Thank You For Smoking. I'd say that even Nine has a better shot than Avatar.

But then again with the crazy way they've re-arranged the Best Picture nomination process, who knows what could happen? Maybe the vote will be split between all the artsy fartsy folks, and some mainstream film could win. But since the "serious drama" category is supposedly devoid of legitimate contenders, all it takes is one good artsy fartsy film to beat everything else.

Inglourious Basterds. If it doesn't win, it will certainly be in the running for best pic.
 
JzeroT1437 said:
So is that what we're going to predicate this being a decent film on? The fact that Cameron gave us slightly smoother CGI action than Bay? This doesn't change the fact that the film contextualizes itself almost entirely through background narration, wastes much of the first hour and a half showing off Pandora's visual splendor without going too far into the Navi's actual traditions--at least not to an extent to merit its 1.5 hour span--and has a flimsy, overused, stock plot.
the first hour and a half is what sucked me into the film completely. it was fantastic escapism.
 
DanielPlainview said:
I had zero trailers :/ the theater employee actually announced before that the film was too long.

I wish I was at your theater. I actually had to watch 15 minutes worth of actual commercials, not just the soda on. I was learning about deals at Walmart, JC Penney, & all military operations wanting me to join their squad.
 
OuterWorldVoice said:
A long 3D tour of an alien world, perfectly rendered, isn't really a worthwhile thing to complain about in a movie whose premise and raison d'etre is precisely that. I almost forgot that Pandora was threatened while we got to explore the place.

I guess if you're some mindless voyeur who goes to the theater only to be shown pictures rather than entertained or stimulated by an actual story, yeah. That's true.
 
JzeroT1437 said:
I guess if you're some mindless voyeur who goes to the theater only to be shown pictures rather than entertained or stimulated by an actual story, yeah. That's true.
yep, we're all mindless idiots.
 
maharg said:
I think you might be underestimating the penetrative power of
arrows and overestimating how strong glass can be made. Bullets have pretty weak penetrative power, but the amount of kinetic energy in a flying arrow is massive, and the penetrative power of arrows is much higher because of the sharp tip. Especially when those arrows are twice the size of human arrows and drawn by much stronger people.
Arrows have a slightly finer tip than bullets, but bullets fly at probably ten times the speed. Keep in mind this is supposedly bulletproof glass, so their force against the shielding should have to be far greater than that of an actual bullet. I don't really buy it, but it would be interesting for someone to do the math and actually see what sort of arrow could penetrate bulletproof glass. I'd have to be something with pretty significant mass fired at a pretty incredible speed.

And as I mentioned earlier, if the arrows are "better" the bullets they should not stick in humans' chests.....they should fly straight through, given that our innards are much more gooey and soft than bulletproof glass.
 
JGS said:
I wish I was at your theater. I actually had to watch 15 minutes worth of actual commercials, not just the soda on. I was learning about deals at Walmart, JC Penney, & all military operations wanting me to join their squad.
I really wanted to see the Piranha trailer in 3D though....and Knight and Day.
 
CassidyIzABeast said:
is jzero baiting? I think he's baiting

I'm not baiting. Sorry to crap on you're guys' fapfest over this film, but it's an example of subpar cinema. Introducing your movie with long stretches of background narration to contextualize your world being one of them. It's not a good film and it's certainly too long.
 
stuburns said:
This is what is so strange about Cameron, he's been quite open about his writing skills, and yet seems to want to write everything he makes. I think his scenario work is okay, he should farm out the rest though.

He should have fire James Horner long before he fire himself as the writer. Someone need to kick that unimaginative ass.

As for the dialogue, I thought alot of funny bits work, ("remember to take some samples") What's the weakest part to me was the narration of the first 10-20min.
 
DanielPlainview said:
I really wanted to see the Piranha trailer in 3D though....and Knight and Day.

The Piranha trailer was hilarious. The bulk of the theater was laughing out loud. Doing the remake as a comedy is brilliant.
 
tino said:
He should have fire James Horner long before he fire himself as the writer. Someone need to kick that unimaginative ass.

As for the dialogue, I thought alot of funny bits work, ("remember to take some samples") What's the weakest part to me was the narration of the first 10-20min.

Yeah, I can't believe how bad the score was. It's hard to believe this was the same guy who did the classic Aliens score.
 
ryutaro's mama said:
No I think he probably didn't like the film but now that everyone is responding to him, he's really playing things up.

