Alright senpais, be gentle with me. I'm extremely new to this whole Sailor Moon thing. As in, I believe I watched the American version when I was in Kindergarten or First Grade, and that was about 20 years ago now. So yeah. Anyway, a little while back, Hito asked me to watch the show, and I kinda had a heavy load but promised him I'd get to it. Things went down and now I'm fulfilling my promise to him. I'm four episodes into the show, watching the JP version this go around since I guess the American version was horrifically butchered.
As a side note, I have no background with this genre of anime. About 90-95% of the anime I watch is mecha, so that's sort of the context I frame everything in while watching this. Well, that and just trying to kinda think about the things I can learn from the culture/era of the show.
So some quick observations four episodes in:
1. The set up of the villains is extremely reminiscent to the one you find in old Super Robot shows like Getter Robo and Mazinger Z. Queen Beryl is the main villain, but she mostly sits on her throne, musing about evil and watching the good guys kick her minions' asses on TV. She works for a higher power, much like Emperor Gore of the Dinosaur Empire worked for the Grand Demon Yura, or Great Mazinger's Great General of Darkness worked for the Great Emperor of Darkness. Like these villains, she has her own sort of generals, in this case Jadeite. Jadeite himself doesn't always get his hands dirty, though, instead working via his own minions (the monsters of the week, if you will). Note that I'm not here to say that any of this is bad, just that it catches my eye. The goal, human energy, also reminds me a fair amount of Getter Robo G's Hundred Demon Empire's goal of stealing Getter Rays from mankind.
2. The way things work for Sailor Moon (what's the appropriate name to use here, anyway? Serena? Usagi? Bunny?) is also pretty similar to how they work for your average robot pilot. A fateful encounter, in the middle of enemy threat, sees her acquire her powers, with a sort of brief message that this is her destiny or what have you. This is a more standard set up that can probably be found throughout a lot of fiction, but I dunno, it just kinda reminded me of it.
Anyway, I assume the entire show runs off of Clark Kent logic, since Sailor Moon doesn't recognize Jadeite in episode 4 despite having met him in episode 3, and Naru doesn't realize that Sailor Moon is the same as her best buddy, even though it's not like Sailor Moon wears a mask.
She's also somewhat different from the average shonen protagonists in that she's not gungho about running out and beating the stuffing out of villains, but at the same time she's a lot less reluctant than say, many a Gundam protagonist. It'd be best to say that, if anything, she's rather turbulent about it. Which makes sense, since one's moods are fairly subject to change.
I can't decide yet if Luna is a bitchy demon who is using Sailor Moon and pressuring her to become a soldier without bothering to really explain the severity of the situation, or if she's a well-meaning servant of good who is more than just a little tired of dealing with a teenaged girl. Especially one as spacey as Sailor Moon.
And Sailor Moon is spacey. Like, she'll tell you she's a crybaby, but girl has her head in the clouds even more than that. All her friends are giggling teenage girls, too, but she's just, way, way spaced out compared even to that.
Anyway, that about wraps up my impressions of the first four episodes or so.