dopemethodz
Neo Member
welp, cant sleep..prolly gonna just watch an episode then crash
hope its good
hope its good
Marco Polo wasn't actually all that good most of the time was why. It was saved by the fact it could be binged.This is gonna end up like Marco, killed by reviews, but liked/loved by viewers. Glad to see more positive reviews coming out.
We cast out of every single country that we shot in. We had extensive casting calls in Nairobi and Iceland, in London, in India. And whats kind of fun is that once we did our cast, Max [Riemelt] is from Berlin, he's one of the better known actors there. Tina [Desai] is from Mumbai and Doona is from Korea. As we shot the show, it kind of became like the Olympics in the following sense. We shot out each location one at a time. Because the show as done in subjective point of view -- not point of view camera but point of view thematically -- we never leave the point of view of our characters. Consequently when theyre in San Francisco to start off with, Jamie Clayton is in every single shot in every single scene. And we shot her nonstop for like two or three weeks. Then wed button up San Francisco and go to Chicago. And Brian [J. Smith] is in every single shot every single day and everyone has to be supportive of him. Then wed go to London and now its Tuppence's [Middleton] turn. And after a while it becomes like the Olympics where you hand off the baton to the next one. And there's a level of competition of saying, "I represent my country and by gosh Im going to do a great job," but also knowing that we have to support each other because that person's turn in the barrel is next. And that nationalism really brought a flavor to the production and to the cast dynamics that Ive never seen before.
As we were develping the first season, I’m a structuring nut. I like to know where I'm going at all times. So consequently there were things in the first season we wanted to do I would say, "Okay, we’re going to do this now. Where is that going to take us? Where is that going to go in year two? How are we going to end the show?" And we ended up looking at a rough five-year structure with year one being kind of the origin story for our characters. And we know year two. I put together a 30-page document that has all the key points we want to hit for year two. They haven’t given us the go-ahead yet but when they do, we’re ready to hit the ground running. So that’s all ready to go. And with luck we’ll do five years. One never knows. That’s certainly the plan.
We figured invariably the networks assume that the audience is not terribly bright. We believe the other way around. We think that the audience is hip enough and smart enough and trusting enough. If they know this is going somewhere and if they know, which is true, that by the end of the season, by the end of the story, everything is resolved in terms of how this all works they’ll stay with us. Bear in mind, we're doing a 12-hour structure, which is basically a 12-hour movie. If you want into a mystery film at a local cinema and four hours of a 12-hour movie is the first act. If you wanted in and after the first say 15 minutes of seeing all the setup, walked out of the theater of a mystery, you wouldn’t know what was going on. But you know that if you stay with it over the course of those two hours, eventually all those mysterious points will be cleared. Our structure is the same thing. The first act is setting up the mystery and what the hell’s going on. But the deeper you go, the more everything lines up and everything gets explained. The episodes either answer the questions that were raised in four or maybe the questions that were asked in three. It's a matter of just staying with it and we trust the audience’s smartness to figure that out.
They're planning for 5 seasons but a lot of the storylines/mysteries will close at the end of the season:
Straczynski, I'm guessing?
Naveen Andrews is in this? Sold.
Second quote makes me feel a little uneasy. Maybe it was with Bloodline as well where they're describing their shows as X hour long movies. Feels a bit like they're towing some Netflix line.Yep!
Yup, same feelings after finishing ep 1. They need to focus on certain characters every ep so they're not just zipping across the globe every few minutes.Halfway through the first ep and it's sorta a mess so far. Hope they manage to tie this all together by the end of the ep because none of it is really compelling yet and just seems like a random mishmash of scenes.
I really wish they had the characters from non English speaking countries acting in their native languages with subtitles. Bae Doona is such a great actress but it feels awkward for her to have to use English even with other Korean actors. Only watched a bit of the first episode so I'm not sure if this changes but I have a feeling it doesn't.
Halfway through the first ep and it's sorta a mess so far. Hope they manage to tie this all together by the end of the ep because none of it is really compelling yet and just seems like a random mishmash of scenes.
I guess it's still early, but I'm pretty surprised by the lack of activity. I'd have thought we'd have a few pages of impressions so far...
I know it's probably not fair to compare, but the thread for DD was insanely active around this time.
I guess it's still early, but I'm pretty surprised by the lack of activity. I'd have thought we'd have a few pages of impressions so far...
I know it's probably not fair to compare, but the thread for DD was insanely active around this time.
Lol, that's like comparing any Marvel movie thread with the Cloud Atlas and Jupiter Ascending threads. Same result.
Kimmy Schmitt's first day was also super slow, but I doubt something from the Wachowski's will be as popular as something from Marvel.
I guess it's still early, but I'm pretty surprised by the lack of activity. I'd have thought we'd have a few pages of impressions so far...
I know it's probably not fair to compare, but the thread for DD was insanely active around this time.
I'm not sure what Netflix's marketing approach is with this. There's been very little coverage, and it seems to have arrived with very little fanfare despite the pedigree/ not being obviously terrible. Sure the reception has been mixed, but critics only got to see the first few episodes. Most reviews seem intrigued, for better or for worse.
Starting ep3. I think I like it?
I'm on episode 5Normally this doesn't irk me at all but especially when whey are in Germany the fact that they all speak english is rather confusing. Would have preferred subtitles.
So we compare to HoC, Orange is.... etcLol, that's like comparing any Marvel movie thread with the Cloud Atlas and Jupiter Ascending threads. Same result.
The opening credits are there, they are a bunch of pictures/videos. Its weird as hell and its far to long in my opinion.
Yeah i kind of like the show, it has its bright spots but the dialogue sounds like they're speaking bad Shakespearean lines and some times it comes out of as super unnatural. To some degree i wish that this was made by some one else, or someone that could rile in the plots and connecting stories let it breath better with more natural dialogue but oh well. Hopefully if there is a season 2 these will be far more tighter and less disjointed and messy because in my eye's i see a lot of scenes and other thing that could have been left on the cutting room floor.