dont respect exclusion. respect inclusion . i m multiracial myself of european and middle eastern decent and in this day and age the only thing that should matter should be skills and talent and not ethnicity or gender. keeping your culture alive doesnt mean being exclusive of other cultures/people. you can include them and show them how wonderful your culture is instead of mistreating them and excluding them .these are my opinion ofcourse
Fixed that for ya lol
? PS sales in the region of jim ryan under him had been the highest. so to me it seemed many wanted his vision .
well you are an xbox player . arent you ? so does it really matter haha and no ken almost destroyed the PS brand
lol your level of intelligence goes along with your views on matters . blocked . bye
Good thing it is your opinion, I agree with a snippet of your post however.
Agreed, a lot of idiotic replies in this thread, the Japanese aren't some super race that turn shit into gold, they were great in the past but things change and evolve, mangement is an art and if a person is gifted with it, then he or she should lead regardless of their background.
Roberto Ferrari has been living and working in Japan since the 90's. At this point he is much more "Japanese" in terms of cultural influences than most other foreigners working for Japanese publishers/developers including those other two you mentioned.
Pre-2012 said:
Post-2012 said:
How does a big budget space RPG sound to you?
Knack 1 & 2, TLG and Astro Bot... (I don't consider Playroom a game) Everything else was developed by someone else with them providing tech support.Japan Studio - Wikipedia
en.wikipedia.org
You forgot Gravity Rush 2 and, funnily enough, Astro Bot.
Credited or not, most AAA or even AA games are also outsourced partially or even almost totally to at least one studio. In many cases to several studios, mostly to do art assets. A random example: over 20 studios did work on a game like Street Fighter V.
If you skim through what some of these people are saying it pretty much boils down to keeping the Japanese games industry like the Japaneses game industry. I dont care if foreigners are working over there helping in the industry but if there positioning ideas to the higher ups that are the equivalent of Lost planet 3 or trying to "westernize" Japanese/anime style games then most of these people dont want it. I play japanese games for there unquie artistic and gameply style choices I dont want Japaneses games to turn into yearly boring releases like cod or madden that lack of sort of soul along ubisofts whole catalog since 2014 or Cutscnees sims like The last of us or dumbed down hack n slash games like God of war 2018, or have jrpg with the writting style of mass effect andromeda.
I agree with what your saying 100% I think the reason why we have so many people being very vocal about "'gaijin's" joining the JP industry is that they bring those same terrible ideas with them. I know its not "'gaijin" fault 100% it a split between what you said the higher ups and corporate suits. Since you work in the industry the info that you have shared is interesting and will make sure to remember it in the future im not surprised the split is 10% foreign, 90% Japanese. I think Japan overhauled how there ips are controlled now I rember atlus basically doing what nintendo does for the US branch there just there to promote the game but they have little to no say so in the games and how there made.
japan already has VR arcade games but making those for a console would be much harder
GAF is in need of that AMA now more than ever
