They're on youtube, dood.Master Milk said:You . . . went to one?
They're on youtube, dood.Master Milk said:You . . . went to one?
Dresden said:I don't even know why I post these every week.
7Th said:
a) What did you expect? :loldoomed1 said:Y'all know nothing about K-On selling out until you've seen the live concerts. They're a huge sham, don't even play their own instruments, and those voices sound fukk'n WEIRD coming out of grown women. They should have just pulled a Gorillaz and put up an animation from KyoAni for a live reading and sound synching instead of a bunch of grown-ass women pretending to play instruments and look pretty. It's no better than some random idol concert. Literally turned my stomach.
I would do it, but I see that Clarissa is already on track with that one. Although I imagine that Utena has been the subject of many, many essays already.icarus-daedelus said:Not that I'm in the position to write a dissertation on animu, or anything at all, but if I were to do so, it'd totally be about Revolutionary Girl Utena.
Paprikka said:Sket Dance 2 - Seemed like it had a bit too much yelling, but was otherwise good, and it had the first "That's our Switch!" moment. If there's any reason to watch this show, it's for Switch shenanigans, the better of which come later on.
It also had the ED this time with a song by The Pillows, which I'm hoping means the rock contest is going to be an episode at some point since if I remember correctly they did a cover of a Pillows song for it.
Recency bias, it's certainly pretty powerful. People seem to really love Summer Wars, to an extent I find a tad puzzling.icarus-daedelus said:Those lists can't be that old if they both have Summer Wars on them. Which must be the opposite of rose-tinted nostalgia, rose-tinted recency? I didn't know Japan was quite that fond of Cagliostro.
He's as subtle in his selection as he is in his writing.icarus-daedelus said:And lol at Tomino's fourth favorite anime being Gundam.
Paprikka said:Sket Dance 2 - Seemed like it had a bit too much yelling, but was otherwise good, and it had the first "That's our Switch!" moment. If there's any reason to watch this show, it's for Switch shenanigans, the better of which come later on.
It also had the ED this time with a song by The Pillows, which I'm hoping means the rock contest is going to be an episode at some point since if I remember correctly they did a cover of a Pillows song for it.
7Th said:Interesting, oldass, lists:
Yoshikuki Tomino's, director of Gundam, most favorite anime
1. Mighty Atom (Osamu Tezuka)
2. Ashita no Joe (Osamu Dezaki)
3. Heidi, Girl of the Alps (Isao Takahata)
4. Gundam (Yoshiyuki Tomino)
firehawk12 said:Why is Summer Wars on both lists but The Girl Who Leapt Through Time not?
That's good news then, though I guess at this point it's more of a question when instead of if considering how closely the show is following the manga. As for the spoiler I'm assuming they'll justEzalc said:This anime is awesome, the moment the ED started playing I recognized that it was The Pillows, I remember the rock contest episode being in the trailer for the show so that coupled with the ED probably means that the episode will come and it'll be amazing. The show is awesome, definitely loving it as much as the manga I just wonder how they'll handleSwitch's actual voice during the flashback later on.
Pretty much took the words out of my mouth. Summer Wars was clearly designed to appeal to a lot of people so it's no surprise that it's the more popular of the two.duckroll said:There are lots of possible reasons. Summer Wars in general probably resonates better with the Japanese audience because of the subject matter and the range of the large cast. It's also trendier and more original in terms of theme and designs. Tokikake on the other hand is based on existing novel, and the subject matter is pretty mundane and low-key.
Jexhius said:Also, there's a lack of Satoshi Kon on those lists. I assumed people would at least bring up Millennium Actress.
Paprikka said:That's good news then, though I guess at this point it's more of a question when instead of if considering how closely the show is following the manga. As for the spoiler I'm assuming they'll justremove the slight robotic tinge they have in his voice right now.
Nonoriri said:I saw those on /m/ a few days ago, but this:
is still totally hilarious.
TOP 10 Anime chosen by Media Arts Festival Jury (include Tomino)
1 Nausica of the Valley of the Wind 1980s
2 Astro Boy 1960s
3 AKIRA 1980s
4 Lupin III Castle of Cagliostro 1970s
4 Manga Nihon Mukashi Banashi 1970s
6 Evangelion 1990s
7 Gundam 1970s
8 Sazae-san 1960s
8 Galaxy Express 999 1970s
8 Doraemon 1970s
8 My Neighbor Totoro 1980s
8 Mt. Head 2000s
Which proves how misguided they are.duckroll said:Kon is much more famous outside of Japan than he is in Japan. The overseas critics and film festivals love him, but I've never felt that there was much of a similar vibe in Japan other than the general respect he gets from the much smaller fanbase which appreciates high quality animated productions in general. Even then, I would say that Kon's selection of staff for his films get more attention from the sakuga fan circles than Kon himself.