I did legitimately dislike the film and I'm not playing anything up. I've just been repeating the same foundational problems I had with it, to which everyone who has responded has failed to address.
 
tino said:
He should have fire James Horner long before he fire himself as the writer. Someone need to kick that unimaginative ass.

As for the dialogue, I thought alot of funny bits work, ("remember to take some samples") What's the weakest part to me was the narration of the first 10-20min.
I thought some of it was okay. Like "I told myself I could pass any test a man could pass" as Jake is getting on the wheelchair off the transport ship.
 
border said:
Arrows have a slightly finer tip than bullets, but bullets fly at probably ten times the speed. Keep in mind this is supposedly bulletproof glass, so their force against the shielding should have to be far greater than that of an actual bullet. I don't really buy it, but it would be interesting for someone to do the math and actually see what sort of arrow could penetrate bulletproof glass. I'd have to be something with pretty significant mass fired at a pretty incredible speed.

And as I mentioned earlier, if the arrows are "better" the bullets they should not stick in humans' chests.....they should fly straight through, given that our innards are much more gooey and soft than bulletproof glass.
I still don't know if it's realistic, but the arrows were just HUGE compared to humans, so they was clearly a large amount of mass - and force - behind them. They were going about 2/3 of the way through people. It was like getting hit by small tree trunks.

As for the glass, the movie made a point that the Na'vi couldn't shoot through the glass from even moderate distance. They had to fly right up to the window, pull way back on the bow and fire at point blank range to shatter it.

Again, it may or may not be realistic. But I never had an issue with this - the arrows were huge, the Na'vi strong and the shots that broke the glass were from point-blank range.
 
JzeroT1437 said:
I'm not baiting. Sorry to crap on you're guys' fapfest over this film, but it's an example of subpar cinema. Introducing your movie with long stretches of background narration to contextualize your film being one of them. It's not a good film and it's certainly too long.
i thought it was fantastic and could have done with another 20-30 minutes.
i wasn't aware there was an objective measure of how good a film is :P like i said - i'm not sure you'll change anyone's opinion here. this movie really seems to be polarising people, and i'm enjoying it.
 
JzeroT1437 said:
I'm not baiting. Sorry to crap on you're guys' fapfest over this film, but it's an example of subpar cinema. Introducing your movie with long stretches of background narration to contextualize your world being one of them. It's not a good film and it's certainly too long.


Congrats, you have an opinion like the rest of us, no need to take it to harsh words.

I don't get how people judge what is "sub-par" any more. If people really enjoy the film and it does very well, who is anyone to say how they made it and did certain things was sub-par? If the film succeeds in every sense, yet does something normally viewed as bad in the industry, how can we be so sure that what they did really is bad?
 
JzeroT1437 said:
I guess if you're some mindless voyeur who goes to the theater only to be shown pictures rather than entertained or stimulated by an actual story, yeah. That's true.
Some like photography, others like literature, there's no basis to trash one over the other. You're being incredibly dense.
 
Deadly Cyclone said:
Congrats, you have an opinion like the rest of us, no need to take it to harsh words.

I don't get how people judge what is "sub-par" any more. If people really enjoy the film and it does very well, who is anyone to say how they made it and did certain things was sub-par? If the film succeeds in every sense, yet does something normally viewed as bad in the industry, how can we be so sure that what they did really is bad?

People enjoy Tyler Perry movies. Wild Hogs was #1 at the box office for weeks. People enjoying a film isn't necessarily an indicator of quality.
 
chubigans said:
Some like photography, others like literature, there's no basis to trash one over the other. You're being incredibly dense.

Cinema is neither. It's a visual means of telling a story or addressing an issue. Though you're right--Avatar is much closer to photography than any form of meaningful storytelling.
 
JzeroT1437 said:
People enjoy Tyler Perry movies. Wild Hogs was #1 at the box office for weeks. People enjoying a film isn't necessarily an indicator of quality.
An overwhelming majority of critics loved Avatar and I'm sure in the next few weeks we wont see a drop like we do with the films you mentioned.
 
JzeroT1437 said:
People enjoy Tyler Perry movies. Wild Hogs was #1 at the box office for weeks. People enjoying a film isn't necessarily an indicator of quality.
thank god we have a real movie critic in the thread teaching us what's good and bad.

Avatar did tell a story, albeit a simple one. but there was one.
 
