i think it's childish to refuse to relate to a narrative like that. tolstoy sucks cuz it's just rich russians in the past. idiotic.
however we have a huge problem with diversity of stories getting onto our cinema screens. it would be very hard for a story like manchester by the sea about death, family, and existential sadness to get its audience without the cast consisting largely of white people. it's like how i can't imagine a black wes anderson getting financed. like someone with his quirky style, melancholic characters and visual invention except nearly all the cast aren't white. the hipster audience wouldn't turn up. a black nebraska. never happening. black inside llewyn davis. nope nope. black her. get out of here.
black stories on screen seem largely to consist of historical or modern racial injustice so white arthouse audiences can congratulate themselves on how woke they are for watching, while ignoring that black people experience all the same varieties of life that the great films have always captured. i'm excited about seeing moonlight but it's a) exception that shows the void and b) is very much being marketed as black and gay two inequalities for the price of one.