Huh, wow.duckroll said:Kon is much more famous outside of Japan than he is in Japan. The overseas critics and film festivals love him, but I've never felt that there was much of a similar vibe in Japan other than the general respect he gets from the much smaller fanbase which appreciates high quality animated productions in general. Even then, I would say that Kon's selection of staff for his films get more attention from the sakuga fan circles than Kon himself.
"I'm so awesome".Nonoriri said:is still totally hilarious.
Yeah, Tokikake is much more subdued, both in terms of characterization and visual style... I guess that just means people are easily impressed by bombast and pretty colours then.duckroll said:There are lots of possible reasons. Summer Wars in general probably resonates better with the Japanese audience because of the subject matter and the range of the large cast. It's also trendier and more original in terms of theme and designs. Tokikake on the other hand is based on existing novel, and the subject matter is pretty mundane and low-key.
I think that Tokikake is by far the superior movie, but I definitely think that Summer Wars is more popular in general. It's very similar to how Nolan's best movie is The Prestige, but because it is an adaptation of a novel and it deals with two magicians who have a rivalry, it doesn't get as much attention as his other films which have much stronger initial plot hooks like Memento, Inception and TDK.
And randomly hitting keys on keyboards being equivalent to VR.firehawk12 said:Yeah, Tokikake is much more subdued, both in terms of characterization and visual style... I guess that just means people are easily impressed by bombast and pretty colours then.
Hitokage said:Which proves how misguided they are.
Hack the planet, yo.Hitokage said:And randomly hitting keys on keyboards being equivalent to VR.
I think people have strange expectations when it comes to animation, which is why something like Waltz With Bashir probably gets praised more on content that on style or actual animation.duckroll said:Well, I tend to like to see it from multiple angles. If we look at it just from the point of view of "Yes well Kon's films are fantastic and they are fantastic because of Kon's vision, why don't people like that? Damn they have bad taste!" then yes, they're misguided.
But at the same time, it's also interesting to ponder why his stuff doesn't resonate that well with the domestic audience. I don't have a real answer for that, but I'll venture a theory that perhaps Kon's films are actually too much like live action.
I've actually mentioned this curious phenomenon before, but the anime shows which are directed and designed in the most realistic ways are often also either generally unpopular or very unpopular in Japan. Examples include Cowboy Bebop, Denno Coil, Michiko and Hacchin, and Sword of the Stranger. They emphasize (relatively) realistic character designs, and the animation and direction are meant to convey a sense of realism and believability in both the motion of characters and the camera.
In terms of style, Kon is very similar too. As such, it seems that shows like this don't really jive with what Japanese anime fans enjoy, and are not what Japanese audiences in general "expect" from animation. They prefer stuff which are more stylized, more exaggerated, and more... exciting (?). In contrast, while a lot of anime from Japan are written off as childish, ridiculous, perverted, or plain stupid by western audiences, it is the ones which convey the sense I mentioned above which tend to get the most attention and popularity from critic circles and audiences who don't generally watch anime.
Just my two cents.
I was under the impression that the majority of the IS suit stuff was CG. Particularly during the action sequences. I never thought it blended very well.Geneijin said:But then it wouldn't be a mecha musume anymore. What do you mean they couldn't draw them? Some of the IS suits referenced (?) Gundam suits apparently.
Extollere said:Planetes 6
I thought this was supposed to be a realistic show about space or something... why then, am I watching a show about lonely space ninjas, grown men surviving violent encounters with wrecking balls, and vigilante parachute rescue squads
duckroll said:Well, I tend to like to see it from multiple angles. If we look at it just from the point of view of "Yes well Kon's films are fantastic and they are fantastic because of Kon's vision, why don't people like that? Damn they have bad taste!" then yes, they're misguided.
But at the same time, it's also interesting to ponder why his stuff doesn't resonate that well with the domestic audience. I don't have a real answer for that, but I'll venture a theory that perhaps Kon's films are actually too much like live action.
