Sorry, had to sleep before I got into this, and now I have to write a news story.
Jexhius said:
A lot of this certainly makes sense, and importantly you define moe (as something). Whenever I try and bring a definition to anyone on the internet they tend to say "you can't define slang" to which I reply "then how do you know what you're talking about with other peoples?"
Still, even though I prefer a different definitions, yours is still pretty useful. However, I might modify it to "a combination of traits that aim to create an instant positive emotional reaction to a character." Even then, I'd move away from any one emotional reaction.
Definition is necessary for appropriate usage though. Without a definition beyond "positive emotion" moe the noun could be fuck all, and that pretty much makes it useless for everyone. Moe as an adjective can be fuck all, just as long as it illicits moe the noun/feeling. Now, understand that the "protective" range is wider than you're giving me credit for here and comes through in ways you wouldn't expect, plus might bring about co-feelings and fantasies, but the primary element of moe is that protective reaction and can be to do anything from just being there for support to protecting from actual imminent harm. There is a good reason I chose the definition I did, and it was after carefully reading my sources, which, frankly, are the best in talking about this sub-culture phenomenon called "moe".
Also, you speak of moe only being inspired by male characters on a 'rare occasion'. I haven't done any research on that subject, but I imagine there are a number of male characters who inspire "moe feelings" in the audience. Just look at Natsume! Or, on a grander scale, Evangelion.
In this case I just don't have the data or research to support anything other than female characters. Anything else would be conjecture and anecdotal. Though you'd have to admit that male-moe is MUCH rarer than the female driven variety. Also, Shinji is REALLY stretching it as far as moe goes, but not rule 63 Shinji, which is where the (cultural) double standard exists! (And I pointed that out)
Finally, you mention the power of narrative in increasing the moe likeability of a certain character, but what do you mean by 'narrative'? Is it an actual narrative, with real story elements? If so, then why was K-On! so popular, a show whose characters always poll so highly.
Because
K-ON! has a narrative? It's a relatively simple narrative of high schoolers playing in a rock band and their ordinary lives. I could see this stuff happening in real life, and ordinary life has often been heavily exploited for purposes of narrative, which is basically just characters, setting, conflict. There aren't any requirements for how complex this has to be nor how "epic".
Geneijin said:
Again, a definition looser than I posited makes use of moe as a literary element practically useless. Now, other emotions might ACCOMPANY the chara-moe, and that protectiveness itself might even take on different forms, but boiled down, it's all essentially the same reaction.