JzeroT1437 said:
People enjoy Tyler Perry movies. Wild Hogs was #1 at the box office for weeks. People enjoying a film isn't necessarily an indicator of quality.

Yet (more of an argument of artistic "quality" in general) an artist can take a can of paint and throw it at a wall and call it art, and people will pay millions for it and say it is brilliant, can this not be applied to motion pictures? Maybe it is more that quality is in the eye of the beholder, as you think one thing is low quality and I another.
 
JzeroT1437 said:
I never said Transformers 2 was a better film--I said TERMINATOR 2 was a better film. I just said the ending was riddled with Michael-Bay-Esque traits, which it was. Lots of huge explosions? Check. Lots of animated things mashing into each other in some excuse for an epic battle? Check. Generally lacking feeling of climax? Check.

From your understanding of the written sentence, I'm shocked you could follow the story at all.


And to that I add:

Roger Ebert said:
I've complained that many recent films abandon story telling in their third acts and go for wall-to-wall action. Cameron essentially does that here, but has invested well in establishing his characters so that it matters what they do in battle and how they do it. There are issues at stake greater than simply which side wins.
 
JzeroT1437 said:
People enjoy Tyler Perry movies. Wild Hogs was #1 at the box office for weeks. People enjoying a film isn't necessarily an indicator of quality.

No but taking a pompous, "you must all be morons to like this garbage" attitude when defending your viewpoint is an indication of being an ass.
 
DanielPlainview said:
An overwhelming majority of critics loved Avatar and I'm sure in the next few weeks we wont see a drop like we do with the films you mentioned.

Star Wars: Episode 3 Rottentomatoes Score: 80 %

Indiana Jones and the Kingdom of the Crystal Skull Rottentomatoes Score: 77%

Sometimes if a movie's big enough or their director has enough cultural notoriety, critics do what they're expected to do, not what they should. This thing's riddled with problems critics would knock other lesser films for.
 
JzeroT1437 said:
Star Wars: Episode 3 Rottentomatoes Score: 80 %

Indiana Jones and the Kingdom of the Crystal Skull Rottentomatoes Score: 77%

Sometimes if a movie's big enough or their director has enough cultural notoriety, critics do what they're expected to do, not what they should. This thing's riddled with problems critics would knock other lesser films for.


Star Wars Episode 3 Box Office:
Domestic: $380,270,577 44.8%
+ Foreign: $468,484,191 55.2%
= Worldwide: $848,754,768

Indy 4:
Domestic: $317,101,119 40.3%
+ Foreign: $469,534,914 59.7%
= Worldwide: $786,636,033

And both made TONS of money too. What was your point again?
 
PhoncipleBone said:
Star Wars Episode 3 Box Office:
Domestic: $380,270,577 44.8%
+ Foreign: $468,484,191 55.2%
= Worldwide: $848,754,768

Indy 4:
Domestic: $317,101,119 40.3%
+ Foreign: $469,534,914 59.7%
= Worldwide: $786,636,033

And both made TONS of money too.

They were horrible, dude. Did you see either?
 
JzeroT1437 said:
Star Wars: Episode 3 Rottentomatoes Score: 80 %

Indiana Jones and the Kingdom of the Crystal Skull Rottentomatoes Score: 77%

Sometimes if a movie's big enough or their director has enough cultural notoriety, critics do what they're expected to do, not what they should. This thing's riddled with problems critics would knock other lesser films for.

Star Wars: Episode 3 Rottentomatoes Top Critics Score: 69 %

Indiana Jones and the Kingdom of the Crystal Skull Rottentomatoes Top Critics Score: 59%

vs

Avatar Rottentomatoes Top Critics Score: 94%
 
brandonh83 said:
Not sure how it's remotely possible to hate the battle sequence at the end but what the fuck ever

The ending was a breath of fresh air after the hour and a half of fluff that was given as an excuse for "development" at the beginning.
 
julls said:
i thought it was fantastic and could have done with another 20-30 minutes.
i wasn't aware there was an objective measure of how good a film is :P like i said - i'm not sure you'll change anyone's opinion here. this movie really seems to be polarising people, and i'm enjoying it.

I am not least bit surprised by the debate. When Titanic was released, the good/bad movie debate was much more intense. I am glad I was around in rec.arts.movies.current-films , with my webTV terminal!!! Goof times, young 'un, good times.
 
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