I've actually mentioned this curious phenomenon before, but the anime shows which are directed and designed in the most realistic ways are often also either generally unpopular or very unpopular in Japan. Examples include Cowboy Bebop, Denno Coil, Michiko and Hacchin, and Sword of the Stranger. They emphasize (relatively) realistic character designs, and the animation and direction are meant to convey a sense of realism and believability in both the motion of characters and the camera.
In terms of style, Kon is very similar too. As such, it seems that shows like this don't really jive with what Japanese anime fans enjoy, and are not what Japanese audiences in general "expect" from animation. They prefer stuff which are more stylized, more exaggerated, and more... exciting (?). In contrast, while a lot of anime from Japan are written off as childish, ridiculous, perverted, or plain stupid by western audiences, it is the ones which convey the sense I mentioned above which tend to get the most attention and popularity from critic circles and audiences who don't generally watch anime.
Just my two cents.
Infinite Justice said:I guess that could explain no one caring for Wandering Son
Old people probably aren't awake at 2 am, let alone want to watch cartoons then.duckroll said:Master Keaton, Monster, Aoi Hana, and Wandering Son are all examples of successful manga which are popular with older audiences who don't mind buying and reading manga, but have anime adaptations which have practically zero fanbase because the manga audience for such series do not watch anime.
That's what they got the VCR for!firehawk12 said:Old people probably aren't awake at 2 am, let alone want to watch cartoons then.
I guess Lupin=popular, Miyazaki=popular therefore Lupin+Miyzaki=super popular.icarus-daedelus said:As do I, but I guess I just wasn't aware that Lupin was the most beloved of Miyazaki movies over there.
That may well be the case, but I imagine it's also a pretty daunting thing to review in itself.icarus-daedelus said:Is that why they've never done a review of Utena on AWO? They mention it in passing sometimes and I'm always a bit disappointed that they don't give it a full review. I need to know how much Gerald hates it!
duckroll said:Master Keaton, Monster, Aoi Hana, and Wandering Son are all examples of successful manga which are popular with older audiences who don't mind buying and reading manga, but have anime adaptations which have practically zero fanbase because the manga audience for such series do not watch anime.
doomed1 said:
The secret is: they're all good. I can't be alone in thinking that, surely?Extollere said:Planetes 7
Okay, that was a lot more like it. How the hell did we get such a horrible episode back to back with a pretty good one.
Stop reminding me that anime fans suck!duckroll said:Master Keaton, Monster, Aoi Hana, and Wandering Son are all examples of successful manga which are popular with older audiences who don't mind buying and reading manga, but have anime adaptations which have practically zero fanbase because the manga audience for such series do not watch anime.
Excellent. Will buy BDs day one. Or day -7 or so, depending on how early Rightstuf breaks the street date.Hellsing321 said:Looks like Funimation got the rights to Panty and Stocking
http://beta.funimation.com/panty-stocking-with-garterbelt
Hellsing321 said:Looks like Funimation got the rights to Panty and Stocking
http://beta.funimation.com/panty-stocking-with-garterbelt
Hellsing321 said:In other Funi news they'll be doing the Simulcast for [C]
http://i.imgur.com/554Uh.jpg/IMG]
[url]http://beta.funimation.com/c-control[/url][/QUOTE]
I like, totally posted that right above you!
Yeah, it was CG but I thought the IS suits blended well honestly until they actually moved because the movements were jerky among other problems with the action. So is your complaint not that they couldn't draw, but the animation during the action sequences were bad? The fight choreograph wasn't decent either. I hate how they zoomed away and looked like specks. I had the same complaints while watching. There wasn't a decent fight in the series. Maybe Episode 12 technically, but because the fights had no emotional weight, I don't remember it at all.Dance In My Blood said:I was under the impression that the majority of the IS suit stuff was CG. Particularly during the action sequences. I never thought it blended very well.
You're missing the big picture.Jexhius said:I like, totally posted that right above you!
Mine's more eye catching. >_>Jexhius said:I like, totally posted that right above you!
I like how it says.Hellsing321 said:In other Funi news they'll be doing the Simulcast for [C]
http://beta.funimation.com/c-control
Well if any anime would fit perfectly on Adult Swim it would be P&S. They could even break the show up into 26 airings since they have so many shows that are 15 mins. Of course they don't care about licensing other people's show so much anymore when they can just get some interns to make a new show out of duct tape, a coat hanger, and string; for the price of a large coffee at Starbucks.jman2050 said:Over/Under on Adult Swim announcement?
Dresden said:That said Laura Bailey should be badass for Panty, Stocking, Garterbelt, the rest of the cast and dubbing the OP, the ED and all the insert songs.